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Reading books fiction Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself.



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The genre of fiction is interesting to read not only by the process of cognition and the desire to empathize with the fate of the hero, this genre is interesting for the ability to rethink one's own life. Of course the reader may accept the author's point of view or disagree with them, but the reader should understand that the author has done a great job and deserves respect. Take a closer look at genre fiction in all its manifestations in our elibrary.



Read books online » Fiction » The Pretty Lady by Arnold Bennett (top 10 most read books in the world .TXT) 📖

Book online «The Pretty Lady by Arnold Bennett (top 10 most read books in the world .TXT) 📖». Author Arnold Bennett



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he worshipped women, as he had said, perhaps devoutly; but his worship of the individual girl tended more to ritualism than to ecstasy. The Parisian devotee was thrown away on him, and she felt it. But not with bitterness. On the contrary, she liked him to be as he was; she liked to be herself unappreciated, neglected, bored. She thought of the delights which she had renounced in the rich and voluptuous drawing-room of the Albany; she gazed under the reddish illumination at the tedious eternal market-place on which she exposed her wares, and which in Tottenham Court Road went by the name of bedstead; and she gathered nausea and painful longing to her breast as the Virgin gathered the swords of the Dolours at the Oratory, and was mystically happy in the ennui of serving the miraculous envoy of the Virgin. And when Marthe, uneasy, stole into the sitting-room, Christine, the door being ajar, most faintly transmitted to her a command in French to tranquillise herself and go away. And outside a boy broke the vast lull of the Sunday night with a shattering cry of victory in the North Sea.

Possibly it was this cry that roused the officer out of his doze. He sat up, looked unseeing at Christine's bright smile and at the black gauze that revealed the reality of her youth, and then reached for his tunic which hung at the foot of the bed.

"You asked about my mascot," he said, drawing from a pocket a small envelope of semi-transparent oilskin. "Here it is. Now that is a mascot!"

He had wakened under the spell of his original theme, of his sole genuine subject. He spoke with assurance, as one inspired. His eyes, as they masterfully encountered Christine's eyes, had a strange, violent, religious expression. Christine's eyes yielded to his, and her smile vanished in seriousness. He undid the envelope and displayed an oval piece of red cloth with a picture of Christ, his bleeding heart surrounded by flames and thorns and a great cross in the background.

"That," said the officer, "will bring anybody safe home again." Christine was too awed even to touch the red cloth. The vision of the dishevelled, inspired man in khaki shirt, collar and tie, holding the magic saviour in his thin, veined, aristocratic hand, powerfully impressed her, and she neither moved nor spoke.

"Have you seen the 'Touchwood' mascot?" he asked. She signified a negative, and then nervously fingered her gauze. "No? It's a well-known mascot. Sort of tiny imp sort of thing, with a huge head, glittering eyes, a khaki cap of _oak_, and crossed legs in gold and silver. I hear that tens of thousands of them are sold. But there is nothing like my mascot."

"Where have you got it?" Christine asked in her queer but improving English.

"Where did I get it? Just after Mons, on the road, in a house."

"Have you been in the retreat?"

"I was."

"And the angels? Have you seen them?"

He paused, and then said with solemnity:

"Was it an angel I saw?... I was lying doggo by myself in a hole, and bullets whizzing over me all the time. It was nearly dark, and a figure in white came and stood by the hole; he stood quite still and the German bullets went on just the same. Suddenly I saw he was wounded in the hand; it was bleeding. I said to him: 'You're hit in the hand.' 'No,' he said--he had a most beautiful voice--'that is an old wound. It has reopened lately. I have another wound in the other hand.' And he showed me the other hand, and that was bleeding too. Then the firing ceased, and he pointed, and although I'd eaten nothing at all that day and was dead-beat, I got up and ran the way he pointed, and in five minutes I ran into what remained of my unit."

The officer's sonorous tones ceased; he shut his lips tightly, as though clinching the testimony, and the life of the bedroom was suspended in absolute silence.

"That's what _I_ saw.... And with the lack of food my brain was absolutely clear."

Christine, on her back, trembled.

The officer replaced his mascot. Then he said, waving the little bag:

"Of course, there are fellows who don't need mascots. Fellows that if their name isn't written on a bullet or a piece of shrapnel it won't reach them any more than a letter not addressed to you would reach you. Now my Colonel, for instance--it was he who told me how good my mascot was--well, he can stop shells, turn 'em back. Yes. He's just got the D.S.O. And he said to me, 'Edgar,' he said, 'I don't deserve it. I got it by inspiration.' And so he did.... What time's that?"

The gilded Swiss clock in the drawing-room was striking its tiny gong.

"Nine o'clock."

The officer looked dully at his wrist-watch which, not having been wound on the previous night, had inconsiderately stopped.

"Then I can't catch my train at Victoria." He spoke in a changed voice, lifeless, and sank back on the bed.

"Train? What train?"

"Nothing. Only the leave train. My leave is up to-night. To-morrow I ought to have been back in the trenches."

"But you have told me nothing of it! If you had told me--But not one word, my dear."

"When one is with a woman--!"

He seemed gloomily and hopelessly to reproach her.


Chapter 21


THE LEAVE-TRAIN



"What o'clock--your train?"

"Nine-thirty."

"But you can catch it. You must catch it."

He shook his head. "It's fate," he muttered, bitterly resigned. "What is written is written."

Christine sprang to the floor, shuffled off the black gauze in almost a single movement, and seized some of her clothes.

"Quick! You shall catch your train. The clock is wrong--the clock is too soon."

She implored him with positive desperation. She shook him and dragged him, energised in an instant by the overwhelming idea that for him to miss his train would be fatal to him--and to her also. She could and did believe in the efficacy of mascots against bullets and shrapnel and bayonets. But the traditions of a country of conscripts were ingrained in her childhood and youth, and she had not the slightest faith in the efficacy of no matter what mascot to protect from the consequences of indiscipline. And already during her short career in London she had had good reason to learn the sacredness of the leave-train. Fantastic tales she had heard of capital executions for what seemed trifling laxities--tales whispered half proudly by the army in the rooms of horrified courtesans--tales in which the remote and ruthless imagined figure of the Grand Provost-Marshal rivalled that of God himself. And, moreover, if this man fell into misfortune through her, she would eternally lose the grace of the most clement Virgin who had confided him to her and who was capable of terrible revenges. She secretly called on the Virgin. Nay, she became the Virgin. She found a miraculous strength, and furiously pulled the poor sot out of bed. The fibres of his character had been soaked away, and she mystically replaced them with her own. Intimidated and, as it were, mesmerised, he began to dress. She rushed as she was to the door.

"Marthe! Marthe!"

"Madame?" replied the fat woman in alarm.

"Run for a taxi."

"But, madame, it is raining terribly."

"_Je m'en fous_! Run for a taxi."

Turning back into the room she repeated; "The clock is too soon." But she knew that it was not. Nearly nude, she put on a hat.

"What are you doing?" he asked.

"Do not worry. I come with you."

She took a skirt and a jersey and then threw a cloak over everything. He was very slow; he could find nothing; he could button nothing. She helped him. But when he began to finger his leggings with the endless laces and the innumerable eyelets she snatched them from him.

"Those--in the taxi," she said.

"But there is no taxi."

"There will be a taxi. I have sent the maid."

At the last moment, as she was hurrying him on to the staircase, she grasped her handbag. They stumbled one after the other down the dark stairs. He had now caught the infection of her tremendous anxiety. She opened the front door. The glistening street was absolutely empty; the rain pelted on the pavements and the roadway, each drop falling like a missile and raising a separate splash, so that it seemed as if the flood on the earth was leaping up to meet the flood from the sky.

"Come!" she said with hysterical impatience. "We cannot wait. There will be a taxi in Piccadilly, I know."

Simultaneously a taxi swerved round the corner of Burlington Street. Marthe stood on the step next to the driver. As the taxi halted she jumped down. Her drenched white apron was over her head and she was wet to the skin.

In the taxi, while the officer struck matches, Christine knelt and fastened his leggings; he could not have performed the nice operation for himself. And all the time she was doing something else--she was pushing forward the whole taxi, till her muscles ached with the effort. Then she sat back on the seat, smoothed her hair under the hat, unclasped the bag, and patted her features delicately with the powder-puff. Neither knew the exact time, and in vain they tried to discern the faces of clocks that flew past them in the heavy rain. Christine sighed and said:

"These tempests. This rain. They say it is because of the big cannons--which break the clouds."

The officer, who had the air of being in a dream, suddenly bent towards her and replied with a most strange solemnity:

"It is to wash away the blood!"

She had not thought of that. Of course it was! She sighed again.

As they neared Victoria the officer said:

"My kit-bag! It's at the hotel. Shall I have time to pay my bill and get it? The Grosvenor's next to the station, you know."

She answered unhesitatingly: "You will go direct to the train. I will try the hotel."

"Drive round to the Grosvenor entrance like hell," he instructed the driver when the taxi stopped in the station yard.

In the hotel she would never have got the bag, owing to her difficulties in explaining the situation in English to a haughty reception-clerk, had not a French-Swiss waiter been standing by. She flung imploring French sentences at the waiter like a stream from a hydrant. The bill was produced in less than half a minute. She put down money of her own to pay for it, for she had refused to wait at the station while the officer fished in the obscurities of his purse. The bag, into which a menial had crammed a kit probably scattered about the bedroom, arrived unfastened. Once more at the station, she gave the cabman all the change which she had received at the hotel counter. By a miracle she made a porter understand what was needed and how urgently it was needed. He said the train was just going, and ran. She ran after him. The ticket-collector at the platform gate allowed the porter to pass, but raised an implacable arm to prevent her from following. She had no platform ticket, and she could not possibly be travelling by the train. Then she descried her officer standing at an open carriage door in conversation with

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