The Night of the Long Knives by Fritz Leiber (feel good fiction books TXT) 📖

Alice said, "Any other time I would be wild to kill another woman that beautiful. But she has been so close to death that I would feel I was robbing another murderer. I suppose there is more behind the change in my feelings than that, though."

"Yeah, a little, I suppose," Pop said.

I didn't have anything to say about my own feelings. Certainly not out loud. I knew that they had changed and that they were still changing. It was complicated.

After a while it occurred to me and Alice to worry whether we mightn't catch this woman's sickness. It would serve us right, of course, but plague is plague. But Pop reassured us. "Actually I snagged three cubes," he said. "That should take care of you two. I figure I'm immune."

Time wore on. Pop dragged out the harmonica, as I'd been afraid he would, but his playing wasn't too bad. "Tenting Tonight," "When Johnnie Comes Marching Home," and such. We had a meal.

The Pilot's woman woke up again, in her full mind this time or something like it. We were clustered around the bed, smiling a little I suppose and looking inquiring. Being even assistant nurses makes you all concerned about the patient's health and state of mind.

Pop helped her sit up a little. She looked around. She saw me and Alice. Recognition came into her eyes. She drew away from us with a look of loathing. She didn't say a word, but the look stayed.

Pop drew me aside and whispered, "I think it would be a nice gesture if you and Alice took a blanket and went up and sewed him into it. I noticed a big needle and some thread in her satchel." He looked me in the eye and added, "You can't expect this woman to feel any other way toward you, you know. Now or ever."

He was right of course. I gave Alice the high sign and we got out.

No point in dwelling on the next scene. Alice and me sewed up in a blanket a big guy who'd been dead a day and worked over by vultures. That's all.

About the time we'd finished, Pop came up.

"She chased me out," he explained. "She's getting dressed. When I told her about the plane, she said she was going back to Los Alamos. She's not fit to travel, of course, but she's giving herself injections. It's none of our business. Incidentally, she wants to take the body back with her. I told her how we'd dropped the serum and how you and Alice had helped and she listened."

The Pilot's woman wasn't long after Pop. She must have had trouble getting up the shaft, she had a little trouble even walking straight, but she held her head high. She was wearing a dull silver tunic and sandals and cloak. As she passed me and Alice I could see the look of loathing come back into her eyes, and her chin went a little higher. I thought, why shouldn't she want us dead? Right now she probably wants to be dead herself.

Pop nodded to us and we hoisted up the body and followed her. It was almost too heavy a load even for the three of us.

As she reached the plane a silver ladder telescoped down to her from below the door. I thought, the Pilot must have had it keyed to her some way, so it would let down for her but nobody else. A very lovely gesture.

The ladder went up after her and we managed to lift the body above our heads, our arms straight, and we walked it through the door of the plane that way, she receiving it.

The door closed and we stood back and the plane took off into the orange haze, us watching it until it was swallowed.

Pop said, "Right now, I imagine you two feel pretty good in a screwed-up sort of way. I know I do. But take it from me, it won't last. A day or two and we're going to start feeling another way, the old way, if we don't get busy."

I knew he was right. You don't shake Old Urge Number One anything like that easy.

"So," said Pop, "I got places I want to show you. Guys I want you to meet. And there's things to do, a lot of them. Let's get moving."

So there's my story. Alice is still with me (Urge Number Two is even harder to shake, supposing you wanted to) and we haven't killed anybody lately. (Not since the Pilot, in fact, but it doesn't do to boast.) We're making a stab (my language!) at doing the sort of work Pop does in the Deathlands. It's tough but interesting. I still carry a knife, but I've given Mother to Pop. He has it strapped to him alongside Alice's screw-in blade.

Atla-Hi and Alamos still seem to be in existence, so I guess the serum worked for them generally as it did for the Pilot's Woman; they haven't sent us any medals, but they haven't sent a hangman's squad after us either—which is more than fair, you'll admit. But Savannah, turned back from Atla-Hi, is still going strong: there's a rumor they have an army at the gates of Ouachita right now. We tell Pop he'd better start preaching fast—it's one of our standard jokes.

There's also a rumor that a certain fellowship of Deathlanders is doing surprisingly well, a rumor that there's a new America growing in the Deathlands—an America that never need kill again. But don't put too much stock in it. Not too much.

THE END

Transcriber's Note:

This etext was produced from Amazing Science Fiction Stories January 1960. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed. Minor spelling and typographical errors have been corrected without note. End of the Project Gutenberg EBook of The Night of the Long Knives, by Fritz Reuter Leiber