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Read books online » Fiction » The Book of Khalid by Ameen Fares Rihani (best contemporary novels .txt) 📖

Book online «The Book of Khalid by Ameen Fares Rihani (best contemporary novels .txt) 📖». Author Ameen Fares Rihani



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êthos of the Syrians (for once we use Khalid’s philosophic term), like that of the Americans, is essentially money-seeking. And whether in Beirut 132 or in New York, even the moralists and reformers, like the hammals and grocers, will ask themselves, before they undertake to do anything for you or for their country, “What will this profit us? How much will it bring us?” And that is what Khalid once thought to oppose and end. Alas, oppose he might––and End He Must. How can an individual, without the aid of Time and the Unseen Powers, hope to oppose and end, or even change, this monstrous mass of things? Yet we must not fail to observe that when we revolt against a tendency inimical to our law of being, it is for our own sake, and not the race’s, that we do so. And we are glad we are able to infer, if not from the K. L, MS., at least from his Letters, that Khalid is beginning to realise this truth. Let us not, therefore, expatiate further upon it.

If the reader will accompany us now to the cellar to bid our Syrian friends farewell, we promise a few things of interest. When we first came here some few years ago in Winter, or to another such underground dwelling, the water rose ankle-deep over the floor, and the mould and stench were enough to knock an ox dead. Now, a scent of ottar of roses welcomes us at the door and leads us to a platform in the centre, furnished with a Turkish rug, which Shakib will present to the landlord as a farewell memento.

And here are our three Syrians making ready for the voyage. Shakib is intoning some verses of his while packing; Im-Hanna is cooking the last dish of mojadderah; and Khalid, with some vague dream in his eyes, and a vaguer, far-looming hope in his heart, 133 is sitting on his trunk wondering at the variety of things Shakib is cramming into his. For our Scribe, we must not fail to remind the Reader, is contemplating great things of State, is nourishing a great political ambition. He will, therefore, bethink him of those in power at home. Hence these costly presents. Ay, besides the plated jewellery––the rings, bracelets, brooches, necklaces, ear-rings, watches, and chains––of which he is bringing enough to supply the peasants of three villages, see that beautiful gold-knobbed ebony stick, which he will present to the vali, and this precious gold cross with a ruby at the heart for the Patriarch, and these gold fountain pens for his literary friends, and that fine Winchester rifle for the chief of the tribe Anezah. These he packs in the bottom of his trunk, and with them his precious dilapidated copy of Al-Mutanabbi, and––what MS. be this? What, a Book of Verse spawned in the cellar? Indeed, the very embryo of that printed copy we read in Cairo, and which Shakib and his friends would have us translate for the benefit of the English reading public.

For our Scribe is the choragus of the Modern School of Arabic poetry. And this particular Diwan of his is a sort of rhymed inventory of all the inventions and discoveries of modern Science and all the wonders of America. He has published other Diwans, in which French morbidity is crowned with laurels from the Arabian Nights. For this Modern School has two opposing wings, moved by two opposing forces, Science being the motive power of the one, and Byron and De Musset the inspiring geniuses of the 134 other. We would not be faithful to our Editorial task and to our Friend, if we did not give here a few luminant examples of the Diwan in question. We are, indeed, very sorry, for the sake of our readers, that space will not allow us to give them a few whole qasĂŻdahs from it. To those who are so fortunate as to be able to read and understand the Original, we point out the Ode to the Phonograph, beginning thus:

“O Phonograph, thou wonder of our time,
Thy tongue of wax can sing like me in rhyme.”

And another to the Brooklyn Bridge, of which these are the opening lines:

“O Brooklyn Bridge, how oft upon thy back
I tramped, and once I crossed thee in a hack.”

And finally, the great Poem entitled, On the Virtue and Benefit of Modern Science, of which we remember these couplets:

“Balloons and airships, falling from the skies,
Will be as plenty yet as summer flies.
*       *       *       *       *
“Electricity and Steam and Compressed Air
Will carry us to heaven yet, I swear.”

Here be rhymed truth, at least, which can boast of not being poetry. Ay, in this MS. which Shakib is packing along with Al-Mutanabbi in the bottom of his trunk to evade the Basilisk touch of the Port officials of Beirut, is packed all the hopes of the Modern School. 135 Pack on, Shakib; for whether at the Mena House, or in the hasheesh-dens of Cairo, the Future is drinking to thee, and dreaming of thee and thy School its opium dreams. And Khalid, the while, sits impassive on his trunk, and Im-Hanna is cooking the last dinner of mojadderah.

Emigration has introduced into Syria somewhat of the three prominent features of Civilisation: namely, a little wealth, a few modern ideas, and many strange diseases. And of these three blessings our two Syrians together are plentifully endowed. For Shakib is a type of the emigrant, who returns home prosperous in every sense of the word. A Book of Verse to lure Fame, a Letter of Credit to bribe her if necessary, and a double chin to praise the gods. This is a complete set of the prosperity, which Khalid knows not. But he has in his lungs what Shakib the poet can not boast of; while in his trunk he carries but a little wearing apparel, his papers, and his blankets. And in his pocket, he has his ribbed silver cigarette case––the only object he can not part with––a heart-shaped locket with a little diamond star on its face––the only present he is bringing with him home,––and a third-class passage across the Atlantic. For Khalid will not sleep in a bunk, even though it be furnished with eiderdown cushions and tiger skins.

And since he is determined to pass his nights on deck, it matters little whether he travels first class, or second or tenth. Shakib, do what he may, cannot prevail upon him to accept the first-class passage he had bought in his name. “Let us not quarrel about this,” 136 says he; “we shall be together on board the same ship, and that settles the question. Indeed, the worse way returning home must be ultimately the best. No, Shakib, it matters not how I travel, if I but get away quickly from this pandemonium of Civilisation. Even now, as I sit on this trunk waiting for the hour of departure, I have a foretaste of the joy of being away from the insidious cries of hawkers, the tormenting bells of the rag-man, the incessant howling of children, the rumbling of carts and wagons, the malicious whir of cable cars, the grum shrieks of ferry boats, and the thundering, reverberating, smoking, choking, blinding abomination of an elevated railway. A musician might extract some harmony from this chaos of noises, this jumble of sounds. But I––extract me quickly from them!”

Ay, quickly please, especially for our sake and the Reader’s. Now, the dinner is finished, the rug is folded and presented to our landlord with our salaams, the trunks are locked and roped, and our Arabs will silently steal away. And peacefully, too, were it not that an hour before sailing a capped messenger is come to deliver a message to Shakib. There is a pleasant dilative sensation in receiving a message on board a steamer, especially when the messenger has to seek you among the Salon passengers. Now, Shakib dilates with pride as he takes the envelope in his hand; but when he opens it, and reads on the enclosed card, “Mr. Isaac Goldheimer wishes you a bon voyage,” he turns quickly on his heels and goes on deck to walk his wrath away. For this Mr. Goldheimer is the very landlord 137 who received the Turkish rug. Reflect on this, Reader. Father Abraham would have walked with us to the frontier to betoken his thanks and gratitude. “But this modern Jew and his miserable card,” exclaims Shakib in his teeth, as he tears and throws it in the water,––“who asked him to send it, and who would have sued him if he didn’t?”

But Shakib, who has lived so long in America and traded with its people, is yet ignorant of some of the fine forms and conventions of Civilisation. He does not know that fashionable folk, or those aping the dear fashionable folk, have a right to assert their superiority at his expense.––I do not care to see you, but I will send a messenger and card to do so for me. You are not my equal, and I will let you know this, even at the hour of your departure, and though I have to hire a messenger to do so.––Is there no taste, no feeling, no gratitude in this? Don’t you wish, O Shakib,––but compose yourself. And think not so ill of your Jewish landlord, whom you wish you could wrap in that rug and throw overboard. He certainly meant well. That formula of card and messenger is so convenient and so cheap. Withal, is he not too busy, think you, to come up to the dock for the puerile, prosaic purpose of shaking hands and saying ta-ta? If you can not consider the matter in this light, try to forget it. One must not be too visceral at the hour of departure. Behold, your skyscrapers and your Statue of Liberty are now receding from view; and your landlord and his card and messenger will be further from us every while we think of them, until, thanks to 138 Time and Space and Steam! they will be too far away to be remembered.

Here, then, with our young Seer and our Scribe, we bid New York farewell, and earnestly hope that we do not have to return to it again, or permit any of them to do so. In fact, we shall not hereafter consider, with any ulterior material or spiritual motive, any more of such disparaging, denigrating matter, in the two MSS. before us, as has to pass through our reluctant hands “touchin’ on and appertainin’ to” the great City of Manhattan and its distinguished denizens. For our part, we have had enough of this painful task. And truly, we have never before undergone such trials in sailing between––but that Charybdis and Scylla allusion has been done to death. Indeed, we love America, and in the course of our present task, which we also love, we had to suffer Khalid’s shafts to pass through our ken and sometimes really through our heart. But no more of this. Ay, we would fain set aside our pen from sheer weariness of spirit and bid the Reader, too, farewell. Truly, we would end here this Book of Khalid were it not that the greater part of the most important material in the K. L. MS. is yet intact, and the more interesting portion of Shakib’s History is yet to come. Our readers, though we do not think they are sorry for having come out with us so far, are at liberty either to continue with us, or say good-bye. But for the Editor there is no choice. What we have begun we must end, unmindful of the influence, good or ill, of the Zodiacal Signs under which we work. 139

“Our Phœnician

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