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Reading books fiction Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself.



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The genre of fiction is interesting to read not only by the process of cognition and the desire to empathize with the fate of the hero, this genre is interesting for the ability to rethink one's own life. Of course the reader may accept the author's point of view or disagree with them, but the reader should understand that the author has done a great job and deserves respect. Take a closer look at genre fiction in all its manifestations in our elibrary.



Read books online » Fiction » A Man Obsessed by Alan Edward Nourse (leveled readers TXT) 📖

Book online «A Man Obsessed by Alan Edward Nourse (leveled readers TXT) 📖». Author Alan Edward Nourse



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was still clanging in the hallway, loudly piercing the still air of the room. He had to flee while he could. Instinctively now he knew that he'd never find Paul Conroe in the Center, never in a thousand years of searching. The fear grew stronger, a little voice screaming in his ear, "Don't wait. Run, run now, or it's too late."

He tore open his foot locker, stared at the empty hooks. The locker was cleaned out, empty of every stitch of clothing. His bag was gone, his shoes, his coat.

It's too late. Don't wait.

His pulse pounded in his temples and a sweat broke out on his forehead. The escalator! If he could get to it, then make the turn into the next corridor, and get a jitney car.... It was the only way to get out and he had no choice. Panting, he broke out into the hall once again, ran pell-mell down the corridor toward the escalator. Then, when he was almost there, a wire cage slammed down across the corridor and blocked his path completely.

Jeff stopped short, his shoes scraping against the concrete floor. His heart pounded a deafening tattoo in his ears as he stared at the wire grill. Then he whirled and ran back down the corridor as fast as his legs would move. If he could get back to the offices, back to the main corridor before they stopped him, he could get a car there. Far ahead he saw the bright light of the main corridor. His breath came in a hoarse whine as he tried to run faster. And then, ten yards ahead, he saw another grill clank down, cutting him off, falling directly in his path.

He cried out, a helpless, desperate cry. He was trapped, caught in the one length of corridor. His mind spun dizzily to Blackie. She had been gone. Where to? Where had everybody gone? He started back, frantically jerking open doors on either side of the corridor, staring into room after room, his breath catching in his throat as he ran. All the rooms were empty. Jeff felt his mind spinning. He felt a curious inevitability, a fantastic pattern falling into shape as he stared into the empty rooms. Finally he reached his own again. Wide-eyed and panting, he threw the door open, strode in and threw himself down in the chair and waited.

He did not wait long. For a few moments there was no sound. Then he heard the sounds of feet coming down the corridor. He tightened his grip on the chair arm. He wasn't thinking any longer. Cold beads of sweat stood out on his forehead as he waited, hearing the steps draw nearer. For the first time that he could remember, sheer terror crept through his mind, paralyzing him. He knew he had waited too long. His chance to jump the road was gone; there was no longer any escape.

Then the door was filled by some figures. One of them was the tall, white figure of Dr. Schiml. He walked into the room and smiled like the cat that ate the canary. Sinking down on the bed with a sigh, he was still smiling at Jeff. The girl followed him into the room. Her eyes were downcast. She tossed a little pair of ivory dice into the air and caught them as they fell.

The doctor smiled, and drew a crisp white paper from his pocket, began unfolding it slowly. "A matter of business," he said, almost apologetically. "It's time we got down to business, I think."

CHAPTER ELEVEN

Jeff raised his eyes to the doctor's face. His throat felt like sandpaper. He tried to swallow and couldn't. "Sorry," he grated. "I've changed my mind. I'm not talking business."

Dr. Schiml smiled, his head slowly moving back and forth. "I hear you're quite handy at the dice, Jeff."

Jeff jumped out of the chair, fists clenched, eyes blazing at the girl. "You bitch," he snarled. "You two-bit tramp stoolie. You'd sell your grandmother short for a bag of salt, wouldn't you? Come to me with your sob stories, beg me to move out of here with you." His voice was biting. "How much did they pay you to sell out? A hundred thousand, maybe? Or was this just a little routine affair? Maybe a thousand or two?"

The girl's face darkened, her eyes bewildered as she stared at him. "No, that's not true. I didn't—"

"Well, it won't do them any good, no matter how much they paid you. Because I'm not signing a release, now or ever."

A guard grabbed Jeff's arm, forcing him back into the chair.

Dr. Schiml still smiled, clasping his knee with his hands. "I guess you didn't quite understand me," he said pleasantly. "You mustn't blame Blackie. She didn't sell you short. She just couldn't help answering a few perfectly innocent questions." His eyes returned to Jeff, coldly. "We're not asking you to sign a release, Jeff. We're telling you."

Jeff stared at him in amazement. "Don't be silly," he blurted. "I'm not signing a release to you people. Do you think I'm out of my mind? Take it away, burn it and get yourself another guinea pig."

Dr. Schiml smiled quietly and shook his head. "We don't want another guinea pig, Jeff. That's just it. We want you."

A little line of sweat broke out on Jeff's forehead. "Look," he said hoarsely. "I'm not signing anything, do you understand? I've changed my mind. I don't care for the work here. I don't like the company."

Schiml's smile faded. He shrugged and tucked the white paper back into his white coat. "Just as you wish," he said. "The release is just a formality. Bring him along, boys."

"Wait!" Jeff was on his feet again, facing the guards, his eyes wide with fright. His eyes caught Schiml's. "Look, you've got things wrong. I'm a fake in here, a fraud. Can't you understand that? I didn't come in here to volunteer. I never intended to volunteer, never planned to go even as far as I did. I came here—"

Schiml made an impatient face and held up a hand. "Oh, yes, yes, I know all that. You came into this place because you'd followed a man in here and you wanted to kill him. You'd been hunting him for years, because you thought he murdered your father in cold blood and nothing would do but you kill him. Right?" Schiml blinked at Jeff, his voice heavy with boredom. "So you came in here and went through testing, hunting down your man, trying to find him. But you didn't find him. Now things have suddenly become too hot for your liking, so you figure that it's time to pull out. Right? Or are some of the details wrong?"

Jeff's jaw sagged, his face going pasty. "That slut girl—"

Schiml grimaced. "No, not Blackie. Blackie is discreet, in her own quiet way. She hasn't had anything to do with it. We've known about you all along, Jeff. And through a much more reliable source than Blackie." He glanced over his shoulder at one of the guards. "Bring him in," he said abruptly.

The door to the adjoining room opened and a man walked into the room. He was a tall, lean man; a gaunt-faced man with sallow cheeks and large, sad eyes; a weary-looking man whose hair was graying about the temples—a man whose whole body looked desperately tired.

And Schiml looked at the man and then he looked at the ceiling. "Hello, Paul," he said softly. "There's someone here who's been looking for you—"

A scream broke from Jeff's lips as he stared across the room. A raw animal scream ripped from his mouth like a knife. His lips twisted and he wrenched at the guards who were holding his arms, his face going purple, his eyes bulging.

With a roar he lunged at Conroe, bellowing, a torrent of hatred and abuse pouring from his lips. Again and again he screamed, his eyes blazing with an unholy fire of hatred. Conroe jerked back with a cry, and then Schiml was on his feet as Jeff lunged again, his muscles tightening like bands of steel under the flimsy shirt.

The guards fought to restrain him, and then the doctor was holding him too, crying: "Get out, Paul, quick!"

But Paul Conroe stood stock still, writhing from his hands to his head, his eyes filling with horrible pain. Suddenly the coffee cup jerked from the table, spun in the air and hurled straight for Conroe's head. It missed, smashing against the wall.

Jeff screamed again and the walls and ceiling began powdering off, plaster peeling down in great chunks, smashing off the walls onto the floor. A huge chunk fell from the ceiling, and then the curtains suddenly started to blaze, as if ignited by some magic fire. Finally, Conroe's clothing began smoking and smoldering.

Blackie screamed, staring at Jeff in open horror. Schiml's voice roared through the bedlam: "Get him! Sedate him, for God's sake, before he tears the place down on our ears!" Again Jeff roared his virulent hatred, and this time Conroe was the one who shouted:

"Stop him! He's tearing me apart inside. My God, stop him!"

Someone stepped between Jeff and Conroe. There was a flicker of glass and silver as a plunger was pressed home. Then suddenly Jeff's muscles gave out. His legs walked out from under him, and he felt himself sliding to the floor. But still he screamed, the face of the man who had tormented him all his life growing closer and closer, more and more vicious. Then suddenly everything around him went black. His last conscious impression was that of Blackie. She had her face in her hands and she was sobbing like a child in the corner.

He lay on the long table, wrapped in cool green surgical linens, motionless, barely breathing. His eyes were wide open, but sightless. They seemed to be staring straight up at the pale, glowing skylight in the ceiling. It was as if they were staring beyond, eons beyond, into some strange world that no human foot had ever trod.

His breath came slowly, a harsh sound in the still room. Sometimes it slowed almost to a stop, sometimes it accelerated. Dr. Schiml paused motionless by his side, waiting, watching breathlessly until the ragged wheeze slowed once again to normal.

Jeff lay like a corpse, but he was not dead. Near his head the panel of tiny lights flickered on and off, brighter and dimmer, carrying their simple on-or-off messages from the myriad microscopic endings on the tiny electrode that probed through the soft brain tissue.

No human being could ever analyze the waxing and waning of patterns on that panel, not even in five lifetimes. But a camera could film the changes, instant upon instant, flickering and flashing and glowing dully on and off, in a thousand thousand different figures and movements. And the computor could take these patterns from the film and analyze them and compare them. It would integrate them into the constantly changing picture that appeared on the small screen by the bedside.

It was a crude instrument, indeed, for the study of so exquisitely delicate and variable an instrument as a human brain, and no one knew this more painfully than Roger Schiml. But even such a crude instrument could probe into that strange half-world that they had sought so long to enter.

Near the bedside Paul Conroe sat motionless, his face drawn, his gaunt cheeks sunken. His eyes were wide and fearful as he watched the picture panel and his fingers trembled as he lit his pipe. He kept watching.

"It could be so dangerous," he murmured finally, turning to look at Schiml. "So terribly dangerous."

Schiml nodded gravely, adjusting the microvernier that controlled the probing instrument. "Of course it could be dangerous, but not too much so. Twenty years ago he'd have been dead already, but we haven't been wasting time all these years we've been waiting for him. Particularly in this cell-probing technique, we've ironed out the bugs. He'll survive, all right, unless we run into something mighty—"

Conroe shook his head. "Oh, no, no. I don't mean dangerous for him. I mean dangerous for us. Even he doesn't realize his power. How can we predict what sort of power it might be?" He looked up at Schiml, his eyes wide. "That room—it would have been gone in another five minutes, simply torn apart into molecular dust. He did it—and yet, I'd swear he didn't know what he was doing. I doubt if he even realized what was happening. And the fire—that was real fire, Roger. I know, I felt it burn me."

Schiml nodded eagerly. "Of course it was real fire! Set molecules to spinning at terrifically accelerated rates and you have fire. But those are the things we have to learn, Paul."

Conroe shook his head, fearfully. "We could both see the fire, but there was something else. You couldn't feel

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