The Parisians — Complete by Baron Edward Bulwer Lytton Lytton (beautiful books to read TXT) 📖

the air, relieved from the sense of earth. I knew not that I had succeeded till I came to a close, and then my eyes resting on the face of the grand prima donna, I was seized with an indescribable sadness, with a keen pang of remorse. Perfect artiste though she be, and with powers in her own realm of art which admit of no living equal, I saw at once that I had pained her: she had grown almost livid; her lips were quivering, and it was only with a great effort that she muttered out some faint words intended for applause. I comprehended by an instinct how gradually there can grow upon the mind of an artist the most generous that jealousy which makes the fear of a rival annihilate the delight in art. If ever I should achieve S——-’s fame as a singer, should I feel the same jealousy?—I think not now, but I have not been tested. She went away abruptly. I spare you the recital of the compliments paid to me by my other auditors, compliments that gave me no pleasure; for on all lips, except those of the Maestro, they implied, as the height of eulogy, that I had inflicted torture upon S——-. “If so,” said he, “she would be as foolish as a rose that was jealous of the whiteness of a lily. You would do yourself great wrong, my child, if you tried to vie with the rose in its own colour.”

He patted my bended head as he spoke, with that kind of fatherly king-like fondness with which he honours me; and I took his hand in mine, and kissed it gratefully. “Nevertheless,” said Savarin, “when the lily comes out there will be a furious attack on it, made by the clique that devotes itself to the rose: a lily clique will be formed en revanche, and I foresee a fierce paper war. Do not be frightened at its first outburst: every fame worth having must be fought for.”

Is it so? have you had to fight for your fame, Eulalie? and do you hate all contests as much as I do?

Our only other gayety since I last wrote was a soiree at M. Louvier’s. That republican millionaire was not slow in attending to the kind letter you addressed to him recommending us to his civilities. He called at once, placed his good offices at our disposal, took charge of my modest fortune, which he has invested, no doubt, as safely as it is advantageously in point of interest, hired our carriage for us, and in short has been most amiably useful.

At his house we met many to me most pleasant, for they spoke with such genuine appreciation of your works and yourself. But there were others whom I should never have expected to meet under the roof of a Croesus who has so great a stake in the order of things established. One young man—a noble whom he specially presented to me, as a politician who would be at the head of affairs when the Red Republic was established—asked me whether I did not agree with him that all private property was public spoliation, and that the great enemy to civilization was religion, no matter in what form.

He addressed to me these tremendous questions with an effeminate lisp, and harangued on them with small feeble gesticulations of pale dirty fingers covered with rings.

I asked him if there were many who in France shared his ideas.

“Quite enough to carry them some day,” he answered with a lofty smile. “And the day may be nearer than the world thinks, when my confreres will be so numerous that they will have to shoot down each other for the sake of cheese to their bread.”

That day nearer than the world thinks! Certainly, so far as one may judge the outward signs of the world at Paris, it does not think of such things at all. With what an air of self-content the beautiful city parades her riches! Who can gaze on her splendid palaces, her gorgeous shops, and believe that she will give ear to doctrines that would annihilate private rights of property; or who can enter her crowded churches, and dream that she can ever again install a republic too civilized for religion?

Adieu. Excuse me for this dull letter. If I have written on much that has little interest even for me, it is that I wish to distract my mind from brooding over the question that interests me most, and on which I most need your counsel. I will try to approach it in my next. ISAURA. FROM THE SAME TO THE SAME.

Eulalie, Eulalie!—What mocking spirit has been permitted in this modern age of ours to place in the heart of woman the ambition which is the prerogative of men? You indeed, so richly endowed with a man’s genius, have a right to man’s aspirations. But what can justify such ambition in me? Nothing but this one unintellectual perishable gift of a voice that does but please in uttering the thoughts of others. Doubtless I could make a name familiar for its brief time to the talk of Europe,—a name, what name? a singer’s name. Once I thought that name a glory. Shall I ever forget the day when you first shone upon me; when, emerging from childhood as from a dim and solitary bypath, I stood forlorn on the great thoroughfare of life, and all the prospects before me stretched sad in mists and in rain? You beamed on me then as the sun coming out from the cloud and changing the face of earth; you opened to my sight the fairy-land of poetry and art; you took me by the hand and said, “Courage! there is at each step some green gap in the hedgerows, some, soft escape from the stony thoroughfare. Beside the real life expands the ideal life to those who seek it. Droop not, seek it: the ideal life has its sorrows, but it never admits despair; as on the ear of him who follows the winding course of a stream, the stream ever varies the note of its music,—now loud with the rush of the falls; now low and calm as it glides by the level marge of smooth banks; now sighing through the stir of the reeds; now babbling with a fretful joy as some sudden curve on the shore stays its flight among gleaming pebbles,—so to the soul of the artist is the voice of the art ever fleeting beside and before him. Nature gave thee the bird’s gift of song: raise the gift into art, and make the art thy companion.

“Art and Hope were twin-born, and they die together.” See how faithfully I remember, methinks, your very words. But the magic of the words, which I then but dimly understood, was in your smile and in your eye, and the queen-like wave of your hand as if beckoning to a world which lay before you, visible and familiar as your native land. And how devotedly, with what earnestness of passion, I gave myself up to the task of raising my gift into an art! I thought of nothing else, dreamed of nothing else; and oh, now sweet to me then were words of praise! “Another year yet,” at length said the masters, “and you ascend your throne among the queens of song.” Then—then—I would have changed for no other throne on earth my hope of that to be achieved in the realms of my art. And then came that long fever: my strength broke down, and the Maestro said, “Rest, or your voice is gone, and your throne is lost forever.” How hateful that rest seemed to me! You again came to my aid. You said, “The time you think lost should be but time improved. Penetrate your mind with other songs than the trash of Libretti. The more you habituate yourself to the forms, the more you imbue yourself with the spirit, in which passions have been expressed and character delineated by great writers, the more completely you will accomplish yourself in your own special art of singer and