Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. Kenilworth by Walter Scott (libby ebook reader TXT) 📖
- Author: Walter Scott
Book online «Kenilworth by Walter Scott (libby ebook reader TXT) 📖». Author Walter Scott
As she said this, she looked on Leicester so expressively that, while his heart revolted against the egregious falsehood, he did himself so much violence as to reply in a whisper that Leicester's love was more lowly than her Majesty deemed, since it was settled where he could never command, but must ever obey.
The Queen blushed, and bid him be silent; yet looked as of she expected that he would not obey her commands. But at that moment the flourish of trumpets and kettle-drums from a high balcony which overlooked the hall announced the entrance of the maskers, and relieved Leicester from the horrible state of constraint and dissimulation in which the result of his own duplicity had placed him.
The masque which entered consisted of four separate bands, which followed each other at brief intervals, each consisting of six principal persons and as many torch-bearers, and each representing one of the various nations by which England had at different times been occupied.
The aboriginal Britons, who first entered, were ushered in by two ancient Druids, whose hoary hair was crowned with a chaplet of oak, and who bore in their hands branches of mistletoe. The maskers who followed these venerable figures were succeeded by two Bards, arrayed in white, and bearing harps, which they occasionally touched, singing at the same time certain stanzas of an ancient hymn to Belus, or the Sun. The aboriginal Britons had been selected from amongst the tallest and most robust young gentlemen in attendance on the court. Their masks were accommodated with long, shaggy beards and hair; their vestments were of the hides of wolves and bears; while their legs, arms, and the upper parts of their bodies, being sheathed in flesh-coloured silk, on which were traced in grotesque lines representations of the heavenly bodies, and of animals and other terrestrial objects, gave them the lively appearance of our painted ancestors, whose freedom was first trenched upon by the Romans.
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The sons of Rome, who came to civilize as well as to conquer, were next produced before the princely assembly; and the manager of the revels had correctly imitated the high crest and military habits of that celebrated people, accommodating them with the light yet strong buckler and the short two-edged sword, the use of which had made them victors of the world. The Roman eagles were borne before them by two standard-bearers, who recited a hymn to Mars, and the classical warriors followed with the grave and haughty step of men who aspired at universal conquest.
The third quadrille represented the Saxons, clad in the bearskins which they had brought with them from the German forests, and bearing in their hands the redoubtable battle-axes which made such havoc among the natives of Britain. They were preceded by two Scalds, who chanted the praises of Odin.
Last came the knightly Normans, in their mail-shirts and hoods of steel, with all the panoply of chivalry, and marshalled by two Minstrels, who sang of war and ladies' love.
These four bands entered the spacious hall with the utmost order, a short pause being made, that the spectators might satisfy their curiosity as to each quadrille before the appearance of the next. They then marched completely round the hall, in order the more fully to display themselves, regulating their steps to organs, shalms, hautboys, and virginals, the music of the Lord Leicester's household. At length the four quadrilles of maskers, ranging their torch-bearers behind them, drew up in their several ranks on the two opposite sides of the hall, so that the Romans confronting the Britons, and the Saxons the Normans, seemed to look on each other with eyes of wonder, which presently appeared to kindle into anger, expressed by menacing gestures. At the burst of a strain of martial music from the gallery the maskers drew their swords on all sides, and advanced against each other in the measured steps of a sort of Pyrrhic or military dance, clashing their swords against their adversaries' shields, and clattering them against their blades as they passed each other in the progress of the dance. It was a very pleasant spectacle to see how the various bands, preserving regularity amid motions which seemed to be totally irregular, mixed together, and then disengaging themselves, resumed each their own original rank as the music varied.
In this symbolical dance were represented the conflicts which had taken place among the various nations which had anciently inhabited Britain.
At length, after many mazy evolutions, which afforded great pleasure to the spectators, the sound of a loud-voiced trumpet was heard, as if it blew for instant battle, or for victory won. The maskers instantly ceased their mimic strife, and collecting themselves under their original leaders, or presenters, for such was the appropriate phrase, seemed to share the anxious expectation which the spectators experienced concerning what was next to appear.
The doors of the hall were thrown wide, and no less a person entered than the fiend-born Merlin, dressed in a strange and mystical attire, suited to his ambiguous birth and magical power.
About him and behind him fluttered or gambolled many extraordinary forms, intended to represent the spirits who waited to do his powerful bidding; and so much did this part of the pageant interest the menials and others of the lower class then in the Castle, that many of them forgot even the reverence due to the Queen's presence, so far as to thrust themselves into the lower part of the hall.
The Earl of Leicester, seeing his officers had some difficulty to repel these intruders, without more disturbance than was fitting where the Queen was in presence, arose and went himself to the bottom of the hall; Elizabeth, at the same time, with her usual feeling for the common people, requesting that they might be permitted to remain undisturbed to witness the pageant. Leicester went under this pretext; but his real motive was to gain a moment to himself, and to relieve his mind, were it but for one instant, from the dreadful task of hiding, under the guise of gaiety and gallantry, the lacerating pangs of shame, anger, remorse, and thirst for vengeance. He imposed silence by his look and sign upon the vulgar crowd at the lower end of the apartment; but instead of instantly returning to wait on her Majesty, he wrapped his cloak around him, and mixing with the crowd, stood in some degree an undistinguished spectator of the progress of the masque.
Merlin having entered, and advanced into the midst of the hall, summoned the presenters of the contending bands around him by a wave of his magical rod, and announced to them, in a poetical speech, that the isle of Britain was now commanded by a Royal Maiden, to whom it was the will of fate that they should all do homage, and request of her to pronounce on the various pretensions which each set forth to be esteemed the pre-eminent stock, from which the present natives, the happy subjects of that angelical Princess, derived their lineage.
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