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Reading books fiction Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself.



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Read books online » Fiction » Astounding Stories of Super-Science January 1930 by Ray Cummings et al. (best classic books of all time .TXT) 📖

Book online «Astounding Stories of Super-Science January 1930 by Ray Cummings et al. (best classic books of all time .TXT) 📖». Author Ray Cummings et al.



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this strangeness. Perhaps it was the aspect of the people. The room was crowded with men and gay laughing girls in fancy dress costumes. Half of them at least were shrouded in crimson cloaks, but most of the hoods were back. They moved about, laughing and talking, evidently waiting for the time to come for them to go to the festival. We pushed our way through them.

Derek murmured, "Keep your hood up, Charlie."

A girl plucked at me. "Handsome man, let me see." She thrust her painted lips up to mine as though daring me to kiss them. Hope shoved her away. Her parted cloak showed her white, beautiful body with the dark tresses of her hair shrouding it. Exotically lovely she was, with primitive, unrestrained passions—typical of the land in which she lived.

"This way," whispered Hope. "Keep close together. Do not speak!"

We moved forward and stood quietly against the wall of the room, where great curtains hid us partly from view. Under a canopy, at a table on a raised platform near one end of the apartment, sat the youthful monarch. I saw him as a man of perhaps thirty. He was in holiday garb, robed in silken hose of red and white, a strangely fashioned doublet, and a close-fitting shirt. Bare-headed, with thick black hair, long to the base of his neck.

He sat at the table with a calm dignity. But he relaxed here in the presence of his favored courtiers. He was evidently in a high good humor this night, giving directions for the staging of the spectacle, despatching messengers. I stood gazing at him. A very kingly fellow this. There was about him, that strange mingled look of barbarism and modernity.

Hope approached him and knelt. Derek and I could hear their voices, although the babble of the crowd went on.

"My little Hope, what is it? Stand up, child."

She said, "Your Highness, a message from Blanca."

He laughed. "Say no more! I know it already! She does not want this festival. The workers,"—what a world of sardonic contempt he put into that one word!—"the workers will be offended because we take pleasure to-night. Bah!" But he was still laughing. "Say no more, little Hope. Tell Blanca to dance and sing her best this night. I am making my choice. Did you know that?"

Hope was silent. He repeated, "Did you know that?"

"Yes, Your Highness," she murmured.

"I choose our queen to-night, child. Blanca or Sensua." He sighed. "Both are very beautiful. Do you know which one I am going to choose?"

"No," she said.

"Nor do I, little Hope. Nor do I."

He dismissed her. "Go now. Don't bother me."

She parted her lips as though to make another protest, but his eyes suddenly flashed.

"I would not have you annoy me again. Do you understand?"

She turned away, back toward where Derek and I were lurking. The chattering crowd in the room had paid no attention to Hope, but before she could reach us a man detached himself from a nearby group and accosted her. A commanding figure, he was, I think, quite the largest man in the room. An inch or two taller than Derek, at the least. He wore his red cloak with the hood thrown back upon his wide heavy shoulders. A bullet-head with close-clipped black hair. A man of about the king's age, he had a face of heavy features, and flashing dark eyes. A scoundrel adventurer, this king's henchman.

Hope said, "What is it, Rohbar?"

"You will join our party, little Hope?" He laid a heavy hand on her white arm. His face was turned toward me. I could not miss the gleaming look in his eyes as he regarded her.

"No," she said.

It seemed that he twitched at her, but she broke away from him.

Anger crossed his face, but the desirous look in his eyes remained.

"You are very bold, Hope, to spurn me like this." He had lowered his voice as though fearful that the king might hear him.

"Let me alone!" she said.

She darted away from him, but before she joined us she stood waiting until he turned away.

"No use," Hope whispered. "There is nothing we can do here. You heard what the king said—and the festival is already begun."

Derek stood a moment, lost in thought. He was gazing across the room to where Rohbar was standing with a group of girls. He said at last:

"Come on, Charlie. We'll watch this festival. This damn fool king will choose the Red Sensua." He shrugged. "There will be chaos...."

We shoved our way from the room, went out of the main doorway and hurried through the gardens of the palace. The red-cloaked figures were leaving the building now for the festival grounds. We waited for a group of them to pass so that we might walk alone. As we neared the gate, passing through the shadows of high flowered shrubs, a vague feeling that we were being followed shot through me. In a moment there was so much to see that I forgot it, but I held my hand on my dirk and moved closer to Hope.

We reached the entrance to the canopy. A group of girls, red-cloaked, were just coming out. They rushed past us. They ran, discarding their cloaks. Their white bodies gleamed under the colored lights as they rushed to the pool and dove.

We were just in time. Hope whispered, "The king will be here any moment."

Beneath the canopy was a broad arena of seats. A platform, like a stage, was at one end. It was brilliantly illuminated with colored torches held aloft by girls in flowing robes, each standing like a statue with her light held high. The place was crowded. In the gloom of the darkened auditorium we found seats off to one side, near the open edge of the canopy. We sat, with Hope between us.

Derek whispered, "Shakespeare might have staged a play in a fashion like this."

A primitive theatrical performance. There was no curtain for interlude between what might have been the acts of a vaudeville. The torch girls, like pages, ranged themselves in a line across the front of the stage. They were standing there as we took our seats. The vivid glare of their torches concealed the stage behind them.

There was a few moments wait, then, amid hushed silence, the king with his retinue came in. He sat in a canopied box off to one side. When he was seated, he raised his arm and the buzz of conversation in the audience began again.

Presently the page girls moved aside from the stage. The buzz of the audience was stilted. The performance, destined to end so soon in tragedy, now began.

CHAPTER VII The Crimson Murderess

Hope murmured. "The three-part music comes first. There will first be the spiritual."

An orchestra was seated on the stage in a semi-circle. It was composed of men and women musicians, and there seemed to be over a hundred of them. They sat in three groups; the center group was about to play. In a solemn hush the leaderless choirs, with all its players garbed in white, began its first faint note. I craned to get a clear view of the stage. This white choir seemed almost all wood-wind. There were tiny pipes in little series such as Pan might have used. Flutes, and flageolets; and round-bellied little instruments of clay, like ocarinas. And pitch-pipes, long and slender as a marsh reed.

In a moment I was lost in the music. It began softly, with single muted notes from a single instrument, echoed by the others, running about the choir like a will-o'-the-wisp. It was faint, as though very far away, made more sweet by distance. And then it swelled, came nearer.

I had never heard such music as this. Primitive! It was not that. Nor barbaric! Nothing like the music of our ancient world. Nor was it what I might conceive to be the music of our future. A thing apart, unworldly, ethereal. It swept me, carried me off; it was an exaltation of the spirit lifting me. It was triumphant now. It surged, but there was in its rhythm, the beat of its every instrument, nothing but the soul of purity. And then it shimmered into distance again, faint and exquisite music of a dream. Crooning, pleading, the speech of whispering angels.

It ceased. There was a storm of applause.

I breathed again. Why, this was what music might be in our world but was not. I thought of our blaring jazz.

Hope said, "Now they play the physical music. Then Sensua will dance with Blanca. We will see then which one the king chooses."

On the stage all the torches were extinguished save those which were red. The arena was darker than before. The stage was bathed with a deep crimson. Music of the physical senses! It was, indeed, no more like the other choir than is the body to the spirit.

There were stringed instruments playing now; deep-toned, singing zithers, and instruments of rounded, swelling bodies, like great viols with sensuous, throbbing voices. Music with a swift rhythm, marked by the thump of hollow gourds. It rose with its voluptuous swell into a paean of abandonment, and upon the tide of it, the crimson Sensua flung herself upon the stage. She stood motionless for a moment that all might regard her. The crimson torchlight bathed her, stained crimson the white flush of her limbs, her heavy shoulders, her full, rounded throat.

A woman in her late twenties. Voluptuous of figure, with crimson veils half-hiding, half-revealing it. A face of coarse, sensuous beauty. A face wholly evil, and it seemed to me wholly debauched. Dark eyes with beaded lashes. Heavy lips painted scarlet. A pagan woman of the streets. One might have encountered such a woman swaggering in some ancient street of some ancient city, flaunting the finery given her by a rich and profligate eastern prince.

She stood a moment with smoldering, passion-filled eyes, gazing from beneath her lowered lids. Her glance went to the king's canopy, and flashed a look of confidence, of triumph. The king answered it with a smile. He leaned forward over his railing, watching her intently.

With the surge of the music she moved into her dance. Slowly she began, quite slowly. A posturing and swaying of hips like a nautch girl. She made the rounds of the musicians, leering at them. She stood in the whirl of the music, almost ignoring it, stood at the front of the stage with a gaze of slumberous, insolent passion flung at the king. A knife was in her hand now. She held it aloft. The red torchlight caught its naked blade. With shuddering fancy I seemed to see it dripping crimson. She frowned, and struck it at a phantom lover. She backed away. She stooped and knelt. She knelt and seemed with her empty arms to be caressing a murdered lover's head. She kissed him, rained upon his dead lips her macabre kisses.

And then she was up on her bare feet, again circling the stage. Her anklets clanked as she moved with the tread of a tigress. The musicians shrank from her waving blade.

A girl in white veils was suddenly disclosed standing at the back of the stage.

Derek whispered, "Is that Blanca?"

"Yes," whispered Hope.

Blanca stood watching her rival. The crimson Sensua passed her, took her suddenly by the wrist, drew her forward. For an instant I thought it might have been rehearsed. I saw Blanca as a slim, gentle girl in white, with a white head-dress. A dancer who could symbolize purity, now in the grip of red passion.

An instant, and then horror struck us. And I could feel it surge over the audience. A gasp of horror. The frightened girl in white tried to escape. The musicians wavered and broke. I stared, stricken, with freezing blood. Upon the stage the knife went swiftly up; it came down; then up again. The red Sensua stood gloating. The knife she waved aloft was truly dripping crimson now.

With a choked, gasping scream the white girl of the toilers crumpled and fell.... She lay motionless, at the feet of the crimson murderess.

CHAPTER VIII "Why, This Is Treason!"

There was a gasp. The audience sat frozen. On the stage, with no one lifting a hand to stop her, the crimson murderess made a leap and vanished. A moment, and then the spell broke. A girl in the audience screamed. Some one moved to stand up and overturned a seat with a crash.

The amphitheater under the canopy broke into a pandemonium. Screams and shouts, crashing of seats, screaming, frightened people struggling to get out of the darkness. The torches on the stage were dropped and extinguished. The darkness leaped upon us.

Derek and I were gripping Hope. We were struck by a bench flung

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