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Reading books fiction Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself.



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The genre of fiction is interesting to read not only by the process of cognition and the desire to empathize with the fate of the hero, this genre is interesting for the ability to rethink one's own life. Of course the reader may accept the author's point of view or disagree with them, but the reader should understand that the author has done a great job and deserves respect. Take a closer look at genre fiction in all its manifestations in our elibrary.



Read books online » Fiction » Dr. Heidenhoff's Process by Edward Bellamy (e book reading free txt) 📖

Book online «Dr. Heidenhoff's Process by Edward Bellamy (e book reading free txt) 📖». Author Edward Bellamy



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was no longer the mirthful, self-reliant girl who stood before him, but the shrinking, trustful bride. The flashing, imperious expression that so well became her bold beauty at other times had given place to a shy and blushing softness, inexpressibly charming to her lover. In her shining eyes a host of virginal alarms were mingled with the tender, solemn trust of love.

As he gazed, his eyes began to swim with tenderness, and her face grew dim and misty to his vision. Then her white dress lost its sheen and form, and he found himself staring at the white window-shade of his bedroom, through which the morning light was peering. Startled, bewildered, he raised himself on his elbow in bed. Yes, he was in bed. He looked around, mechanically taking note of one and another familiar feature of the apartment to make sure of his condition. There, on the stand by his bedside, lay his open watch, still ticking, and indicating his customary hour of rising. There, turned on its face, lay that dry book on electricity he had been reading himself to sleep with. And there, on the bureau, was the white paper that had contained the morphine sleeping powder which he took before going to bed. That was what had made him dream. For some of it must have been a dream! But how much of it was a dream? Re must think. That was a dream certainly about her wedding dress. Yes, and perhaps--yes, surely--that must be a dream about her mother's being in Boston. He could not remember writing Mrs. Brand since Madeline had been to Dr. Heidenhoff. He put his hand to his forehead, then raised his head and looked around the room with an appealing stare. Great God! why, that was a dream too! The last waves of sleep ebbed from his brain and to his aroused consciousness the clear, hard lines of reality dissevered themselves sharply from the vague contours of dreamland. Yes, it was all a dream. He remembered how it all was now. He had not seen Madeline since the evening before, when he had proposed their speedy marriage, and she had called him back in that strange way to kiss her. What a dream! That sleeping powder had done it--that, and the book on electricity, and that talk on mental physiology which he had overheard in the car the afternoon before. These rude materials, as unpromising as the shapeless bits of glass which the kaleidoscope turns into schemes of symmetrical beauty, were the stuff his dream was made of.

It was a strange dream indeed, such an one as a man has once or twice in a lifetime. As he tried to recall it, already it was fading from his remembrance. That kiss Madeline had called him back to give him the night before; that had been strange enough to have been a part also of the dream. What sweetness, what sadness, were in the touch of her lips. Ah! when she was once his wife, he could contend at better advantage with her depression of spirits, He would hasten their marriage. If possible, it should take place that very week.

There was a knock at the door. The house-boy entered, gave him a note, and went out. It was in Madeline's hand, and dated the preceding evening. It read as follows:--

"You have but just gone away. I was afraid when I kissed you that you would guess what I was going to do, and make a scene about it, and oh, dear! I am so tired that I couldn't bear a scene. But you didn't think. You took the kiss for a promise of what I was to be to you, when it only meant what I might have been. Poor, dear boy! it was just a little stupid of you not to guess. Did you suppose I would really marry you? Did you really think I would let you pick up from the gutter a soiled rose to put in your bosom when all the fields are full of fresh daisies? Oh, I love you too well for that! Yes, dear, I love you. I've kept the secret pretty well, haven't I? You see, loving you has made me more careful of your honour than when in my first recklessness I said I would marry you in spite of all. But don't think, dear, because I love you that it is a sacrifice I make in not being your wife. I do truly love you, but I could not be happy with you, for my happiness would be shame to the end. It would be always with us as in the dismal weeks that now are over. The way I love you is not the way I loved him, but it is a better way. I thought perhaps you would like to know that you alone have any right to kiss my lips in dreams. I speak plainly of things we never spoke of, for you know people talk freely when night hides their faces from each other, and how much more if they know that no morning shall ever come to make them shamefaced again! A certain cold white hand will have wiped away the flush of shame for ever from my face when you look on it again, for I go this night to that elder and greater redeemer whose name is death. Don't blame me, dear, and say I was not called away. Is it only when death touches our bodies that we are called? Oh, I am called, I am called, indeed! "MADELINE."
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Publication Date: 08-13-2010

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