Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. The Ramayana by Valmiki (classic reads txt) 📖
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>The accents of thy lord to use,
In alien tones my help to crave,
And cry aloud, O Lakshmaṇ, save?
Now let my words thy spirit cheer,
Compose thy thoughts and banish fear.
In hell, in earth, or in the skies
There is not, and there cannot rise
A champion whose strong arm can slay
Thy Ráma in the battle fray.
To heavenly hosts he ne'er would yield
Though Indra led them to the field.”
To soothe her thus I vainly sought:
Her heart with woe was still distraught.
While from her eyes the waters ran
Her bitter speech she thus began:
“Too well I see thy dark intent:
Thy lawless thoughts on me are bent.
Thou hopest, but thy hope is vain,
To win my love, thy brother slain.
Not love, but Bharat's dark decree
To share his exile counselled thee,
[pg 300]
Or hearing now his bitter cry
Thou surely to his aid wouldst fly.
For love of me, a stealthy foe
Thou choosest by his side to go,
And now thou longest that my lord
Should die, and wilt no help afford.”
Such were the words the lady said:
With angry fire my eyes were red.
With pale lips quivering in my rage
I hastened from the hermitage.”
He ceased; and frenzied by his pain
The son of Raghu spoke again:
“O brother, for thy fault I grieve,
The Maithil dame alone to leave.
Thou knowest that my arm is strong
To save me from the giant throng,
And yet couldst leave the cottage, spurred
To folly by her angry word.
For this thy deed I praise thee not,—
To leave her helpless in the cot,
And thus thy sacred charge forsake
For the wild words a woman spake.
Yea thou art all to blame herein,
And very grievous is thy sin.
That anger swayed thy faithless breast
And made thee false to my behest.
An arrow speeding from my bow
Has laid the treacherous giant low,
Who lured me eager for the chase
Far from my hermit dwelling-place.
The string with easy hand I drew,
The arrow as in pastime flew,
The wounded quarry bled.
The borrowed form was cast away,
Before mine eye a giant lay
With bright gold braceleted.
My arrow smote him in the chest:
The giant by the pain distressed
Raised his loud voice on high.
Far rang the mournful sound: mine own,
It seemed, were accent, voice, and tone,
They made thee leave my spouse alone
And to my rescue fly.”
Canto LXI. Ráma's Lament.
As Ráma sought his leafy cot
Through his left eye keen throbbings shot,
His wonted strength his frame forsook,
And all his body reeled and shook.
Still on those dreadful signs he thought,—
Sad omens with disaster fraught,
And from his troubled heart he cried,
“O, may no ill my spouse betide!”
Longing to gaze on Sítá's face
He hastened to his dwelling-place,
Then sinking neath his misery's weight,
He looked and found it desolate.
Tossing his mighty arms on high
He sought her with an eager cry,
From spot to spot he wildly ran
Each corner of his home to scan.
He looked, but Sítá was not there;
His cot was disolate and bare,
Like streamlet in the winter frost,
The glory of her lilies lost.
With leafy tears the sad trees wept
As a wild wind their branches swept.
Mourned bird and deer, and every flower
Drooped fainting round the lonely bower.
The silvan deities had fled
The spot where all the light was dead,
Where hermit coats of skin displayed,
And piles of sacred grass were laid.
He saw, and maddened by his pain
Cried in lament again, again:
“Where is she, dead or torn away,
Lost, or some hungry giant's prey?
Or did my darling chance to rove
For fruit and blossoms though the grove?
Or has she sought the pool or rill,
Her pitcher from the wave to fill?”
His eager eyes on fire with pain
He roamed about with maddened brain.
Each grove and glade he searched with care,
He sought, but found no Sítá there.
He wildly rushed from hill to hill;
From tree to tree, from rill to rill,
As bitter woe his bosom rent
Still Ráma roamed with fond lament:
“O sweet Kadamba say has she
Who loved thy bloom been seen by thee?
If thou have seen her face most fair,
Say, gentle tree, I pray thee, where.
O Bel tree with thy golden fruit
Round as her breast, no more be mute,
Where is my radiant darling, gay
In silk that mocks thy glossy spray?
O Arjun, say, where is she now
Who loved to touch thy scented bough?
Do not thy graceful friend forget,
But tell me, is she living yet?
Speak, Basil, thou must surely know,
For like her limbs thy branches show,—
Most lovely in thy fair array
Of twining plant and tender spray.
Sweet Tila, fairest of the trees,
Melodious with the hum of bees,
Where is my darling Sítá, tell,—
The dame who loved thy flowers so well?
Aśoka, act thy gentle part,—
Named Heartsease,507 give me what thou art,
To these sad eyes my darling show
And free me from this load of woe.
O Palm, in rich ripe fruitage dressed
Round as the beauties of her breast,
[pg 301]
If thou have heart to know and feel,
My peerless consort's fate reveal.
Hast thou, Rose-apple, chanced to view
My darling bright with golden hue?
If thou have seen her quickly speak,
Where is the dame I wildly seek?
O glorious Cassia, thou art gay
With all thy loveliest bloom to-day,
Where is my dear who loved to hold
In her full lap thy flowery gold?”
To many a tree and plant beside,
To Jasmin, Mango, Sál, he cried.
“Say, hast thou seen, O gentle deer,
The fawn-eyed Sítá wandering here?
It may be that my love has strayed
To sport with fawns beneath the shade,
If thou, great elephant, have seen
My darling of the lovely mien,
Whose rounded limbs are soft and fine
As is that lissome trunk of thine,
O noblest of wild creatures, show
Where is the dame thou needs must know.
O tiger, hast thou chanced to see
My darling? very fair is she,
Cast all thy fear away, declare,
Where is my moon-faced darling, where?
There, darling of the lotus eye,
I see thee, and 'tis vain to fly,
Wilt thou not speak, dear love? I see
Thy form half hidden by the tree.
Stay if thou love me, Sítá, stay
In pity cease thy heartless play.
Why mock me now? thy gentle breast
Was never prone to cruel jest.
'Tis vain behind yon bush to steal:
Thy shimmering silks thy path reveal.
Fly not, mine eyes pursue thy way;
For pity's sake, dear Sítá, stay.
Ah me, ah me, my words are vain;
My gentle love is lost or slain.
How could her tender bosom spurn
Her husband on his home-return?
Ah no, my love is surely dead,
Fierce giants on her flesh have fed,
Rending the soft limbs of their prey
When I her lord was far away.
That moon-bright face, that polished brow,
Red lips, bright teeth—what are they now?
Alas, my darling's shapely neck
She loved with chains of gold to deck,—
That neck that mocked the sandal scent,
The ruthless fiends have grasped and rent.
Alas, 'twas vain those arms to raise
Soft as the young tree's tender sprays.
Ah, dainty meal for giants' lips
Were arms and quivering finger tips.
Ah, she who counted many a friend
Was left for fiends to seize and rend,
Was left by me without defence
From ravening giants' violence.
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