Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. Dombey and Son by Charles Dickens (ebook reader 7 inch .txt) 📖
- Author: Charles Dickens
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Florence, not knowing what she did, put on a shawl and bonnet, in a dream of running through the streets until she found Edith, and then clasping her in her arms, to save and bring her back. But when she hurried out upon the staircase, and saw the frightened servants going up and down with lights, and whispering together, and falling away from her father as he passed down, she awoke to a sense of her own powerlessness; and hiding in one of the great rooms that had been made gorgeous for this, felt as if her heart would burst with grief.
Compassion for her father was the first distinct emotion that made head against the flood of sorrow which overwhelmed her. Her constant nature turned to him in his distress, as fervently and faithfully, as if, in his prosperity, he had been the embodiment of that idea which had gradually become so faint and dim. Although she did not know, otherwise than through the suggestions of a shapeless fear, the full extent of his calamity, he stood before her, wronged and deserted; and again her yearning love impelled her to his side.
He was not long away; for Florence was yet weeping in the great room and nourishing these thoughts, when she heard him come back. He ordered the servants to set about their ordinary occupations, and went into his own apartment, where he trod so heavily that she could hear him walking up and down from end to end.
Yielding at once to the impulse of her affection, timid at all other times, but bold in its truth to him in his adversity, and undaunted by past repulse, Florence, dressed as she was, hurried downstairs. As she set her light foot in the hall, he came out of his room. She hastened towards him unchecked, with her arms stretched out, and crying ‘Oh dear, dear Papa!’ as if she would have clasped him round the neck.
And so she would have done. But in his frenzy, he lifted up his cruel arm, and struck her, crosswise, with that heaviness, that she tottered on the marble floor; and as he dealt the blow, he told her what Edith was, and bade her follow her, since they had always been in league.
She did not sink down at his feet; she did not shut out the sight of him with her trembling hands; she did not weep; she did not utter one word of reproach. But she looked at him, and a cry of desolation issued from her heart. For as she looked, she saw him murdering that fond idea to which she had held in spite of him. She saw his cruelty, neglect, and hatred dominant above it, and stamping it down. She saw she had no father upon earth, and ran out, orphaned, from his house.
Ran out of his house. A moment, and her hand was on the lock, the cry was on her lips, his face was there, made paler by the yellow candles hastily put down and guttering away, and by the daylight coming in above the door. Another moment, and the close darkness of the shut-up house (forgotten to be opened, though it was long since day) yielded to the unexpected glare and freedom of the morning; and Florence, with her head bent down to hide her agony of tears, was in the streets.
CHAPTER 48. The Flight of Florence
In the wildness of her sorrow, shame, and terror, the forlorn girl hurried through the sunshine of a bright morning, as if it were the darkness of a winter night. Wringing her hands and weeping bitterly, insensible to everything but the deep wound in her breast, stunned by the loss of all she loved, left like the sole survivor on a lonely shore from the wreck of a great vessel, she fled without a thought, without a hope, without a purpose, but to fly somewhere anywhere.
The cheerful vista of the long street, burnished by the morning light, the sight of the blue sky and airy clouds, the vigorous freshness of the day, so flushed and rosy in its conquest of the night, awakened no responsive feelings in her so hurt bosom. Somewhere, anywhere, to hide her head! somewhere, anywhere, for refuge, never more to look upon the place from which she fled!
But there were people going to and fro; there were opening shops, and servants at the doors of houses; there was the rising clash and roar of the day’s struggle. Florence saw surprise and curiosity in the faces flitting past her; saw long shadows coming back upon the pavement; and heard voices that were strange to her asking her where she went, and what the matter was; and though these frightened her the more at first, and made her hurry on the faster, they did her the good service of recalling her in some degree to herself, and reminding her of the necessity of greater composure.
Where to go? Still somewhere, anywhere! still going on; but where! She thought of the only other time she had been lost in the wild wilderness of London—though not lost as now—and went that way. To the home of Walter’s Uncle.
Checking her sobs, and drying her swollen eyes, and endeavouring to calm the agitation of her manner, so as to avoid attracting notice, Florence, resolving to keep to the more quiet streets as long as she could, was going on more quietly herself, when a familiar little shadow darted past upon the sunny pavement, stopped short, wheeled about, came close to her, made off again, bounded round and round her, and Diogenes, panting for breath, and yet making the street ring with his glad bark, was at her feet.
‘Oh, Di! oh, dear, true, faithful Di, how did you come here? How could I ever leave you, Di, who would never leave me?’
Florence bent down on the pavement, and laid his rough, old, loving, foolish head against her breast, and they got up together, and went on together; Di more off the ground than on it, endeavouring to kiss his mistress flying, tumbling over and getting up again without the least concern, dashing at big dogs in a jocose defiance of his species, terrifying with touches of his nose young housemaids who were cleaning doorsteps, and continually stopping, in the midst of a thousand extravagances, to look back at Florence, and bark until all the dogs within hearing answered, and all the dogs who could come out, came out to stare at him.
With this last adherent, Florence hurried away in the advancing morning, and the strengthening sunshine, to the City. The roar soon grew more loud, the passengers more numerous, the shops more busy, until she was carried onward in a stream of life setting that way, and flowing, indifferently, past marts and mansions, prisons, churches, market-places, wealth, poverty, good, and evil, like the broad river side by side with it, awakened from its dreams of rushes, willows, and green moss, and rolling on, turbid and troubled, among the works and cares of men, to the deep sea.
At length the quarters of the little Midshipman arose in view. Nearer yet, and the little Midshipman himself was seen upon his post, intent as ever on his observations. Nearer yet, and the door stood open, inviting her to enter. Florence, who had again quickened her pace, as she approached the end of her journey, ran across the road (closely followed by Diogenes, whom the bustle had somewhat confused), ran in, and sank upon the threshold of the well-remembered little parlour.
The Captain, in his glazed hat, was standing over the fire, making his morning’s cocoa, with that elegant trifle, his watch, upon the chimney-piece, for easy reference during the progress of the cookery. Hearing a footstep and the rustle of a dress, the Captain turned with a palpitating remembrance of the dreadful Mrs MacStinger, at the instant when Florence made a motion with her hand towards him, reeled, and fell upon the floor.
The Captain, pale as Florence, pale in the very knobs upon his face raised her like a baby, and laid her on the same old sofa upon which she had slumbered long ago.
‘It’s Heart’s Delight!’ said the Captain, looking intently in her face. ‘It’s the sweet creetur grow’d a woman!’
Captain Cuttle was so respectful of her, and had such a reverence for her, in this new character, that he would not have held her in his arms, while she was unconscious, for a thousand pounds.
‘My Heart’s Delight!’ said the Captain, withdrawing to a little distance, with the greatest alarm and sympathy depicted on his countenance. ‘If you can hail Ned Cuttle with a finger, do it!’
But Florence did not stir.
‘My Heart’s Delight!’ said the trembling Captain. ‘For the sake of Wal’r drownded in the briny deep, turn to, and histe up something or another, if able!’
Finding her insensible to this impressive adjuration also, Captain Cuttle snatched from his breakfast-table a basin of cold water, and sprinkled some upon her face. Yielding to the urgency of the case, the Captain then, using his immense hand with extraordinary gentleness, relieved her of her bonnet, moistened her lips and forehead, put back her hair, covered her feet with his own coat which he pulled off for the purpose, patted her hand—so small in his, that he was struck with wonder when he touched it—and seeing that her eyelids quivered, and that her lips began to move, continued these restorative applications with a better heart.
‘Cheerily,’ said the Captain. ‘Cheerily! Stand by, my pretty one, stand by! There! You’re better now. Steady’s the word, and steady it is. Keep her so! Drink a little drop o’ this here,’ said the Captain. ‘There you are! What cheer now, my pretty, what cheer now?’
At this stage of her recovery, Captain Cuttle, with an imperfect association of a Watch with a Physician’s treatment of a patient, took his own down from the mantel-shelf, and holding it out on his hook, and taking Florence’s hand in his, looked steadily from one to the other, as expecting the dial to do something.
‘What cheer, my pretty?’ said the Captain. ‘What cheer now? You’ve done her some good, my lad, I believe,’ said the Captain, under his breath, and throwing an approving glance upon his watch. ‘Put you back half-an-hour every morning, and about another quarter towards the arternoon, and you’re a watch as can be ekalled by few and excelled by none. What cheer, my lady lass!’
‘Captain Cuttle! Is it you?’ exclaimed Florence, raising herself a little.
‘Yes, yes, my lady lass,’ said the Captain, hastily deciding in his own mind upon the superior elegance of that form of address, as the most courtly he could think of.
‘Is Walter’s Uncle here?’ asked Florence.
‘Here, pretty?’ returned the Captain. ‘He ain’t been here this many a long day. He ain’t been heerd on, since he sheered off arter poor Wal’r. But,’ said the Captain, as a quotation, ‘Though lost to sight, to memory dear, and England, Home, and Beauty!’
‘Do you live here?’ asked Florence.
‘Yes, my lady lass,’ returned the Captain.
‘Oh, Captain Cuttle!’ cried Florence, putting her hands together, and speaking wildly. ‘Save me! keep me here! Let no one know where I am! I’ll tell you what has happened by-and-by, when I can. I have no one in the world to go to. Do not send me away!’
‘Send you away, my lady lass!’ exclaimed the Captain. ‘You, my Heart’s Delight! Stay a bit! We’ll put up this here deadlight, and take a double turn on the key!’
With these words, the Captain, using his one hand and his hook with the greatest dexterity, got out the shutter of the door, put it up, made it all fast, and locked the door itself.
When he came back to the side of Florence, she took his hand, and kissed it. The helplessness of the action, the appeal
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