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Reading books fiction Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself.



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The genre of fiction is interesting to read not only by the process of cognition and the desire to empathize with the fate of the hero, this genre is interesting for the ability to rethink one's own life. Of course the reader may accept the author's point of view or disagree with them, but the reader should understand that the author has done a great job and deserves respect. Take a closer look at genre fiction in all its manifestations in our elibrary.



Read books online » Fiction » Our Mutual Friend by Charles Dickens (the chimp paradox .txt) 📖

Book online «Our Mutual Friend by Charles Dickens (the chimp paradox .txt) 📖». Author Charles Dickens



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and I alone know there is good reason for its being done at once. Go straight to the school, and say that you and I agreed upon it—that we can't overcome father's opposition—that father will never trouble them, but will never take you back. You are a credit to the school, and you will be a greater credit to it yet, and they will help you to get a living. Show what clothes you have brought, and what money, and say that I will send some more money. If I can get some in no other way, I will ask a little help of those two gentlemen who came here that night.'

'I say!' cried her brother, quickly. 'Don't you have it of that chap that took hold of me by the chin! Don't you have it of that Wrayburn one!'

Perhaps a slight additional tinge of red flushed up into her face and brow, as with a nod she laid a hand upon his lips to keep him silently attentive.

'And above all things mind this, Charley! Be sure you always speak well of father. Be sure you always give father his full due. You can't deny that because father has no learning himself he is set against it in you; but favour nothing else against him, and be sure you say—as you know—that your sister is devoted to him. And if you should ever happen to hear anything said against father that is new to you, it will not be true. Remember, Charley! It will not be true.'

The boy looked at her with some doubt and surprise, but she went on again without heeding it.

'Above all things remember! It will not be true. I have nothing more to say, Charley dear, except, be good, and get learning, and only think of some things in the old life here, as if you had dreamed them in a dream last night. Good-bye, my Darling!'

Though so young, she infused in these parting words a love that was far more like a mother's than a sister's, and before which the boy was quite bowed down. After holding her to his breast with a passionate cry, he took up his bundle and darted out at the door, with an arm across his eyes.

The white face of the winter day came sluggishly on, veiled in a frosty mist; and the shadowy ships in the river slowly changed to black substances; and the sun, blood-red on the eastern marshes behind dark masts and yards, seemed filled with the ruins of a forest it had set on fire. Lizzie, looking for her father, saw him coming, and stood upon the causeway that he might see her.

He had nothing with him but his boat, and came on apace. A knot of those amphibious human-creatures who appear to have some mysterious power of extracting a subsistence out of tidal water by looking at it, were gathered together about the causeway. As her father's boat grounded, they became contemplative of the mud, and dispersed themselves. She saw that the mute avoidance had begun.

Gaffer saw it, too, in so far as that he was moved when he set foot on shore, to stare around him. But, he promptly set to work to haul up his boat, and make her fast, and take the sculls and rudder and rope out of her. Carrying these with Lizzie's aid, he passed up to his dwelling.

'Sit close to the fire, father, dear, while I cook your breakfast. It's all ready for cooking, and only been waiting for you. You must be frozen.'

'Well, Lizzie, I ain't of a glow; that's certain. And my hands seem nailed through to the sculls. See how dead they are!' Something suggestive in their colour, and perhaps in her face, struck him as he held them up; he turned his shoulder and held them down to the fire.

'You were not out in the perishing night, I hope, father?'

'No, my dear. Lay aboard a barge, by a blazing coal-fire.—Where's that boy?'

'There's a drop of brandy for your tea, father, if you'll put it in while I turn this bit of meat. If the river was to get frozen, there would be a deal of distress; wouldn't there, father?'

'Ah! there's always enough of that,' said Gaffer, dropping the liquor into his cup from a squat black bottle, and dropping it slowly that it might seem more; 'distress is for ever a going about, like sut in the air—Ain't that boy up yet?'

'The meat's ready now, father. Eat it while it's hot and comfortable. After you have finished, we'll turn round to the fire and talk.'

But, he perceived that he was evaded, and, having thrown a hasty angry glance towards the bunk, plucked at a corner of her apron and asked:

'What's gone with that boy?'

'Father, if you'll begin your breakfast, I'll sit by and tell you.' He looked at her, stirred his tea and took two or three gulps, then cut at his piece of hot steak with his case-knife, and said, eating:

'Now then. What's gone with that boy?'

'Don't be angry, dear. It seems, father, that he has quite a gift of learning.'

'Unnat'ral young beggar!' said the parent, shaking his knife in the air.

'And that having this gift, and not being equally good at other things, he has made shift to get some schooling.'

'Unnat'ral young beggar!' said the parent again, with his former action.

'—And that knowing you have nothing to spare, father, and not wishing to be a burden on you, he gradually made up his mind to go seek his fortune out of learning. He went away this morning, father, and he cried very much at going, and he hoped you would forgive him.'

'Let him never come a nigh me to ask me my forgiveness,' said the father, again emphasizing his words with the knife. 'Let him never come within sight of my eyes, nor yet within reach of my arm. His own father ain't good enough for him. He's disowned his own father. His own father therefore, disowns him for ever and ever, as a unnat'ral young beggar.'

He had pushed away his plate. With the natural need of a strong rough man in anger, to do something forcible, he now clutched his knife overhand, and struck downward with it at the end of every succeeding sentence. As he would have struck with his own clenched fist if there had chanced to be nothing in it.

'He's welcome to go. He's more welcome to go than to stay. But let him never come back. Let him never put his head inside that door. And let you never speak a word more in his favour, or you'll disown your own father, likewise, and what your father says of him he'll have to come to say of you. Now I see why them men yonder held aloof from me. They says to one another, “Here comes the man as ain't good enough for his own son!” Lizzie—!'

But, she stopped him with a cry. Looking at her he saw her, with a face quite strange to him, shrinking back against the wall, with her hands before her eyes.

'Father, don't! I can't bear to see you striking with it. Put it down!'

He looked at the knife; but in his astonishment still held it.

'Father, it's too horrible. O put it down, put it down!'

Confounded by her appearance and exclamation, he tossed it away, and stood up with his open hands held out before him.

'What's come to you, Liz? Can you think I would strike at you with a knife?'

'No, father, no; you would never hurt me.'

'What should I hurt?'

'Nothing, dear father. On my knees, I am certain, in my heart and soul I am certain, nothing! But it was too dreadful to bear; for it looked—' her hands covering her face again, 'O it looked—'

'What did it look like?'

The recollection of his murderous figure, combining with her trial of last night, and her trial of the morning, caused her to drop at his feet, without having answered.

He had never seen her so before. He raised her with the utmost tenderness, calling her the best of daughters, and 'my poor pretty creetur', and laid her head upon his knee, and tried to restore her. But failing, he laid her head gently down again, got a pillow and placed it under her dark hair, and sought on the table for a spoonful of brandy. There being none left, he hurriedly caught up the empty bottle, and ran out at the door.

He returned as hurriedly as he had gone, with the bottle still empty. He kneeled down by her, took her head on his arm, and moistened her lips with a little water into which he dipped his fingers: saying, fiercely, as he looked around, now over this shoulder, now over that:

'Have we got a pest in the house? Is there summ'at deadly sticking to my clothes? What's let loose upon us? Who loosed it?'





Chapter 7 MR WEGG LOOKS AFTER HIMSELF

Silas Wegg, being on his road to the Roman Empire, approaches it by way of Clerkenwell. The time is early in the evening; the weather moist and raw. Mr Wegg finds leisure to make a little circuit, by reason that he folds his screen early, now that he combines another source of income with it, and also that he feels it due to himself to be anxiously expected at the Bower. 'Boffin will get all the eagerer for waiting a bit,' says Silas, screwing up, as he stumps along, first his right eye, and then his left. Which is something superfluous in him, for Nature has already screwed both pretty tight.

'If I get on with him as I expect to get on,' Silas pursues, stumping and meditating, 'it wouldn't become me to leave it here. It wouldn't be respectable.' Animated by this reflection, he stumps faster, and looks a long way before him, as a man with an ambitious project in abeyance often will do.

Aware of a working-jeweller population taking sanctuary about the church in Clerkenwell, Mr Wegg is conscious of an interest in, and a respect for, the neighbourhood. But, his sensations in this regard halt as to their strict morality, as he halts in his gait; for, they suggest the delights of a coat of invisibility in which to walk off safely with the precious stones and watch-cases, but stop short of any compunction for the people who would lose the same.

Not, however, towards the 'shops' where cunning artificers work in pearls and diamonds and gold and silver, making their hands so rich, that the enriched water in which they wash them is bought for the refiners;—not towards these does Mr Wegg stump, but towards the poorer shops of small retail traders in commodities to eat and drink and keep folks warm, and of Italian frame-makers, and of barbers, and of brokers, and of dealers in dogs and singing-birds. From these, in a narrow and a dirty street devoted to such callings, Mr Wegg selects one dark shop-window with a tallow candle dimly burning in it, surrounded by a muddle of objects vaguely resembling pieces of leather and dry stick, but among which nothing is resolvable into anything distinct, save the candle itself in its old tin candlestick, and two preserved frogs fighting a small-sword duel. Stumping with fresh vigour, he goes in at the dark greasy entry, pushes a little greasy dark reluctant side-door, and follows the door into the little dark greasy shop. It is so dark that nothing can be made out in it, over a little counter, but another tallow candle in another old tin candlestick, close to the face of a man stooping low in a chair.

Mr Wegg nods to the face, 'Good evening.'

The face looking up is a sallow face with weak eyes, surmounted by a tangle of reddish-dusty hair. The owner of the face has no cravat on, and has opened his tumbled shirt-collar to work with the

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