Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. The Moon and Sixpence by W. Somerset Maugham (free biff chip and kipper ebooks TXT) 📖
- Author: W. Somerset Maugham
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She withdrew her hands quickly, I had never seen her make so rapid a movement; and her cheeks flushed.
“Oh no.”
“Oh, my dear one, don’t refuse. I couldn’t bear to leave him where he is. I shouldn’t sleep a wink for thinking of him.”
“I have no objection to your nursing him.”
Her voice was cold and distant.
“But he’ll die.”
“Let him.”
Stroeve gave a little gasp. He wiped his face. He turned to me for support, but I did not know what to say.
“He’s a great artist.”
“What do I care? I hate him.”
“Oh, my love, my precious, you don’t mean that. I beseech you to let me bring him here. We can make him comfortable. Perhaps we can save him. He shall be no trouble to you. I will do everything. We’ll make him up a bed in the studio. We can’t let him die like a dog. It would be inhuman.”
“Why can’t he go to a hospital?”
“A hospital! He needs the care of loving hands. He must be treated with infinite tact.”
I was surprised to see how moved she was. She went on laying the table, but her hands trembled.
“I have no patience with you. Do you think if you were ill he would stir a finger to help you?”
“But what does that matter? I should have you to nurse me. It wouldn’t be necessary. And besides, I’m different; I’m not of any importance.”
“You have no more spirit than a mongrel cur. You lie down on the ground and ask people to trample on you.”
Stroeve gave a little laugh. He thought he understood the reason of his wife’s attitude.
“Oh, my poor dear, you’re thinking of that day he came here to look at my pictures. What does it matter if he didn’t think them any good? It was stupid of me to show them to him. I dare say they’re not very good.”
He looked round the studio ruefully. On the easel was a half-finished picture of a smiling Italian peasant, holding a bunch of grapes over the head of a dark-eyed girl.
“Even if he didn’t like them he should have been civil. He needn’t have insulted you. He showed that he despised you, and you lick his hand. Oh, I hate him.”
“Dear child, he has genius. You don’t think I believe that I have it. I wish I had; but I know it when I see it, and I honour it with all my heart. It’s the most wonderful thing in the world. It’s a great burden to its possessors. We should be very tolerant with them, and very patient.”
I stood apart, somewhat embarrassed by the domestic scene, and wondered why Stroeve had insisted on my coming with him. I saw that his wife was on the verge of tears.
“But it’s not only because he’s a genius that I ask you to let me bring him here; it’s because he’s a human being, and he is ill and poor.”
“I will never have him in my house — never.”
Stroeve turned to me.
“Tell her that it’s a matter of life and death. It’s impossible to leave him in that wretched hole.”
“It’s quite obvious that it would be much easier to nurse him here,” I said, “but of course it would be very inconvenient. I have an idea that someone will have to be with him day and night.”
“My love, it’s not you who would shirk a little trouble.”
“If he comes here, I shall go,” said Mrs. Stroeve violently.
“I don’t recognize you. You’re so good and kind.”
“Oh, for goodness sake, let me be. You drive me to distraction.”
Then at last the tears came. She sank into a chair, and buried her face in her hands. Her shoulders shook convulsively. In a moment Dirk was on his knees beside her, with his arms round her, kissing her, calling her all sorts of pet names, and the facile tears ran down his own cheeks. Presently she released herself and dried her eyes.
“Leave me alone,” she said, not unkindly; and then to me, trying to smile: “What must you think of me?”
Stroeve, looking at her with perplexity, hesitated. His forehead was all puckered, and his red mouth set in a pout. He reminded me oddly of an agitated guinea-pig.
“Then it’s No, darling?” he said at last.
She gave a gesture of lassitude. She was exhausted.
“The studio is yours. Everything belongs to you. If you want to bring him here, how can I prevent you?”
A sudden smile flashed across his round face.
“Then you consent? I knew you would. Oh, my precious.”
Suddenly she pulled herself together. She looked at him with haggard eyes. She clasped her hands over her heart as though its beating were intolerable.
“Oh, Dirk, I’ve never since we met asked you to do anything for me.”
“You know there’s nothing in the world that I wouldn’t do for you.”
“I beg you not to let Strickland come here. Anyone else you like. Bring a thief, a drunkard, any outcast off the streets, and I promise you I’ll do everything I can for them gladly. But I beseech you not to bring Strickland here.”
“But why?”
“I’m frightened of him. I don’t know why, but there’s something in him that terrifies me. He’ll do us some great harm. I know it. I feel it. If you bring him here it can only end badly.”
“But how unreasonable!”
“No, no. I know I’m right. Something terrible will happen to us.”
“Because we do a good action?”
She was panting now, and in her face was a terror which was inexplicable. I do not know what she thought. I felt that she was possessed by some shapeless dread which robbed her of all self-control. As a rule she was so calm; her agitation now was amazing. Stroeve looked at her for a while with puzzled consternation.
“You are my wife; you are dearer to me than anyone in the world. No one shall come here without your entire consent.”
She closed her eyes for a moment, and I thought she was going to faint. I was a little impatient with her; I had not suspected that she was so neurotic a woman. Then I heard Stroeve’s voice again. It seemed to break oddly on the silence.
“Haven’t you been in bitter distress once when a helping hand was held out to you? You know how much it means. Couldn’t you like to do someone a good turn when you have the chance?”
The words were ordinary enough, and to my mind there was in them something so hortatory that I almost smiled. I was astonished at the effect they had on Blanche Stroeve. She started a little, and gave her husband a long look. His eyes were fixed on the ground. I did not know why he seemed embarrassed. A faint colour came into her cheeks, and then her face became white — more than white, ghastly; you felt that the blood had shrunk away from the whole surface of her body; and even her hands were pale. A shiver passed through her. The silence of the studio seemed to gather body, so that it became an almost palpable presence. I was bewildered.
“Bring Strickland here, Dirk. I’ll do my best for him.”
“My precious,” he smiled.
He wanted to take her in his arms, but she avoided him.
“Don’t be affectionate before strangers, Dirk,” she said. “It makes me feel such a fool.”
Her manner was quite normal again, and no one could have told that so shortly before she had been shaken by such a great emotion.
Next day we moved Strickland. It needed a good deal of firmness and still more patience to induce him to come, but he was really too ill to offer any effective resistance to Stroeve’s entreaties and to my determination. We dressed him, while he feebly cursed us, got him downstairs, into a cab, and eventually to Stroeve’s studio. He was so exhausted by the time we arrived that he allowed us to put him to bed without a word. He was ill for six weeks. At one time it looked as though he could not live more than a few hours, and I am convinced that it was only through the Dutchman’s doggedness that he pulled through. I have never known a more difficult patient. It was not that he was exacting and querulous; on the contrary, he never complained, he asked for nothing, he was perfectly silent; but he seemed to resent the care that was taken of him; he received all inquiries about his feelings or his needs with a jibe, a sneer, or an oath. I found him detestable, and as soon as he was out of danger I had no hesitation in telling him so.
“Go to hell,” he answered briefly.
Dirk Stroeve, giving up his work entirely, nursed Strickland with tenderness and sympathy. He was dexterous to make him comfortable, and he exercised a cunning of which I should never have thought him capable to induce him to take the medicines prescribed by the doctor. Nothing was too much trouble for him. Though his means were adequate to the needs of himself and his wife, he certainly had no money to waste; but now he was wantonly extravagant in the purchase of delicacies, out of season and dear, which might tempt Strickland’s capricious appetite. I shall never forget the tactful patience with which he persuaded him to take nourishment. He was never put out by Strickland’s rudeness; if it was merely sullen, he appeared not to notice it; if it was aggressive, he only chuckled. When Strickland, recovering somewhat, was in a good humour and amused himself by laughing at him, he deliberately did absurd things to excite his ridicule. Then he would give me little happy glances, so that I might notice in how much better form the patient was. Stroeve was sublime.
But it was Blanche who most surprised me. She proved herself not only a capable, but a devoted nurse. There was nothing in her to remind you that she had so vehemently struggled against her husband’s wish to bring Strickland to the studio. She insisted on doing her share of the offices needful to the sick. She arranged his bed so that it was possible to change the sheet without disturbing him. She washed him. When I remarked on her competence, she told me with that pleasant little smile of hers that for a while she had worked in a hospital. She gave no sign that she hated Strickland so desperately. She did not speak to him much, but she was quick to forestall his wants. For a fortnight it was necessary that someone should stay with him all night, and she took turns at watching with her husband. I wondered what she thought during the long darkness as she sat by the bedside. Strickland was a weird figure as he lay there, thinner than ever, with his ragged red beard and his eyes staring feverishly into vacancy; his illness seemed to have made them larger, and they had an unnatural brightness.
“Does he ever talk to you in the night?” I asked her once.
“Never.”
“Do you dislike him as much as you did?”
“More, if anything.”
She looked at me with her calm gray eyes. Her expression was so placid, it was hard to believe that she was capable of the violent emotion I had witnessed.
“Has he ever thanked you for what you do for him?”
“No,” she smiled.
“He’s inhuman.”
“He’s abominable.”
Stroeve was, of course, delighted with her. He could not do enough to show his gratitude for the whole-hearted devotion with which she
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