Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. The Yellow Claw by Sax Rohmer (animal farm read .txt) 📖
- Author: Sax Rohmer
Book online «The Yellow Claw by Sax Rohmer (animal farm read .txt) 📖». Author Sax Rohmer
Dunbar handed him the bulging notebook, and Sergeant Sowerby lowered his inadequate eyebrows, thoughtfully, whilst he scanned the evidence of Mr. Debnam. Then, returning the book to his superior, and adjusting the peculiar bowler firmly upon his head, he set out.
Dunbar glanced through some papers—apparently reports—which lay upon the table, penciled comments upon two of them, and then, consulting his notebook once more in order to refresh his memory, started off for Forth Street, Brixton.
Forth Street, Brixton, is a depressing thoroughfare. It contains small, cheap flats, and a number of frowsy looking houses which give one the impression of having run to seed. A hostelry of sad aspect occupies a commanding position midway along the street, but inspires the traveler not with cheer, but with lugubrious reflections upon the horrors of inebriety. The odors, unpleasantly mingled, of fried bacon and paraffin oil, are wafted to the wayfarer from the porches of these family residences.
Number 36 proved to be such a villa, and Inspector Dunbar contemplated it from a distance, thoughtfully. As he stood by the door of the public house, gazing across the street, a tired looking woman, lean and anxious-eyed, a poor, dried up bean-pod of a woman, appeared from the door of number 36, carrying a basket. She walked along in the direction of the neighboring highroad, and Dunbar casually followed her.
For some ten minutes he studied her activities, noting that she went from shop to shop until her basket was laden with provisions of all sorts. When she entered a wine-and-spirit merchant's, the detective entered close behind her, for the place was also a post-office. Whilst he purchased a penny stamp and fumbled in his pocket for an imaginary letter, he observed, with interest, that the woman had purchased, and was loading into the hospitable basket, a bottle of whisky, a bottle of rum, and a bottle of gin.
He left the shop ahead of her, sure, now, of his ground, always provided that the woman proved to be Mrs. Brian. Dunbar walked along Forth Street slowly enough to enable the woman to overtake him. At the door of number 36, he glanced up at the number, questioningly, and turned in the gate as she was about to enter.
He raised his hat.
“Have I the pleasure of addressing Mrs. Brian?”
Momentarily, a hard look came into the tired eyes, but Dunbar's gentleness of manner and voice, together with the kindly expression upon his face, turned the scales favorably.
“I am Mrs. Brian,” she said; “yes. Did you want to see me?”
“On a matter of some importance. May I come in?”
She nodded and led the way into the house; the door was not closed.
In a living-room whereon was written a pathetic history—a history of decline from easy circumstance and respectability to poverty and utter disregard of appearances—she confronted him, setting down her basket on a table from which the remains of a fish breakfast were not yet removed.
“Is your husband in?” inquired Dunbar with a subtle change of manner.
“He's lying down.”
The hard look was creeping again into the woman's eyes.
“Will you please awake him, and tell him that I have called in regard to his license?”
He thrust a card into her hand:—
DETECTIVE-INSPECTOR DUNBAR, C. I. D. NEW SCOTLAND YARD. S. W.
IX THE MAN IN BLACK
Mrs. Brian started back, with a wild look, a trapped look, in her eyes.
“What's he done?” she inquired. “What's he done? Tom's not done anything!”
“Be good enough to waken him,” persisted the inspector. “I wish to speak to him.”
Mrs. Brian walked slowly from the room and could be heard entering one further along the passage. An angry snarling, suggesting that of a wild animal disturbed in its lair, proclaimed the arousing of Taximan Thomas Brian. A thick voice inquired, brutally, why the sanguinary hell he (Mr. Brian) had had his bloodstained slumbers disturbed in this gory manner and who was the vermilion blighter responsible.
Then Mrs. Brian's voice mingled with that of her husband, and both became subdued. Finally, a slim man, who wore a short beard, or had omitted to shave for some days, appeared at the door of the living-room. His face was another history upon the same subject as that which might be studied from the walls, the floor, and the appointments of the room. Inspector Dunbar perceived that the shadow of the neighboring hostelry overlay this home.
“What's up?” inquired the new arrival.
The tone of his voice, thickened by excess, was yet eloquent of the gentleman. The barriers passed, your pariah gentleman can be the completest blackguard of them all. He spoke coarsely, and the infectious Cockney accent showed itself in his vowels; but Dunbar, a trained observer, summed up his man in a moment and acted accordingly.
“Come in and shut the door!” he directed. “No”—as Mrs. Brian sought to enter behind her husband—“I wish to speak with you, privately.”
“Hop it!” instructed Brian, jerking his thumb over his shoulder—and Mrs. Brian obediently disappeared, closing the door.
“Now,” said Dunbar, looking the man up and down, “have you been into the depot, to-day?”
“No.”
“But you have heard that there's an inquiry?”
“I've heard nothing. I've been in bed.”
“We won't argue about that. I'll simply put a question to you: Where did you pick up the fare that you dropped at Palace Mansions at twelve o'clock last night?”
“Palace Mansions!” muttered Brian, shifting uneasily beneath the unflinching stare of the tawny eyes. “What d'you mean? What Palace Mansions?”
“Don't quibble!” warned Dunbar, thrusting out a finger at him. “This is not a matter of a loss of license; it's a life job!”
“Life job!” whispered the man, and his weak face suddenly relaxed, so that, oddly, the old refinement shone out through the new, vulgar veneer.
“Answer my questions straight and square and I'll take your word that you have not seen the inquiry!” said Dunbar.
“Dick Hamper's done this for me!” muttered Brian. “He's a dirty, low swine! Somebody'll do for him one night!”
“Leave Hamper out of the question,” snapped Dunbar. “You put down a fare at Palace Mansions at twelve o'clock last night?”
For one tremendous moment, Brian hesitated, but the good that was in him, or the evil—a consciousness of wrongdoing, or of retribution pending—respect
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