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Reading books fiction Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself.



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The genre of fiction is interesting to read not only by the process of cognition and the desire to empathize with the fate of the hero, this genre is interesting for the ability to rethink one's own life. Of course the reader may accept the author's point of view or disagree with them, but the reader should understand that the author has done a great job and deserves respect. Take a closer look at genre fiction in all its manifestations in our elibrary.



Read books online » Fiction » A Great Man by Arnold Bennett (good books to read for beginners TXT) 📖

Book online «A Great Man by Arnold Bennett (good books to read for beginners TXT) 📖». Author Arnold Bennett



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/> That same evening, in the privacy of his study, he eagerly read _How to become a Successful Novelist_. It disappointed him; nay, it desolated him. He was shocked to discover that he had done nothing that a man must do who wishes to be a successful novelist. He had not practised style; he had not paraphrased choice pages from the classics; he had not kept note-books; he had not begun with short stories; he had not even performed the elementary, obvious task of studying human nature. He had never thought of 'atmosphere' as 'atmosphere'; nor had he considered the important question of the 'functions of dialogue.' As for the 'significance of scenery,' it had never occurred to him. In brief, he was a lost man. And he could detect in the book no practical hint towards salvation. 'Having decided upon your theme----' said the writer in a chapter entitled 'The Composition of a Novel.' But what Henry desired was a chapter entitled 'The Finding of a Theme.' He suffered the aggravated distress of a starving man who has picked up a cookery-book.

There was a knock at the study door, and Henry hastily pushed _How to become a Successful Novelist_ under the blotting-paper, and assumed a meditative air. Not for worlds would he have been caught reading it.

'A letter, dear, by the last post,' said Aunt Annie, entering; and then discreetly departed.

The letter was from Mark Snyder, and it enclosed a cheque for a hundred pounds, saying that Mr. Onions Winter, though under no obligation to furnish a statement until the end of the year, had sent this cheque on account out of courtesy to Mr. Knight, and in the hope that Mr. Knight would find it agreeable; also in the hope that Mr. Knight was proceeding satisfactorily with book number two. The letter was typewritten, and signed 'Mark Snyder, per G. F.,' and the 'G. F.' was very large and distinct.

Henry instantly settled in his own mind that he would attempt no more with book number two until the famous dinner with 'G. F.' had come to pass. He cherished a sort of hopeful feeling that after he had seen her, and spent that about-to-be-wonderful evening with her, he might be able to invent a theme. The next day he cashed the cheque. The day after that was Saturday, and he came home at two o'clock with a large flat box, which he surreptitiously conveyed to his bedroom. Small parcels had been arriving for him during the week. At half-past four Mrs. Knight and Aunt Annie, invading the study, found him reading _Chambers' Encyclopaedia_.

'We're going now, dear,' said Aunt Annie.

'Sarah will have your tea ready at half-past five,' said his mother. 'And I've told her to be sure and boil the eggs three and three-quarter minutes.'

'And we shall be back about half-past nine,' said Aunt Annie.

'Don't stick at it too closely,' said his mother. 'You ought to take a little exercise. It's a beautiful afternoon.'

'I shall see,' Henry answered gravely. 'I shall be all right.'

He watched the ladies down the road in the direction of the tea-meeting, and no sooner were they out of sight than he nipped upstairs and locked himself in his bedroom. At half-past five Sarah tapped at his door and announced that tea was ready. He descended to tea in his overcoat, and the collar of his overcoat was turned up and buttoned across his neck. He poured out some tea, and drank it, and poured some more into the slop-basin. He crumpled a piece or two of bread-and-butter and spread crumbs on the cloth. He shelled the eggs very carefully, and, climbing on to a chair, dropped the eggs themselves into a large blue jar which stood on the top of the bookcase. After these singular feats he rang the bell for Sarah.

'Sarah,' he said in a firm voice, 'I've had my tea, and I'm going out for a long walk. Tell my mother and aunt that they are on no account to wait up for me, if I am not back.'

'Yes, sir,' said Sarah timidly. 'Was the eggs hard enough, sir?'

'Yes, thank you.' His generous, kindly approval of the eggs cheered this devotee.

Henry brushed his silk hat, put it on, and stole out of the house feeling, as all livers of double lives must feel, a guilty thing. It was six o'clock. The last domestic sound he heard was Sarah singing in the kitchen. 'Innocent, simple creature!' he thought, and pitied her, and turned down the collar of his overcoat.


CHAPTER XVI


DURING THE TEA-MEETING



In spite of the sincerest intention not to arrive too soon, Henry reached the Louvre Restaurant a quarter of an hour before the appointed time. He had meant to come in an omnibus, and descend from it at Piccadilly Circus, but his attire made him feel self-conscious, and he had walked on, allowing omnibus after omnibus to pass him, in the hope of being able to get into an empty one; until at last, afraid that he was risking his fine reputation for exact promptitude, he had suddenly yielded to the alluring gesture of a cabman.

The commissionaire of the Louvre, who stood six feet six and a half inches high, who wore a coat like the side of a blue house divided by means of pairs of buttons into eighty-five storeys, who had the face of a poet addicted to blank verse, and who was one of the glories of the Louvre, stepped across the pavement in one stride and assisted Henry to alight. Henry had meant to give the cabman eighteenpence, but the occult influence of the glorious commissionaire mysteriously compelled him, much against his will, to make it half a crown. He hesitated whether to await Geraldine within the Louvre or without; he was rather bashful about entering (hitherto he had never flown higher than Sweeting's). The commissionaire, however, attributing this indecision to Henry's unwillingness to open doors for himself, stepped back across the pavement in another stride, and held the portal ajar. Henry had no alternative but to pass beneath the commissionaire's bended and respectful head. Once within the gorgeous twilit hall of the Louvre, Henry was set upon by two very diminutive and infantile replicas of the commissionaire, one of whom staggered away with his overcoat, while the other secured the remainder of the booty in the shape of his hat, muffler, and stick, and left Henry naked. I say 'naked' purposely. Anyone who has dreamed the familiar dream of being discovered in a state of nudity amid a roomful of clothed and haughty strangers may, by recalling his sensations, realize Henry's feelings as he stood alone and unfriended there, exposed for the first time in his life in evening dress to the vulgar gaze. Several minutes passed before Henry could conquer the delusion that everybody was staring at him in amused curiosity. Having conquered it, he sank sternly into a chair, and surreptitiously felt the sovereigns in his pocket.

Soon an official bore down on him, wearing a massive silver necklet which fell gracefully over his chest. Henry saw and trembled.

'Are you expecting someone, sir?' the man whispered in a velvety and confidential voice, as who should say: 'Have no secrets from me. I am discretion itself.'

'Yes,' answered Henry boldly, and he was inclined to add: 'But it's all right, you know. I've nothing to be ashamed of.'

'Have you booked a table, sir?' the official proceeded with relentless suavity. As he stooped towards Henry's ear his chain swung in the air and gently clanked.

'No,' said Henry, and then hastened to assure the official: 'But I want one.' The idea of booking tables at a restaurant struck him as a surprising novelty.

'Upstairs or down, sir? Perhaps you'd prefer the balcony? For two, sir? I'll _see_, sir. We're always rather full. What name, sir?'

'Knight,' said Henry majestically.

He was a bad starter, but once started he could travel fast. Already he was beginning to feel at home in the princely foyer of the Louvre, and to stare at new arrivals with a cold and supercilious stare. His complacency, however, was roughly disturbed by a sudden alarm lest Geraldine might not come in evening-dress, might not have quite appreciated what the Louvre was.

'Table No. 16, sir,' said the chain-wearer in his ear, as if depositing with him a state-secret.

'Right,' said Henry, and at the same instant she irradiated the hall like a vision.

'Am I not prompt?' she demanded sweetly, as she took a light wrap from her shoulders.

Henry began to talk very rapidly and rather loudly. 'I thought you'd prefer the balcony,' he said with a tremendous air of the man about town; 'so I got a table upstairs. No. 16, I fancy it is.'

She was in evening-dress. There could be no doubt about that; it was a point upon which opinions could not possibly conflict. She was in evening-dress.

'Now tell me all about _your_self,' Henry suggested. They were in the middle of the dinner.

'Oh, you can't be interested in the affairs of poor little me!'

'Can't I!'

He had never been so ecstatically happy in his life before. In fact, he had not hitherto suspected even the possibility of that rapture. In the first place, he perceived that in choosing the Louvre he had builded better than he knew. He saw that the Louvre was perfect. Such napery, such argent, such crystal, such porcelain, such flowers, such electric and glowing splendour, such food and so many kinds of it, such men, such women, such chattering gaiety, such a conspiracy on the part of menials to persuade him that he was the Shah of Persia, and Geraldine the peerless Circassian odalisque! The reality left his fancy far behind. In the second place, owing to his prudence in looking up the subject in _Chambers' Encyclopaedia_ earlier in the day, he, who was almost a teetotaler, had cut a more than tolerable figure in handling the wine-list. He had gathered that champagne was in truth scarcely worthy of its reputation among the uninitiated, that the greatest of all wines was burgundy, and that the greatest of all burgundies was Romanee-Conti. 'Got a good Romanee-Conti?' he said casually to the waiter. It was immense, the look of genuine respect that came into the face of the waiter. The Louvre had a good Romanee-Conti. Its price, two pounds five a bottle, staggered Henry, and he thought of his poor mother and aunt at the tea-meeting, but his impassive features showed no sign of the internal agitation. And when he had drunk half a glass of the incomparable fluid, he felt that a hundred and two pounds five a bottle would not have been too much to pay for it. The physical, moral, and spiritual effects upon him of that wine were remarkable in the highest degree. That wine banished instantly all awkwardness, diffidence, timidity, taciturnity, and meanness. It filled him with generous emotions and the pride of life. It ennobled him.

And, in the third place, Geraldine at once furnished him with a new ideal of the feminine and satisfied it. He saw that the women of Munster Park were not real women; they were afraid to be real women, afraid to be joyous, afraid to be pretty, afraid to attract; they held themselves in instead of letting themselves go; they assumed that every pleasure was guilty until it was proved innocent, thus transgressing the fundamental principle of English justice; their watchful eyes seemed to be continually saying: 'Touch me--and I shall scream for help!' In costume, any elegance, any elaboration, any coquetry,

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