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Reading books fiction Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself.



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The genre of fiction is interesting to read not only by the process of cognition and the desire to empathize with the fate of the hero, this genre is interesting for the ability to rethink one's own life. Of course the reader may accept the author's point of view or disagree with them, but the reader should understand that the author has done a great job and deserves respect. Take a closer look at genre fiction in all its manifestations in our elibrary.



Read books online » Fiction » The Ghost by Arnold Bennett (best ereader for students txt) 📖

Book online «The Ghost by Arnold Bennett (best ereader for students txt) 📖». Author Arnold Bennett



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sea. I felt that I was at the extremity of England, and on the verge of unguessed things. Now, I had traversed about half the length of the lonely pier, which seems to curve right out into the unknown, when I saw a woman approaching me in the opposite direction. My faculties were fatigued with the crowded sensations of that evening, and I took no notice of her. Even when she stopped to peer into my face I thought nothing of it, and put her gently aside, supposing her to be some dubious character of the night hours. But she insisted on speaking to me.

"You are Carl Foster," she said abruptly. The voice was harsh, trembling, excited, yet distinguished.

"Suppose I am?" I answered wearily. How tired I was!

"I advise you not to go to Paris."

I began to arouse my wits, and I became aware that the woman was speaking with a strong French accent. I searched her face, but she wore a thick veil, and in the gloom of the pier I could only make out that she had striking features, and was probably some forty years of age. I stared at her in silence.

"I advise you not to go to Paris," she repeated.

"Who are you?"

"Never mind. Take my advice."

"Why? Shall I be robbed?"

"Robbed!" she exclaimed, as if that was a new idea to her. "Yes," she said hurriedly. "Those jewels might be stolen."

"How do you know that I have jewels?"

"Ah! I--I saw the case."

"Don't trouble yourself, madam; I shall take particular care not to be robbed. But may I ask how you have got hold of my name?"

I had vague ideas of an ingenious plan for robbing me, the particulars of which this woman was ready to reveal for a consideration.

She ignored my question.

"Listen!" she said quickly. "You are going to meet a lady in Paris. Is it not so?"

"I must really--"

"Take advice. Move no further in that affair."

I attempted to pass her, but she held me by the sleeve. She went on with emphasis:

"Rosetta Rosa will never be allowed to sing in 'Carmen' at the Opera Comique. Do you understand?"

"Great Scott!" I said, "I believe you must be Carlotta Deschamps."

It was a half-humorous inspiration on my part, but the remark produced an immediate effect on the woman, for she walked away with a highly theatrical scowl and toss of the head. I recalled what Marie Deschamps had said in the train about her stepsister, and also my suspicion that Rosa's maid was not entirely faithful to her mistress--spied on her, in fact; and putting the two things together, it occurred to me that this strange lady might actually be Carlotta.

Many women of the stage acquire a habitual staginess and theatricality, and it was quite conceivable that Carlotta had relations with Yvette, and that, ridden by the old jealousy which had been aroused through the announcement of Rosa's return to the Opera Comique, she was setting herself in an indefinite, clumsy, stealthy, and melodramatic manner to prevent Rosa's appearance in "Carmen."

No doubt she had been informed of Rosa's conference with me in the church of St. Gilles, and, impelled by some vague, obscure motive, had travelled to London to discover me, and having succeeded, was determined by some means to prevent me from getting into touch with Rosa in Paris. So I conjectured roughly, and subsequent events indicated that I was not too far wrong.

I laughed. The notion of the middle-aged prima donna going about in waste places at dead of night to work mischief against a rival was indubitably comic. I would make a facetious narrative of the meeting for the amusement of Rosa at breakfast to-morrow in Paris. Then, feeling all at once at the end of my physical powers, I continued my way, and descended the steps to the Calais boat.

All was excitement there. Had I heard of the railway accident? Yes, I had. I had been in it. Instantly I was surrounded by individuals who raked me fore and aft with questions. I could not endure it; my nervous energy, I realized, was exhausted, and having given a brief outline of the disaster, I fled down the saloon stairs.

My sole desire was to rest; the need of unconsciousness, of forgetfulness, was imperious upon me; I had had too many experiences during the last few hours. I stretched myself on the saloon cushions, making a pillow of the jewel-box.

"Shall we start soon?" I murmured to a steward.

"Yes, sir, in another five minutes. Weather's moderating, sir."

Other passengers were in the saloon, and more followed. As this would be the first steamer to leave Dover that day, there was a good number of voyagers on board, in spite of adverse conditions. I heard people talking, and the splash of waves against the vessel's sides, and then I went to sleep. Nothing could have kept me awake.


CHAPTER X


THE STEAMER



I awoke with a start, and with wavering eyes looked at the saloon clock. I had slept for one hour only, but it appeared to me that I was quite refreshed. My mind was strangely clear, every sense preternaturally alert. I began to wonder what had aroused me. Suddenly the ship shuddered through the very heart of her, and I knew that it was this shuddering, which must have occurred before, that had wakened me.

"Good God! We're sinking!" a man cried. He was in the next berth to me, and he sat up, staring wildly.

"Rubbish!" I answered.

The electric lights went out, and we were left with the miserable illumination of one little swinging oil-lamp. Immediately the score or so persons in the saloon were afoot and rushing about, grasping their goods and chattels. The awful shuddering of the ship continued. Scarcely a word was spoken.

A man flew, or rather, tumbled, down the saloon stairs, shouting: "Where's my wife? Where's my wife?" No one took the slightest notice of him, nor did he seem to expect any answer. Even in the semi-darkness of the single lamp I distinctly saw that with both hands he was tearing handfuls of hair from his head. I had heard the phrase "tearing one's hair" some thousands of time in my life, but never till that moment had I witnessed the action itself. Somehow it made an impression on me. The man raced round the saloon still shouting, and raced away again up-stairs and out of sight. Everyone followed him pell-mell, helter-skelter, and almost in a second I found myself alone. I put on my overcoat, and my mackintosh over that, and seizing Rosa's jewel-box, I followed the crowd.

As I emerged on deck a Bengal light flared red and dazzling on the bridge, and I saw some sailors trying to lower a boat from its davits. Then I knew that the man who had cried "We're sinking!" even if he was not speaking the exact truth, had at any rate some grounds for his assertion.

A rather pretty girl, pale with agitation, seized me by the buttonhole.

"Where are we going?" she questioned earnestly.

"Don't know, madam," I replied; and then a young man dragged her off by the arm.

"Come this way, Lottie," I heard him say to her, "and keep calm."

I was left staring at the place where the girl's head had been. Then the head of an old man filled that place. I saw his mouth and all his features working in frantic endeavor to speak to me, but he could not articulate. I stepped aside; I could not bear to look at him.

"Carl," I said to myself, "you are undoubtedly somewhat alarmed, but you are not in such an absolutely azure funk as that old chap. Pull yourself together."

Of what followed immediately I have no recollection. I knew vaguely that the ship rolled and had a serious list to starboard, that orders were being hoarsely shouted from the bridge, that the moon was shining fitfully, that the sea was black and choppy; I also seemed to catch the singing of a hymn somewhere on the forward deck. I suppose I knew that I existed. But that was all. I had no exact knowledge of what I myself was doing. There was a hiatus in my consciousness of myself.

The proof of this is that, after a lapse of time, I suddenly discovered that I had smoked half-way through a cigarette, and that I was at the bows of the steamer. For a million sovereigns I could not explain under what circumstances I had moved from one end of the ship to the other, nor how I had come to light that cigarette. Such is the curious effect of perturbation.

But the perturbation had now passed from me, just as mysteriously as it had overtaken me. I was cool and calm. I felt inquisitive, and I asked several people what had happened. But none seemed to know. In fact, they scarcely heard me, and answered wildly, as if in delirium. It seemed strange that anything could have occurred on so small a vessel without the precise details being common property. Yet so it was, and those who have been in an accident at sea will support me when I say that the ignorance on the part of the passengers of the events actually in progress is not the least astounding nor the least disconcerting item in such an affair. It was the psychology of the railway accident repeated.

I began to observe. The weather was a little murky, but beyond doubt still improving. The lights of the French coast could clearly be seen. The ship rolled in a short sea; her engines had stopped; she still had the formidable list to starboard; the captain was on the bridge, leaning over, and with his hands round his mouth was giving orders to an officer below. The sailors were still struggling to lower the boat from the davits. The passengers stood about, aimless, perhaps terror-struck, but now for the most part quiet and self-contained. Some of them had life-belts. That was the sum of my observations.

A rocket streamed upwards into the sky, and another and another, then one caught the rigging, and, deflected, whizzed down again within a few feet of my head, and dropped on deck, spluttering in a silly, futile way. I threw the end of my cigarette at it to see whether that might help it along.

"So this is a shipwreck," I ejaculated. "And I'm in it. I've got myself safely off the railway only to fall into the sea. What a d----d shame!"

Queerly enough, I had ceased to puzzle myself with trying to discover how the disaster had been brought about. I honestly made up my mind that we were sinking, and that was sufficient.

"What cursed ill-luck!" I murmured philosophically.

I thought of Rosa, with whom I was to have breakfasted on the morrow, whose jewels I was carrying, whose behest it had been my pleasure to obey. At that moment she seemed to me in my mind's eye more beautiful, of a more exquisite charm, than ever before. "Am I going to lose her?" I murmured. And then: "What a sensation there'll be in the papers if this ship does go down!" My brain flitted from point to point in a quick agitation. I decided suddenly that the captain and crew must be a set of nincompoops, who had lost their heads, and, not knowing what to do, were unserenely doing nothing.

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