His Grace of Osmonde<br />Being the Portions of That Nobleman's Life Omitted in the Relation of His by Frances Hodgson Burnett (rainbow fish read aloud .TXT) 📖

stammered, bowing shakily, "I—I will bring it forth. Your lordship will find the young lady a wonder." He went swaying across the room, and opened a cupboard in the wall. The canvas stood propped up within, and he took it out and brought it back to them—keeping its face turned away.

"Let me set it in as good a light as the poor place can give," he said, and dragged forth the rickety-legged chair that he might prop it against its back, for the moment looking less drunk and less a vagabond in his eagerness to do his work justice; there lurking somewhere, perhaps, in his besotted being, that love which the artist soul feels for the labour of its dreams.

"In sooth, my lord, 'tis a thing which should have been better done," he said. "I could have done the young lady's loveliness more justice, had I but had the time. First I saw her for scarce more than a moment, and her face so haunted me that I sketched it for my own pleasure—and then I hung about her father's park for days, until by great fortune I came upon her one morning standing under a tree, her dogs at her feet, and she lost in thought—and with such eyes gazing before her—! I stood behind a tree and did my best, trembling lest she should turn. But no man could paint her eyes, my lord," rubbing his head ruefully; "no man could paint them. Mr. Kneller will not—when she weds a Duke and comes to queen it at the Court."

He had managed to keep before the picture as he spoke, and now he stepped aside and let them behold it, glancing from one to the other.

"Damn!" cried Tom Tantillion, and sprang forward from his chair at sight of it.

My lord Marquess made no exclamation nor spoke one word. The painter marked how tall he stood as he remained stationary, gazing. He had folded his arms across his big chest and seemed to have unconsciously drawn himself to his full height. Presently he spoke to the artist, though without withdrawing his eyes from the picture.

"'Tis no daub," he said. "For a thing done hastily 'tis done well. You have given it spirit."

'Twas fairly said. Indeed, the poor fellow knew something of his trade, 'twas evident, and perhaps for once he had been sober, and inspired by the fire of what he saw before him.

She stood straight with her back against a tree's trunk, her hands behind her, her eyes gazing before. She was tall and strong as young Diana; under the shadow of her Cavalier hat, her rich-tinted face was in splendid gloom, it seeming gloom, not only because her hair was like night, and her long and wide eyes black, but because in her far-off look there was gloom's self and somewhat like a hopeless rebellious yearning. She seemed a storm embodied in the form of woman, and yet in her black eyes' depths—as if hid behind their darkest shadows and unknown of by her very self—there lay the possibility of a great and strange melting—a melting which was all woman—and woman who was queen.

"By the Lord!" cried Tom Tantillion again, and then flushed up boyishly and broke forth into an awkward laugh. "She is too magnificent a beauty for an empty-pocketed rascal like me to offer to buy her. I have not what would pay for her—and she knows it. She sets her own price upon herself, as she stands there curling her vermilion lip and daring a man to presume to buy her cheap. 'Tis only a great Duke's son who may make bold to bid." And he turned and bowed, half laughing, half malicious, to Roxholm. "You, my lord Marquess; a purse as full as yours need not bargain for the thing it would have, but clap down guineas for it."

"A great Duke's son!" "My lord Marquess!" The owner of the picture began to prick up his ears. Yes, the truth was what he had thought it.

"The gentleman who owns this picture when the young lady comes up to town that the world may behold her," he said, "will be a proud man."

"No gentleman would have the right to keep it if he had not her permission," said Roxholm—and he said it without lightness.

"Most gentlemen would keep it whether she would or no," answered the painter.

"Catch Langdon or Wyse giving it up," says Tom. "And Wyse said, that blackguard Oxon was coming to see it because he hath made a bet on her in open club, and hearing of the picture, said he would come to see if she were worth his trouble—and buy her to hang in his chambers, if she were—that he might tell her of it when he went to Gloucestershire to lay siege to her. He brags he will persuade her he has prayed to her image for a year."

"What is your price?" said my Lord Roxholm to the painter.

The man set one and 'twas high though 'twould not have seemed so in an age when art was patronised and well paid for in a country where 'twas more generously encouraged than in England in the days of good Queen Anne. In truth, the poor fellow did not expect to get half he asked, but hoped by beginning well to obtain from a Duke's son twice what another gentleman would give him—and he was prepared to haggle, if need be, for two hours.

But my lord Marquess did not haggle. There had come into his countenance the look of a man who has made up his mind to take the thing he wants. He drew forth his purse and paid down the sum in golden guineas and bank-notes, the painter's eyes gloating as they were counted on the table and his head growing giddy with his joy. He would have enough to live drunk for a year, after his own economical methods. A garret—and drink enough—were all he required for bliss. The picture was to be sent forthwith to Osmonde House, and these directions given, the two gentlemen turned to go. But at the door the Marquess paused and spoke again.

"If any should come here before it is sent to me," he said, "remember that 'tis already purchased and not on exhibition."

The artist bowed low a dozen times.

"On my sacred honour, your lordship," he replied, "none shall see it."

Roxholm regarded him for a moment as if a new thought had presented itself to his mind.

"And remember also," he added, "if any should ask you to try to paint a copy from memory—or to lie in wait for the young lady again and make another—'tis better"—and his voice had in it both meaning and command—"'tis far better to please a patron, than a purchaser who has a momentary caprice. Live soberly and do honest work—and bring to me what is worthy of inspection. You need not starve unless 'tis your wish."

"My lord Marquess," cried the man; "your noble lordship," and he made as if he would fall upon his knees.

Roxholm made a gesture towards the picture, still in its place upon the crazy chair.

"I told you that was no daub," he said. "A man who can do that much can do more if he has the spirit."

And his visitors went out and left the artist in his garret, the stormy handsome creature gazing into space on one side, the guineas and bank-notes on the dusty table; and after having reflected upon both for a little space, he thrust his head out of the door and called for his landlady, who having beheld two richly clad gentlemen come from the attic, was inclined to feel it safe to be civil, and answering his summons went up to him, and being called in, was paid her long unpaid dues from the little heap on the table, the seeing of which riches almost blinded her and sent her off willingly to the pawnbroker's to bring back the pledged breeches and coat and linen.

"The tall gentleman with so superb an air," the poor man said, proudly, trembling with triumphant joy, "is my lord Marquess of Roxholm, and he is the heir of the ducal house of Osmonde, and promises me patronage."

When they passed out into the street and were on their way to St. James's Park, Tom Tantillion was in a state of much interested excitement.

"What shall you do with it, Roxholm?" he asked. "Have it set in a rich gold frame and hung up on the gallery at Osmonde House—or in the country? Good Lord! I dare not have carried her to my lodgings if I could have bought her. She would be too high company for me and keep me on my best manners too steady. A man dare not play the fool with such a creature staring at him from the wall. 'Tis only a man who is a hero, and a stately mannered one, who could stay in the same room with her without being put out of countenance. Will she rule in the gallery in town or in the country?"

"She will not be framed or hung, but laid away," answered Roxholm. "I bought her that no ill-mannered rake or braggart should get her and be insolent to her in her own despite when she could not strike him to his knees and box his ears, as she did the Chaplain's—being only a woman painted on canvas." And he showed his white, strong teeth a little in a strange smile.

"What!" cried Tom. "You did not buy her for your own pleasure——?"

The Marquess stopped with a sudden movement.

"On my faith!" he exclaimed, "there is the Earl of Dunstanwolde. He sees us and comes towards us."

CHAPTER XIIIToC "Your—Grace!"

"Come with me, Gerald, to Dunstan's Wolde," said my lord, as they sat together that night in his town-house. "I would have your company if you will give it me until you rejoin Marlborough. I am lonely in these days."

His lordship did not look his usual self, seeming, Roxholm thought, worn and sometimes abstracted. He was most kind and affectionate, and there was in his manner a paternal tenderness and sympathy which the young man was deeply touched by. If it had been possible for him to have spoken to any living being of the singular mental disturbance he had felt beginning in him of late, he could have confessed it to Lord Dunstanwolde. But nature had created in him a tendency to silence and reserve where his own feelings were concerned. As to most human beings there is a consolation in pouring forth the innermost secret thoughts at times, to him there was support in the knowledge that he held all within his own breast and could reflect upon his problems in sacred privacy. At this period, indeed, his feelings were such as he could scarcely have described to any one. He was merely conscious of a sort of unrest and of being far from comprehending his own emotions. They were, indeed, scarcely definite enough to be called emotions, but only seemed shadows hovering about him and causing him vaguely to wonder at their existence. He was neither elated nor depressed, but found himself confronting fancies he had not confronted before, and at times regarding the course of events with something of the feeling of a fatalist. There was a thing it seemed from which he could not escape, yet in his deepest being was aware that he would have preferred to avoid it. No man wishes to encounter unhappiness; he was conscious remotely that this preference for avoidance arose from a vaguely defined knowledge that in one direction there lay possibilities of harsh suffering and pain.

"'Tis a strange thing," he said to himself, "how I seem forbid by Fate to avoid the path of this strange wild creature. My Lord Marlborough brings her up to me at his quarters, I leave them; and going to my own, meet with Tantillion and his letter; I enter a coffee-house and hear wild talk of her; I go to my own house and my mother paints a picture of her which stirs my very depths; I walk in the streets of London and am dragged aside to find myself gazing at her portrait; I leave it, and meet my Lord Dunstanwolde, who prays me to go to Warwickshire, where I shall be within a few miles of her and may encounter her any hour. What will come next?"

That which came next was not unlike what had gone before. On their journey to Warwickshire my Lord Dunstanwolde did not speak of the lovely hoyden, whereat Roxholm somewhat wondered, as his lordship had but lately left her neighbourhood and