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Reading books fiction Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself.



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The genre of fiction is interesting to read not only by the process of cognition and the desire to empathize with the fate of the hero, this genre is interesting for the ability to rethink one's own life. Of course the reader may accept the author's point of view or disagree with them, but the reader should understand that the author has done a great job and deserves respect. Take a closer look at genre fiction in all its manifestations in our elibrary.



Read books online » Fiction » Only a Girl's Love by Charles Garvice (top 10 books to read .TXT) 📖

Book online «Only a Girl's Love by Charles Garvice (top 10 books to read .TXT) 📖». Author Charles Garvice



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Stella's behalf, "they are quite safe, Miss Etheridge."

Stella turned her face toward him.

"I am not afraid. I should as soon think of biting them as they would dream of biting me, wouldn't you?" and she drew the mastiffs great head on to her lap, where it lay with his big eyes looking up at her piteously, as he licked her hand.

"Great Heavens, what a herd of them!" said Mr. Etheridge, who loved dogs—on canvas.

"I ought not to have brought them," said Lord Leycester, "but they will be quite quiet, and will do no harm, I assure you."

"I don't care if they don't bite my niece," said Mr. Etheridge.

"There is no fear of that," he said, quietly, "or I should not allow her to go near them. Please go on with your work, or I shall think I am a nuisance."

Mr. Etheridge waved him to a chair.

"Won't you sit down?" he said.

Lord Leycester shook his head.

"I have come to ask you a favor," he said.

Mr. Etheridge nodded.

"What is it?"

Lord Leycester laughed his rare laugh.

"I am trembling in my shoes," he said. "My tongue cleaves to my mouth with nervousness——"

The old painter glanced round at him, and his face relaxed into a smile as his eyes rested on the bold, handsome face and easy grace of the speaker.

"Yes, you look excessively frightened," he said. "What is it?"

It was noticeable that, excepting in his first greeting, the old man had not given him the benefit of his title; he had known him when Leycester had been a boy, running in and out of the cottage, always followed by a pack of dogs, and generally doing some mischief.

"I want you to do a little scene for me."

The old man groaned and looked at his picture firmly.

"You know the glade in the woods opening out opposite the small island. I want you to paint it."

"I am sorry," began the old man.

Lord Leycester went on, interrupting him gently:

"Have you seen it lately?" he said, and as he spoke Stella came into the room enticing the mastiff after her, with a handful[41] of biscuits she had taken from the cheffonier. "It is very beautiful. It is the loveliest bit on the whole river. Right up from the stream it stretches green, with the young Spring leaves, to the sky above the hill. In the open space between the trees the primroses have made a golden carpet. I saw two kingfishers sailing up it as I stood and looked this morning, and as I looked I thought how well, how delightfully you would put it on canvas. Think! The bright green, the golden foreground, the early Summer sky to crown the whole, and reflected in the river running below."

Mr. Etheridge paused in his work and listened, and Stella, kneeling over the dog, listened too, with down-bent face, and wondered how the painter could stand so firm and obstinate.

To her the voice sounded like the sweetest music set to some poem. She saw the picture as he drew it, and in her heart the music of the words and voice found an echoing harmony.

Forgotten was the other man's warning; vain it would have been if he had repeated it at that moment. As well associate the darkness of a Winter's night with the bright gladness of a Summer's morning, as think of evil in connection with that noble face and musical voice.

Mr. Etheridge paused, but he shook his head.

"Very fine, very temptingly put; you are a master of words, Leycester; but I am immovable as a rock. Indeed your eloquence is wasted; it is not an impressionable man whom you address. I, James Etheridge, am on this picture. I am lost in my work, Lord Leycester."

"You will not do it?"

The old man smiled.

"I will not. To another man I should present an excuse, and mask my refusal. With you anything but a simple 'no' is of no avail."

Lord Leycester smiled and turned away.

"I am sorry," he said. "I meant it for a present to my sister Lilian."

Again Stella's eyes turned toward him. This man—infamous!

The old man put down his brush and turned upon him.

"Why didn't you say so at first?" he said.

Lord Leycester smiled.

"I wanted to see if you would do something for me—for myself," he said, with infinite naivete.

"You want it for Lady Lilian," said Mr. Etheridge. "I will do it, of course."

"I shan't say thank you," said Lord Leycester. "I have nothing to thank you for. She shall do that. When will you come——"

"Next week—next month——"

"Now at once," said Lord Leycester, stretching out his hand with a peculiar gesture which struck Stella by its infinite grace.

The old man groaned.

"I thought so! I thought so! It would always be now at once with you."

"The Spring won't wait for you! The green of those leaves[42] is changing now, very slowly, but surely, as we speak; in a week it will be gone, and with it half—all the beauty will go too. You will come now, will you not?"

Mr. Etheridge looked round with comical dismay, then he laughed.

Lord Leycester's laugh chimed in, and he turned to Stella with the air of a man who has conquered and needs no more words.

"You see," said Mr. Etheridge, "that is the way I am led, like a pig to market, will I or will I not! And the sketch will take me, how long?"

"A few hours!"

"And there will be all the things to drag down——"

Lord Leicester strode to an old-fashioned cabinet.

"I will carry them, and yourself into the bargain if you like."

Then, with his hand upon the cabinet, he stopped short and turned to Stella.

"I beg your pardon!—I am always sinning. I forgot that there was now a presiding spirit. I am so used to taking liberties with your uncle's belongings; I know where all his paraphernalia is so well, that——"

Stella rose and smiled at them.

"Your knowledge is deeper than my uncle's, then," she said. "Do not beg pardon of me."

"May I?" he said, and he opened the cabinet and took out the sketching-pad and color-box; then, with some difficulty, he disentangled a folding camp-stool from a mass of artistic litter in a corner, and then prepared to depart.

Mr. Etheridge watched these proceedings with a rueful countenance, but seeing that resistance had long passed out of his power, he said:

"Where is my hat, Stella? I must go, I suppose."

Lord Leycester opened the door for her, and she went out, followed by all the dogs, and fetched the soft felt hat, holding it by the very tips of her fingers.

With a sigh, Mr. Etheridge dropped it on his head.

"Give me some of the things," he said; but Lord Leycester declined.

"Not one," he said, laughing. And Mr. Etheridge, without another word, walked out.

Lord Leycester stood looking at Stella, a wistful eagerness in his eyes.

"I have gone so far," he said, "that I am emboldened to venture still further. Will you come too?"

Stella started, and an eager light flashed for a moment in her eyes; then she held out her hands and laughed.

"I have to make a pudding," she said.

He looked at the white arms, and then at her, with an intensified eagerness.

"If you knew how beautiful the morning is—how grand the river looks—you would let the pudding go."

Stella shook her head.

[43]

He inclined his head, too highly bred to persist.

"I am so sorry," he said, simply. "I am sorry now that I have gained my way. I thought that you would have come."

Stella stood silent, and, with something like a sigh, put down the things and held out her hand; but as he took the finger which she gave him, his face brightened, and a light came into his eyes.

"Are you still firm?"

"I would not desert the pudding for anything, my lord," said Stella, naively.

At the "my lord," a slight shade covered his face, but it went again instantly, as he said:

"Well, then, will you come when the inevitable pudding is made? There," he said, eagerly, and still holding her hand he drew her to the window and pointed with his whip, "there's the place! It is not far—just across the meadows, and through the first gate. Do you see it?"

"Yes," said Stella, gently withdrawing her hand.

"And you will come?" he asked, his eyes fixed on hers with their intent earnestness.

At that instant the word—the odious word—"infamous" rang in her ears, and her face paled. He noticed the sudden pallor, and his eyes grew dark with earnest questioning.

"I see," he said, quietly, "you will not come!"

What was it that moved her? With a sudden impulse she raised her eyes and looked at him steadily.

"Yes, I will come!" she said.

He inclined his head without a word, called to the dogs, and passed out.

Stella stood for a moment looking after them; then she went into the kitchen—not laughing nor singing, but with a strange gravity; a strange feeling had got possession of her.

She felt as if she was laboring under some spell. "Charmed" is an often misused word, but it is the right word to describe the sensation. Was it his face or his voice that haunted her? As she stood absently looking down at the table, simple words, short and commonplace, which he had used rang in her ears with a new meaning.

Mrs. Penfold stood and regarded her in curious astonishment. She was getting used to Stella's quickly changing moods, but the sudden change bewildered her.

"Let me do it, Miss Stella," she pleaded, but Stella shook her head firmly; not by one inch would she swerve from her cause for all the beautiful voice and noble face.

In rapt silence she finished her work, then she went up-stairs and put on her hat and came down. As she passed out of the house and down the path, the mastiff leaped the gate and bounded toward her, and the next moment she saw Lord Leycester seated on a stile.

He dropped down and came toward her.

"How quick you have been," he said, "I thought a pudding was a mystery which demanded an immensity of time."

[44]

Stella looked up at him, her dark brows drawn to a straight line.

"You waited for me?" she said.

"No," he said, simply, "I came back. I did not like to think that you should come alone."

Stella was silent.

"Are you angry?" he asked, in a low voice.

Stella was silent for a moment, then she looked at him frankly.

"No," she said.

If she had but said "yes," and turned back! But the path, all beautiful with the bright coloring of Spring stretched before her, and she had no thought of turning back, no thought or suspicion of the dark and perilous land toward which she was traveling by his side.

Already the glamour of love was falling upon her like the soft mist of a Summer evening; blindly, passively she was moving toward the fate which the gods had prepared for her.

CHAPTER VII.

Side by side they walked across the meadows; the larks rising before them and soaring up to the heavens with a burst of song; the river running in silvery silence to the sea; the green trees waving gently in the Summer breeze; and above them the long stretching gray masonry of Wyndward Hall.

Lord Leycester was strangely silent for some minutes since that "Are you angry?" and Stella, as she walked by his side, stooping now and again to gather a cowslip, glanced up at his face and wondered whether her uncle could be mistaken, whether they were not all deceived in thinking the quiet, graceful creature with the beautiful face and dreamy, almost womanly, soft eyes, wild and reckless, and desperate and altogether bad. She almost forgot how she had seen him on that first night of their meeting, with his whip upraised and the sudden fire of anger in his eyes.

Presently he spoke, so suddenly that Stella, who had been lost in her speculations respecting him, started guiltily:

"I have been wondering," he said, "how Mr. Etheridge takes the change which your presence must make in the cottage."

Stella looked up with surprise, then she smiled.

"He bears it with admirable resignation," she said, with that air of meek archness which her uncle found so amusing.

Lord Leycester looked down at her.

"That is a rebuke for the presumption of my remark?" he said.

"No," said Stella.

"I did not mean to be presumptuous. Think. Your uncle has lived the whole of his life alone, the life of a solitary, a hermit; suddenly there enters into that life a young and beau—a young girl, full of the spirit of youth and its aspirations. It must make a great change."

"As I said," says Stella, "he bears it with pious fortitude." Then she added, in a lower voice, "He is very good to me."

[45]

"He could not be otherwise," was the quiet response.

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