The Virginians by William Makepeace Thackeray (kiss me liar novel english txt) đź“–
- Author: William Makepeace Thackeray
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Of course they set to, and the monarch falls under the terrible arm of the man whom he has injured. He dies, uttering a few incoherent words of repentance, and Carpezan, leaning upon his murderous mace, utters a heartbroken soliloquy over the royal corpse. The Turkish warriors have gathered meanwhile: the dreadful day is their own. Yonder stands the dark Vizier, surrounded by his Janissaries, whose bows and swords are tired of drinking death. He surveys the renegade standing over the corpse of the King.
“Christian renegade!” he says, “Allah has given us a great victory. The arms of the Sublime Emperor are everywhere triumphant. The Christian King is slain by you.”
“Peace to his soul! He died like a good knight,” gasps Ulric, himself dying on the field.
“In this day's battle,” the grim Vizier continues, “no man hath comported himself more bravely than you. You are made Bassa of Transylvania! Advance bowmen—Fire!”
An arrow quivers in the breast of Carpezan.
“Bassa of Transylvania, you were a traitor to your King, who lies murdered by your hand!” continues grim Vizier. “You contributed more than any soldier to this day's great victory. 'Tis thus my sublime Emperor meetly rewards you. Sound trumpets! We march for Vienna to-night!”
And the curtain drops as Carpezan, crawling towards his dying comrade, kisses his hands, and gasps—
“Forgive me, Ulric!”
When Mr. Warrington has finished reading his tragedy, he turns round to Mr. Johnson, modestly, and asks,—
“What say you, sir? Is there any chance for me?”
But the opinion of this most eminent critic is scarce to be given, for Mr. Johnson had been asleep for some time, and frankly owned that he had lost the latter part of the play.
The little auditory begins to hum and stir as the noise of the speaker ceased. George may have been very nervous when he first commenced to read; but everybody allows that he read the last two acts uncommonly well, and makes him a compliment upon his matter and manner. Perhaps everybody is in good-humour because the piece has come to an end. Mr. Spencer's servant hands about refreshing drinks. The Templars speak out their various opinions whilst they sip the negus. They are a choice band of critics, familiar with the pit of the theatre, and they treat Mr. Warrington's play with the gravity which such a subject demands.
Mr. Fountain suggests that the Vizier should not say “Fire!” when he bids the archers kill Carpezan, as you certainly don't fire with a bow and arrows. A note is taken of the objection.
Mr. Figtree, who is of a sentimental turn, regrets that Ulric could not be saved, and married to the comic heroine.
“Nay, sir, there was an utter annihilation of the Hungarian army at Mohacz,” says Mr. Johnson, “and Ulric must take his knock on the head with the rest. He could only be saved by flight, and you wouldn't have a hero run away! Pronounce sentence of death against Captain Ulric, but kill him with honours of war.”
Messrs. Essex and Tanfield wonder to one another who is this queer-looking pert whom Spencer has invited, and who contradicts everybody; and suggest a boat up the river and a little fresh air after the fatigues of the tragedy.
The general opinion is decidedly favourable to Mr. Warrington's performance; and Mr. Johnson's opinion, on which he sets a special value, is the most favourable of all. Perhaps Mr. Johnson is not sorry to compliment a young gentleman of fashion and figure like Mr. W. “Up to the death of the heroine,” he says, “I am frankly with you, sir. And I may speak, as a playwright who have killed my own heroine, and had my share of the plausus in the atro. To hear your own lines nobly delivered to an applauding house, is indeed a noble excitement. I like to see a young man of good name and lineage who condescends to think that the Tragic Muse is not below his advances. It was to a sordid roof that I invited her, and I asked her to rescue me from poverty and squalor. Happy you, sir, who can meet her upon equal terms, and can afford to marry her without a portion!”
“I doubt whether the greatest genius is not debased who has to make a bargain with Poetry,” remarks Mr. Spencer.
“Nay, sir,” Mr. Johnson answered, “I doubt if many a great genius would work at all without bribes and necessities; and so a man had better marry a poor Muse for good and all, for better or worse, than dally with a rich one. I make you my compliment to your play, Mr. Warrington, and if you want an introduction to the stage, shall be very happy if I can induce my friend Mr. Garrick to present you.”
“Mr. Garrick shall be his sponsor,” cried the florid Mr. Figtree. “Melpomene shall be his godmother, and he shall have the witches' caldron in Macbeth for a christening font.”
“Sir, I neither said font nor godmother!”—remarks the man of letters. “I would have no play contrary to morals or religion nor, as I conceive, is Mr. Warrington's piece otherwise than friendly to them. Vice is chastised, as it should be, even in kings, though perhaps we judge of their temptations too lightly. Revenge is punished—as not to be lightly exercised by our limited notion of justice. It may have been Carpezan's wife who perverted the King, and not the King who led the woman astray. At any rate, Louis is rightly humiliated for his crime, and the Renegade most justly executed for his. I wish you a good afternoon, gentlemen!” And with these remarks, the great author took his leave of the company.
Towards the close of the reading, General Lambert had made his appearance at Mr. Spencer's chambers, and had listened to the latter part of the tragedy. The performance over, he and George took their way to the latter's lodgings in the first place, and subsequently to the General's own house, where the young author was expected, in order to recount the reception which his play had met from his Temple critics.
At Mr. Warrington's apartments in Southampton Row, they found a letter awaiting George, which the latter placed in his pocket unread, so that he might proceed immediately with his companion to Soho. We may be sure the ladies there were eager to know about the Carpezan's fate in the morning's small rehearsal.
Hetty said George was so shy, that perhaps it would be better for all parties if some other person had read the play. Theo, on the contrary, cried out:
“Read it, indeed! Who can read a poem better than the author who feels it in his heart? And George had his whole heart in the piece!”
Mr. Lambert very likely thought that somebody else's whole heart was in the piece too, but did not utter this opinion to Miss Theo.
“I think Harry would look very well in your figure of a Prince,” says the
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