Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. The Parisians — Complete by Baron Edward Bulwer Lytton Lytton (beautiful books to read TXT) 📖
Book online «The Parisians — Complete by Baron Edward Bulwer Lytton Lytton (beautiful books to read TXT) 📖». Author Baron Edward Bulwer Lytton Lytton
“Ah,” he murmured plaintively to himself, “that girl Isaura can have no true sympathy with genius! It is no ordinary man that she will kill in me!”
And so murmuring he fell asleep. When he woke and found his head pillowed on his mother’s breast, it was much as a sensitive, delicate man may wake after having drunk too much the night before. Repentant, mournful, maudlin, he began to weep, and in the course of his weeping he confided to his mother the secret of his heart.
Isaura had refused him—that refusal had made him desperate.
“Ah! with Isaura how changed would be his habits! how pure! how healthful!” His mother listened fondly, and did her best to comfort him and cheer his drooping spirits.
She told him of Isaura’s messages of inquiry duly twice a day. Rameau, who knew more about women in general, and Isaura in particular, than his mother conjectured, shook his head mournfully. “She could not do less,” he said. “Has no one offered to do more?”—he thought of Julie when he asked that—Madame Rameau hesitated.
The poor Parisians! it is the mode to preach against them; and before my book closes, I shall have to preach—no, not to preach, but to imply—plenty of faults to consider and amend. Meanwhile I try my best to take them, as the philosophy of life tells us to take other people, for what they are.
I do not think the domestic relations of the Parisian bourgeoisie are as bad as they are said to be in French novels. Madame Rameau is not an uncommon type of her class. She had been when she first married singularly handsome. It was from her that Gustave inherited his beauty; and her husband was a very ordinary type of the French shopkeeper—very plain, by no means intellectual, but gay, good-humoured, devotedly attached to his wife, and with implicit trust in her conjugal virtue. Never was trust better placed. There was not a happier nor a more faithful couple in the quartier in which they resided. Madame Rameau hesitated when her boy, thinking of Julie, asked if no one had done more than send to inquire after him as Isaura had done.
After that hesitating pause she said, “Yes—a young lady calling herself Mademoiselle Julie Caumartin wished to instal herself here as your nurse. When I said, ‘But I am his mother—he needs no other nurses,’ she would have retreated, and looked ashamed—poor thing! I don’t blame her if she loved my son. But, my son, I say this,—if you love her, don’t talk to me about that Mademoiselle Cicogna; and if you love Mademoiselle Cicogna, why, then your father will take care that the poor girl who loved you not knowing that you loved another is not left to the temptation of penury.”
Rameau’s pale lips withered into a phantom-like sneer! Julie! the resplendent Julie!—true, only a ballet-dancer, but whose equipage in the Bois had once been the envy of duchesses—Julie! who had sacrificed fortune for his sake—who, freed from him, could have millionaires again at her feet!—Julie! to be saved from penury, as a shopkeeper would save an erring nursemaid—Julie! the irrepressible Julie! who had written to him, the day before his illness, in a pen dipped, not in ink, but in blood from a vein she had opened in her arm:
“Traitor!—I have not seen thee for three days. Dost thou dare to love another? If so, I care not how thou attempt to conceal it—woe to her! Ingrat! woe to thee! Love is not love, unless, when betrayed by Love, it appeals to death. Answer me quick—quick. JULIE.”Poor Gustave thought of that letter and groaned. Certainly his mother was right—he ought to get rid of Julie; but he did not clearly see how Julie was to be got rid of. He replied to Madame Rameau peevishly, “Don’t trouble your head about Mademoiselle Caumartin; she is in no want of money. Of course, if I could hope for Isaura—but, alas! I dare not hope. Give me my tisane.”
When the doctor called next day, he looked grave, and, drawing Madame Rameau into the next room, he said, “We are not getting on so well as I had hoped; the fever is gone, but there is much to apprehend from the debility left behind. His spirits are sadly depressed.” Then added the doctor, pleasantly, and with that wonderful insight into our complex humanity in which physicians excel poets, and in which Parisian physicians are not excelled by any physicians in the world: “Can’t you think of any bit of good news—that ‘M. Thiers raves about your son’s last poem! that ‘it is a question among the Academicians between him and Jules Janin’—or that ‘the beautiful Duchesse de ———- has been placed in a lunatic asylum because she has gone mad for love of a certain young Red Republican whose name begins with R.’—can’t you think of any bit of similar good news? If you can, it will be a tonic to the relaxed state of your dear boy’s amour propre, compared to which all the drugs in the Pharmacopoeia are moonshine and water; and meanwhile be sure to remove him to your own house, and out of the reach of his giddy young friends, as soon as you possibly can.”
When that great authority thus left his patient’s case in the hands of the mother, she said, “The boy shall be saved.”
CHAPTER XIII.
Isaura was seated beside the Venosta,—to whom, of late, she seemed to cling with greater fondness than ever,—working at some piece of embroidery—a labour from which she had been estranged for years; but now she had taken writing, reading, music, into passionate disgust. Isaura was thus seated, silently intent upon her work, and the Venosta in full talk, when the servant announced Madame Rameau.
The name startled both; the Venosta had never heard that the poet had a mother living, and immediately jumped to the conclusion that Madame Rameau must be a wife he had hitherto kept unrevealed. And when a woman, still very handsome, with a countenance grave and sad, entered the salon, the Venosta murmured, “The husband’s perfidy reveals itself on a wife’s face,” and took out her handkerchief in preparation for sympathising tears.
“Mademoiselle,” said the visitor, halting, with eyes fixed on Isaura. “Pardon my intrusion-my son has the honour to be known to you. Every one who knows him must share in my sorrow—so young—so promising, and in such danger—my poor boy!” Madame Rameau stopped abruptly. Her tears forced their way—she turned aside to conceal them.
In her twofold condition of being—womanhood and genius—Isaura was too largely endowed with that quickness of sympathy which distinguishes woman from man, and genius from talent, not to be wondrously susceptible to pity.
Already she had wound her arm round the grieving mother—already drawn her to the seat from which she herself had risen—and bending over her had said some words—true, conventional enough in themselves,—but cooed forth in a voice the softest I ever expect to hear, save in dreams, on this side of the grave.
Madame Rameau swept her hand over her eyes, glanced round the room, and noticing the Venosta in dressing-robe and slippers, staring with those Italian eyes, in seeming so quietly innocent, in reality so searchingly shrewd, she whispered pleadingly, “May I speak to you a few minutes
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