Vixen, Volume III by Mary Elizabeth Braddon (reading diary .TXT) 📖

of his youthful dreams--here where he might have hoped to form an alliance at once socially and politically advantageous--this young Hampshire's squire was before him.

"I don't think Mr. Vawdrey is particularly interested in my poetical efforts," Lady Mabel said with assumed carelessness. "He doesn't care for poetry. He likes Byron."

"What an admirable epigram!" cried the Hibernian, to whom flattery was second nature. "I shall put that down in my commonplace book when I go home. How I wish you would honour me--but it is to ask too much, perhaps--how proud I should be if you would let me hear, or see, some of your poems."

"Would you really lik----?" faltered Lady Mabel.

"Like! I should deem it the highest privilege your friendship could vouchsafe."

"If I felt sure it would not bore you, I should like much to have your opinion, your candid opinion," (Lord Mallow tried to look the essense of candour) "upon some things I have written. But it would be really to impose too much upon your good-nature."

"It would be to make me the proudest, and--for that one brief hour at least--the happiest of men," protested Lord Mallow, looking intensely sentimental.

"And you will deal frankly with me? You will not flatter? You will be as severe as an Edinburgh reviewer?"

"I will be positively brutal," said Lord Mallow. "I will try to imagine myself an elderly feminine contributor to the 'Saturday,' looking at you with vinegar gaze through a pair of spectacles, bent upon spotting every fleck and flaw in your work, and predetermined not to see anything good in it."

"Then I will trust you!" cried Lady Mabel, with a gush. "I have longed for a listener who could understand and criticise, and who would be too honourable to flatter. I will trust you, as Marguerite of Valois trusted Clement Marot."

Lord Mallow did not know anything about the French poet and his royal mistress, but he contrived to look as if he did. And, before he ran away to the House presently, he gave Lady Mabel's hand a tender little pressure which she accepted in all good faith as a sign manual of the compact between them.

They met in the Row next morning, and Lord Mallow asked--as earnestly as if the answer involved vital issues--when he might be permitted to hear those interesting poems.

"Whenever you can spare time to listen," answered Lady Mabel, more flattered by his earnestness than by all the adulatory nigar-plums which had been showered upon her since her _début_. "If you have nothing better to do this afternoon----"

"Could I have anything better to do?"

"We won't enter upon so wide a question," said Lady Mabel, laughing prettily. "If committee-rooms and public affairs can spare you for an hour or two, come to tea with mamma at five. Ill get her to deny herself to all the rest of the world, and we can have an undisturbed hour in which you can deal severely with my poor little efforts."

Thus it happened that, in the sweet spring weather, while Roderick was on the stand at Epsom, watching the City and Suburban winner pursue his meteor course along the close-cropped sward, Lord Mallow was sitting at ease in a flowery fauteuil in the Queen Anne morning-room at Kensington, sipping orange-scented tea out of eggshell porcelain, and listening to Lady Mabel's dulcet accents, as she somewhat monotonously and inexpressively rehearsed "The Tragedy of a Sceptic Soul."

The poem was long, and, sooth to say, passing dreary; and, much as he admired the Duke's daughter, there were moments when Lord Mallow felt his eyelids drooping, and heard a buzzing, as of summer insects, in his ears.

There was no point of interest in all this rhythmical meandering whereon the hapless young nobleman could fix his attention. Another minute and his sceptic soul would be wandering at ease in the flowery fields of sleep. He pulled himself together with an effort, just as the eggshell cup and saucer were slipping from his relaxing grasp. He asked the Duchess for another cup of that delicious tea. He gazed resolutely at the fair-faced maiden, whose rosy lips moved graciously, discoursing shallowest platitudes clothed in erudite polysyllables, and then at the first pause--when Lady Mabel laid down her velvet-bound volume, and looked timidly upward for his opinion--Lord Mallow poured forth a torrent of eloquence, such as he always had in stock, and praised "The Sceptic Soul" as no poem and no poet had ever been praised before, save by Hibernian critic.

The richness, the melody, the depth, colour, brilliance, tone, variety, far-reaching thought, &c., &c., &c.

He was so grateful to Providence for having escaped falling asleep that he could have gone on for ever in this strain. But if anyone had asked Lord Mallow what "The Tragedy of a Sceptic Soul" was about, Lord Mallow would have been spun.

When a strong-minded woman is weak upon one particular point she is apt to be very weak. Lady Mabel's weakness was to fancy herself a second Browning. She had never yet enjoyed the bliss of having her own idea of herself confirmed by independent evidence. Her soul thrilled as Lord Mallow poured forth his praises; talking of "The Book and the Ring," and "Paracelsus," and a great deal more, of which he knew very little, and seeing in the expression of Lady Mabel's eyes and mouth that he was saying exactly the right thing, and could hardly say too much.

They were _tête-à-tête_ by this time, for the Duchess was sleeping frankly, her crewel-work drooping from the hands that lay idle in her lap; her second cup of tea on the table beside her, half-finished.

"I don't know how it is," she was wont to say apologetically, after these placid slumbers. "There is something in Mabel's voice that always sends me to sleep. Her tones are so musical."

"And do you really advise me to publish?" asked Lady Mabel, fluttered and happy.

"It would be a sin to keep such verses hidden from the world."

"They will be published anonymously, of course. I could not endure to be pointed at as the author of 'The Sceptic Soul.' To feel that every eye was upon me--at the opera--in the Row--everywhere! It would be too dreadful. I should be proud to know that I had influenced my age--given a new bent to thought--but no one must be able to point at me."

"'Thou canst not say I did it,'" quoted Lord Mallow. "I entirely appreciate your feelings. Publicity of that sort must be revolting to a delicate mind. I should think Byron would have enjoyed life a great deal better if he had never been known as the author of 'Childe Harold.' He reduced himself to a social play-actor--and always had to pose in his particular rôle--the Noble Poet. If Bacon really wrote the plays we call Shakespeare's, and kept the secret all his life, he was indeed the wisest of mankind."

"You have done nothing but praise me," said Lady Mabel, after a thoughtful pause, during which she had trifled with the golden clasp of her volume; "I want you to do something more than that. I want you to advise--to tell me where I am redundant--to point out where I am weak. I want you to help me in the labour of polishing."

Lord Mallow pulled his whisker doubtfully. This was dreadful. He should have to go into particulars presently, to say what lines pleased him best, which of the various meters into which the tragedy was broken up--like a new suburb into squares and crescents and streets--seemed to him happiest and most original.

"Can you trust me with that precious volume?" he asked. "If you can, I will spend the quiet hours of the night in pondering over its pages, and will give you the result of my meditations to-morrow."

Mabel put the book into his hand with a grateful smile.

"Pray be frank with me," she pleaded. "Praise like yours is perilous."

Lord Mallow kissed her hand this time, instead of merely pressing it, and went away radiant, with the velvet-bound book under his arm.

"She's a sweet girl," he said to himself, as he hailed a cab. "I wish she wasn't engaged to that Hampshire booby, and I wish she didn't write poetry. Hard that I should have to do the Hampshire booby's work! If I were to leave this book in a hansom now--there'd be an awful situation!"

Happily for the rising statesman, he was blest with a clever young secretary, who wrote a good many letters for him, read blue-books, got up statistics, and interviewed obtrusive visitors from the Green Isle. To this young student Lord Mallow, in strictest secrecy, confided Lady Mabel's manuscript.

"Read it carefully, Allan, while I'm at the house, and make a note of everything that's bad on one sheet of paper, and of everything that's good on another. You may just run your pencil along the margin wherever you think I might write 'divine!' 'grandly original!' 'what pathos!' or anything of that sort."

The secretary was a conscientious young man, and did his work nobly. He sat far into the small hours, ploughing through "The Sceptic Soul." It was tough work; but Mr. Allan was Scotch and dogged, and prided himself upon his critical faculty. This autopsy of a fine lady's poem was a congenial labour. He scribbled pages of criticism, went into the minutest details of style, found a great deal to blame and not much to praise, and gave his employer a complete digest of the poem before breakfast next morning.

Lord Mallow attended the Duchess's kettledrum again that afternoon, and this time he was in no wise at sea. He handled "The Sceptic Soul" as if every line of it had been engraven on the tablet of his mind.

"See here now," he cried, turning to a pencilled margin; "I call this a remarkable passage, yet I think it might be strengthened by some trifling excisions;" and then he showed Lady Mabel how, by pruning twenty lines off a passage of thirty-one, a much finer effect might be attained.

"And you really think my thought stands out more clearly?" asked Mabel, looking regretfully at the lines through which Lord Mallow had run his pencil--some of her finest lines.

"I am sure of it. That grand idea of yours was like a star in a hazy sky. We have cleared away the fog."

Lady Mabel sighed. "To me the meaning of the whole passage seemed so obvious," she said.

"Because it was your own thought. A mother knows her own children however they are dressed."

This second tea-drinking was a very serious affair. Lord Mallow went at the poem like a professional reviewer, and criticised without mercy, yet contrived not to wound the author's vanity.

"It is because you have real genius that I venture to be brutally candid," he said, when, by those slap-dash pencil-marks of his--always with the author's consent--he had reduced the "Tragedy of the Sceptic Soul" to about one-third of its original length. "I was carried away yesterday by my first impressions; to-day I am coldly critical. I have set my heart upon your poem making a great success."

This last sentence, freely translated, might be taken to mean: "I should not like such an elegant young woman to make an utter fool of herself."

Mr. Vawdrey came in while critic and poet were at work, and was told what they were doing. He evinced no unworthy jealousy, but seemed glad that Lord Mallow should be so useful.

"It's a very fine poem," he said, "but there's too much