Lazy Tour of Two Idle Apprentices by Charles Dickens (free ereaders .TXT) 📖

Several of both kinds look in at the chemist’s while Mr. Goodchild is making a purchase there, to be ‘picked up.’ One red-eyed Lunatic, flushed, faded, and disordered, enters hurriedly and cries savagely, ‘Hond us a gloss of sal volatile in wather, or soom dommed thing o’ thot sart!’ Faces at the Betting Rooms very long, and a tendency to bite nails observable. Keepers likewise given this morning to standing about solitary, with their hands in their pockets, looking down at their boots as they fit them into cracks of the pavement, and then looking up whistling and walking away. Grand Alliance Circus out, in procession; buxom lady-member of Grand Alliance, in crimson riding-habit, fresher to look at, even in her paint under the day sky, than the cheeks of Lunatics or Keepers. Spanish Cavalier appears to have lost yesterday, and jingles his bossed bridle with disgust, as if he were paying. Reaction also apparent at the Guildhall opposite, whence certain pickpockets come out handcuffed together, with that peculiar walk which is never seen under any other circumstances—a walk expressive of going to jail, game, but still of jails being in bad taste and arbitrary, and how would YOU like it if it was you instead of me, as it ought to be! Mid-day. Town filled as yesterday, but not so full; and emptied as yesterday, but not so empty. In the evening, Angel ordinary where every Lunatic and Keeper has his modest daily meal of turtle, venison, and wine, not so crowded as yesterday, and not so noisy. At night, the theatre. More abstracted faces in it than one ever sees at public assemblies; such faces wearing an expression which strongly reminds Mr. Goodchild of the boys at school who were ‘going up next,’ with their arithmetic or mathematics. These boys are, no doubt, going up to-morrow with THEIR sums and figures. Mr. Palmer and Mr. Thurtell in the boxes O. P. Mr. Thurtell and Mr. Palmer in the boxes P. S. The firm of Thurtell, Palmer, and Thurtell, in the boxes Centre. A most odious tendency observable in these distinguished gentlemen to put vile constructions on sufficiently innocent phrases in the play, and then to applaud them in a Satyr-like manner. Behind Mr. Goodchild, with a party of other Lunatics and one Keeper, the express incarnation of the thing called a ‘gent.’ A gentleman born; a gent manufactured. A something with a scarf round its neck, and a slipshod speech issuing from behind the scarf; more depraved, more foolish, more ignorant, more unable to believe in any noble or good thing of any kind, than the stupidest Bosjesman. The thing is but a boy in years, and is addled with drink. To do its company justice, even its company is ashamed of it, as it drawls its slang criticisms on the representation, and inflames Mr. Goodchild with a burning ardour to fling it into the pit. Its remarks are so horrible, that Mr. Goodchild, for the moment, even doubts whether that IS a wholesome Art, which sets women apart on a high floor before such a thing as this, though as good as its own sisters, or its own mother—whom Heaven forgive for bringing it into the world! But, the consideration that a low nature must make a low world of its own to live in, whatever the real materials, or it could no more exist than any of us could without the sense of touch, brings Mr. Goodchild to reason: the rather, because the thing soon drops its downy chin upon its scarf, and slobbers itself asleep.

Friday Morning. Early fights. Gong-donkey, and correct cards. Again, a great set towards the races, though not so great a set as on Wednesday. Much packing going on too, upstairs at the gunsmith’s, the wax-chandler’s, and the serious stationer’s; for there will be a heavy drift of Lunatics and Keepers to London by the afternoon train. The course as pretty as ever; the great pincushion as like a pincushion, but not nearly so full of pins; whole rows of pins wanting. On the great event of the day, both Lunatics and Keepers become inspired with rage; and there is a violent scuffling, and a rushing at the losing jockey, and an emergence of the said jockey from a swaying and menacing crowd, protected by friends, and looking the worse for wear; which is a rough proceeding, though animating to see from a pleasant distance. After the great event, rills begin to flow from the pincushion towards the railroad; the rills swell into rivers; the rivers soon unite into a lake. The lake floats Mr. Goodchild into Doncaster, past the Itinerant personage in black, by the way-side telling him from the vantage ground of a legibly printed placard on a pole that for all these things the Lord will bring him to judgment. No turtle and venison ordinary this evening; that is all over. No Betting at the rooms; nothing there but the plants in pots, which have, all the week, been stood about the entry to give it an innocent appearance, and which have sorely sickened by this time.

Saturday. Mr. Idle wishes to know at breakfast, what were those dreadful groanings in his bedroom doorway in the night? Mr. Goodchild answers, Nightmare. Mr. Idle repels the calumny, and calls the waiter. The Angel is very sorry—had intended to explain; but you see, gentlemen, there was a gentleman dined down-stairs with two more, and he had lost a deal of money, and he would drink a deal of wine, and in the night he ‘took the horrors,’ and got up; and as his friends could do nothing with him he laid himself down and groaned at Mr. Idle’s door. ‘And he DID groan there,’ Mr. Idle says; ‘and you will please to imagine me inside, “taking the horrors” too!’

 

So far, the picture of Doncaster on the occasion of its great sporting anniversary, offers probably a general representation of the social condition of the town, in the past as well as in the present time. The sole local phenomenon of the current year, which may be considered as entirely unprecedented in its way, and which certainly claims, on that account, some slight share of notice, consists in the actual existence of one remarkable individual, who is sojourning in Doncaster, and who, neither directly nor indirectly, has anything at all to do, in any capacity whatever, with the racing amusements of the week. Ranging throughout the entire crowd that fills the town, and including the inhabitants as well as the visitors, nobody is to be found altogether disconnected with the business of the day, excepting this one unparalleled man. He does not bet on the races, like the sporting men. He does not assist the races, like the jockeys, starters, judges, and grooms. He does not look on at the races, like Mr. Goodchild and his fellow-spectators. He does not profit by the races, like the hotel-keepers and the tradespeople. He does not minister to the necessities of the races, like the booth-keepers, the postilions, the waiters, and the hawkers of Lists. He does not assist the attractions of the races, like the actors at the theatre, the riders at the circus, or the posturers at the Poses Plastiques. Absolutely and literally, he is the only individual in Doncaster who stands by the brink of the full-flowing race-stream, and is not swept away by it in common with all the rest of his species. Who is this modern hermit, this recluse of the St. Leger-week, this inscrutably ungregarious being, who lives apart from the amusements and activities of his fellow-creatures? Surely, there is little difficulty in guessing that clearest and easiest of all riddles. Who could he be, but Mr. Thomas Idle?

Thomas had suffered himself to be taken to Doncaster, just as he would have suffered himself to be taken to any other place in the habitable globe which would guarantee him the temporary possession of a comfortable sofa to rest his ankle on. Once established at the hotel, with his leg on one cushion and his back against another, he formally declined taking the slightest interest in any circumstance whatever connected with the races, or with the people who were assembled to see them. Francis Goodchild, anxious that the hours should pass by his crippled travelling-companion as lightly as possible, suggested that his sofa should be moved to the window, and that he should amuse himself by looking out at the moving panorama of humanity, which the view from it of the principal street presented. Thomas, however, steadily declined profiting by the suggestion.

‘The farther I am from the window,’ he said, ‘the better, Brother Francis, I shall be pleased. I have nothing in common with the one prevalent idea of all those people who are passing in the street. Why should I care to look at them?’

‘I hope I have nothing in common with the prevalent idea of a great many of them, either,’ answered Goodchild, thinking of the sporting gentlemen whom he had met in the course of his wanderings about Doncaster. ‘But, surely, among all the people who are walking by the house, at this very moment, you may find—’

‘Not one living creature,’ interposed Thomas, ‘who is not, in one way or another, interested in horses, and who is not, in a greater or less degree, an admirer of them. Now, I hold opinions in reference to these particular members of the quadruped creation, which may lay claim (as I believe) to the disastrous distinction of being unpartaken by any other human being, civilised or savage, over the whole surface of the earth. Taking the horse as an animal in the abstract, Francis, I cordially despise him from every point of view.’

‘Thomas,’ said Goodchild, ‘confinement to the house has begun to affect your biliary secretions. I shall go to the chemist’s and get you some physic.’

‘I object,’ continued Thomas, quietly possessing himself of his friend’s hat, which stood on a table near him,—‘I object, first, to the personal appearance of the horse. I protest against the conventional idea of beauty, as attached to that animal. I think his nose too long, his forehead too low, and his legs (except in the case of the cart-horse) ridiculously thin by comparison with the size of his body. Again, considering how big an animal he is, I object to the contemptible delicacy of his constitution. Is he not the sickliest creature in creation? Does any child catch cold as easily as a horse? Does he not sprain his fetlock, for all his appearance of superior strength, as easily as I sprained my ankle! Furthermore, to take him from another point of view, what a helpless wretch he is! No fine lady requires more constant waiting-on than a horse. Other animals can make their own toilette: he must have a groom. You will tell me that this is because we want to make his coat artificially glossy. Glossy! Come home with me, and see my cat,—my clever cat, who can groom herself! Look at your own dog! see how the intelligent creature curry-combs himself with his own honest teeth! Then, again, what a fool the horse is, what a poor, nervous fool! He will start at a piece of white paper in the road as if it was a lion. His one idea, when he hears a noise that he is not accustomed to, is to run away from it. What do you say to those two common instances of the sense and courage of this absurdly overpraised animal? I might multiply them to two hundred, if I chose to exert my mind and waste my breath, which I never do. I prefer coming at once to my last charge against the horse, which is the most serious of all, because it affects his moral character. I accuse him boldly, in his capacity of servant