Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. The Last of the Barons — Complete by Baron Edward Bulwer Lytton Lytton (reading an ebook .TXT) 📖
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“She did—she did! Oh that my father had been by to hear! She bade me stand aside that Anne might pass,—‘not for the younger daughter of Lord Warwick, but for the lady admitted into the royalty of Lancaster!’ Elizabeth Woodville, at least, never dared this insolence!”
“And this Margaret the Duke of Clarence is to place on the throne which your child yonder might otherwise aspire to mount!”
Isabel clasped her hands in mute passion.
“Hark!” said the confidant, throwing open the door—
And along the corridor came, in measured pomp, a stately procession, the chamberlain in front, announcing “Her Highness the Princess of Wales;” and Louis XI., leading the virgin bride (wife but in name and honour, till her dowry of a kingdom was made secure) to her gentle rest. The ceremonial pomp, the regal homage that attended the younger sister thus raised above herself, completed in Isabel’s jealous heart the triumph of the Tempter. Her face settled into hard resolve, and she passed at once from the chamber into one near at hand, where the Duke of Clarence sat alone, the rich wines of the livery, not untasted, before him, and the ink yet wet upon a scroll he had just indited.
He turned his irresolute countenance to Isabel as she bent over him and read the letter. It was to Edward; and after briefly warning him of the meditated invasion, significantly added, “and if I may seem to share this emprise, which, here and alone, I cannot resist, thou shalt find me still, when the moment comes, thy affectionate brother and loyal subject.”
“Well, Isabel,” said the duke, “thou knowest I have delayed this till the last hour to please thee; for verily, lady mine, thy will is my sweetest law. But now, if thy heart misgives thee—”
“It does, it does!” exclaimed the duchess, bursting into tears.
“If thy heart misgives thee,” continued Clarence, who with all his weakness had much of the duplicity of his brothers, “why, let it pass. Slavery to scornful Margaret, vassalage to thy sister’s spouse, triumph to the House which both thou and I were taught from childhood to deem accursed,—why, welcome all! so that Isabel does not weep, and our boy reproach us not in the days to come!”
For all answer, Isabel, who had seized the letter, let it drop on the table, pushed it, with averted face, towards the duke, and turned back to the cradle of her child, whom she woke with her sobs, and who wailed its shrill reply in infant petulance and terror, snatched from its slumber to the arms of the remorseful mother.
A smile of half contemptuous joy passed over the thin lips of the she-Judas, and, without speaking, she took her way to Clarence. He had sealed and bound his letter, first adding these words, “My lady and duchess, whatever her kin, has seen this letter, and approves it, for she is more a friend to York than to the earl, now he has turned Lancastrian;” and placed it in a small iron coffer.
He gave the coffer, curiously clasped and locked, to the gentlewoman, with a significant glance—“Be quick, or she repents! The courier waits, his steed saddled! The instant you give it, he departs,—he hath his permit to pass the gates.”
“All is prepared; ere the clock strike, he is on his way.” The confidant vanished; the duke sank in his chair, and rubbed his hands.
“Oho, father-in-law, thou deemest me too dull for a crown! I am not dull enough for thy tool. I have had the wit, at least, to deceive thee, and to hide resentment beneath a smiling brow! Dullard, thou to believe aught less than the sovereignty of England could have bribed Clarence to thy cause!” He turned to the table and complacently drained his goblet.
Suddenly, haggard and pale as a spectre, Isabel stood before him.
“I was mad—mad, George! The letter! the letter—it must not go!”
At that moment the clock struck.
“Bel enfant,” said the duke, “it is too late!”
BOOK X. THE RETURN OF THE KING-MAKER.
CHAPTER I. THE MAID’S HOPE, THE COURTIER’S LOVE, AND THE SAGE’S COMFORT. Fair are thy fields, O England; fair the rural farm and the orchards in which the blossoms have ripened into laughing fruits; and fairer than all, O England, the faces of thy soft-eyed daughters!
From the field where Sibyll and her father had wandered amidst the dead, the dismal witnesses of war had vanished; and over the green pastures roved the gentle flocks. And the farm to which Hastings had led the wanderers looked upon that peaceful field through its leafy screen; and there father and daughter had found a home.
It was a lovely summer evening; and Sibyll put aside the broidery frame, at which, for the last hour, she had not worked, and gliding to the lattice, looked wistfully along the winding lane. The room was in the upper story, and was decorated with a care which the exterior of the house little promised, and which almost approached to elegance. The fresh green rushes that strewed the floor were intermingled with dried wild thyme and other fragrant herbs. The bare walls were hung with serge of a bright and cheerful blue; a rich carpet de cuir covered the oak table, on which lay musical instruments, curiously inlaid, with a few manuscripts, chiefly of English and Provencal poetry. The tabourets were covered with cushions of Norwich worsted, in gay colours. All was simple, it is true, yet all betokened a comfort—ay, a refinement, an evidence of wealth—very rare in the houses even of the second order of nobility.
As Sibyll gazed, her face suddenly brightened; she uttered a joyous cry, hurried from the room, descended the stairs, and passed her father, who was seated without the porch, and seemingly plunged in one of his most abstracted reveries. She kissed his brow (he heeded her not), bounded with a light step over the sward of the orchard, and pausing by a wicket gate, listened with throbbing heart to the advancing sound of a horse’s hoofs. Nearer came the sound, and nearer. A cavalier appeared in sight, sprang from his saddle, and, leaving his palfrey to find his way to the well-known stable, sprang lightly over the little gate.
“And thou hast watched for me, Sibyll?”
The girl blushingly withdrew from the eager embrace, and said touchingly, “My heart watcheth for thee alway. Oh, shall I thank or chide thee for so much care? Thou wilt see how thy craftsmen have changed the rugged homestead into the daintiest bower!”
“Alas! my Sibyll! would that it were worthier of thy beauty, and our mutual troth! Blessings on thy trust and sweet patience; may the day soon come when I may lead thee to a nobler home, and hear knight and baron envy the bride of Hastings!”
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