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Reading books fiction Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself.



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The genre of fiction is interesting to read not only by the process of cognition and the desire to empathize with the fate of the hero, this genre is interesting for the ability to rethink one's own life. Of course the reader may accept the author's point of view or disagree with them, but the reader should understand that the author has done a great job and deserves respect. Take a closer look at genre fiction in all its manifestations in our elibrary.



Read books online » Fiction » The Pool in the Desert by Sara Jeannette Duncan (ebook reader browser txt) 📖

Book online «The Pool in the Desert by Sara Jeannette Duncan (ebook reader browser txt) 📖». Author Sara Jeannette Duncan



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headings of the last Director's report, which I had kindly sent after Armour to Calcutta. Perhaps that had been the last straw.

The real meaning of the task of implanting Western ideals in the Eastern mind rose before me when I thought of Armour's doing it--how they would dwindle in the process, and how he must go on handling them and looking at them withered and shrunken for twenty-odd years. I understood--there was enough left in me to understand--Armour's terrified escape. I was happy in the thought of him, sailing down the Bay. The possibilities of marriage, social position, assured income, support in old age, the strands in the bond that held him, the bond that holds us all, had been untwisting, untwisting, from the third of June to the fifteenth. The strand that stood for Dora doubtless was the last to break, but it did not detract from my beatitude to know that even this consideration, before the Dupleix and liberty, failed to hold.

I kept out of Miss Harris's way so studiously for the next week or two that she was kind enough in the end to feel compelled to send for me. I went with misgivings--I expected, as may be imagined, to be very deeply distressed. She met me with a storm of gay reproaches. I had never seen her in better health or spirits. My surprise must have been more evident than I supposed or intended, for before I went away she told me the whole story. By that time she had heard from Ceylon, a delicious letter with a pen-and-ink sketch at the top. I have it still; it infallibly brought the man back to me. But it was all over; she assured me with shining eyes that it was. The reason of her plainly boundless thankfulness that Armour had run away from the School of Art did not come to the surface until I was just going. Then I gathered that if he had taken the post she would have felt compelled, compelled by all she had done for him, to share its honours with him; and this, ever since at her bidding he had begun to gather such things up, was precisely what she had lost all inclination to do.

We were married the following October. We had a big, gorgeous official wedding, which we both enjoyed enormously. I took furlough, and we went home, but we found London very expensive and the country very slow; and with my K.C.S.I. came the offer of the Membership, so we went back to Simla for three perfectly unnecessary years, which we now look back upon with pleasure and regret. I fear that we, no more than Ingersoll Armour, were quite whole-hearted Bohemians; but I don't know that we really ever pretended to be.


3. The Hesitation of Miss Anderson.

Chapter 3.I.

When it became known that Madeline Anderson had finally decided to go abroad for two years, her little circle in New York naturally talked a good deal, in review, about her curious reason for never having gone before. So much that happened afterward, so much that I am going to tell, depends upon this reason for not going before, that I also must talk about it and explain it; I could never bring it out just as we went along. It would have been a curious reason in connection with anybody, but doubly so as explaining the behaviour of Miss Anderson, whose profile gave you the impression that she was anything but the shuttlecock of her emotions. Shortly, her reason was a convict, Number 1596, who, up to February in that year, had been working, or rather waiting, out his sentence in the State penitentiary. So long as he worked or waited, Madeline remained in New York, but when in February death gave him his quittance, she took her freedom too, with wide intentions and many coupons.

Earlier in his career Number 1596 had been known in New York society as Mr. Frederick Prendergast, and for a little while he was disapproved there on the score of having engaged himself to a Miss Anderson, Madeline Anderson, whom nobody knew anything about. There was her own little circle, as I have said, and it lacked neither dignity nor refinement, but I doubt whether any member of it was valeted from London, or could imply, in conversation, a personal acquaintance with Yvette Guilbert. There is no need, however, to insist that there are many persons of comfortable income and much cultivation in New York, who would not be met by strangers having what are called the 'best' introductions there. The best so often fails to include the better. It may be accepted that Madeline Anderson and her people were of these, and that she wondered sometimes during the brief days of her engagement what it would be like to belong to the brilliant little world about her that had its visiting list in London, Paris, or St. Petersburg, and was immensely entertained by the gaucheries of the great ones of the earth.

Then came, with the most unexceptionable introductions, Miss Violet Forde, from a Sloane Square address, London. She came leaning on the arm of a brother, the only relative she had in the world, and so brilliant was the form of these young people that it occurred to nobody to imagine that it had the most precarious pecuniary foundation, must have faded and shrivelled indeed, after another year or two of anything but hospitality as generous as that of New York. Well-nourished and undimmed, however, it concealed for them admirably the fact that it was the hospitality they were after, and not the bracing climate or the desire to see the fascinating Americans of London and Paris at home. New York found them agreeable specimens of high-spirited young English people, and played with them indefinitely. Miss Forde, when she sat imperturbably on a cushion in the middle of the floor after dinner and sang to a guitar the songs of Albert Chevalier, was an anomaly in English decorum that was as pleasing to observe as it was amusing to criticize.

The Americans she met delighted in drawing her out--it was a pastime that took the lead at dinner-parties, to an extent which her hostess often thought preposterous--and she responded with naivete and vigour, perfectly aware that she was scoring all along the line. Upon many charming people she made the impression that she was a type of the most finished class of what they called 'English society girls,' that she represented the best they could do over there in this direction. As a matter of fact she might have sat to any of those 'black and white' artists, who draw townish young women of London, saying cynical things to young men in the weekly papers. That was her type, and if you look for her picture there, you will see that her face was very accurately oval, with eyes that knew their value, and other features that didn't very much matter, except in so far as they expressed a very full conception of the satisfactions of this life, and a wide philosophy as to methods of obtaining them.

Frederick Prendergast was unacquainted with the popular pictures I have mentioned, having a very reasonable preference for the illustrated papers of his own country; otherwise--there is no telling--he might have observed the resemblance and escaped the State prison, whither he assuredly never would have gone had he married Madeline Anderson--as he fully intended to do when Miss Forde came over. He was worth at that time a great deal of money, besides being more personable than any one would have believed who knew him as '1596.' His fiancee was never too obtrusively in evidence, and if Miss Forde thought of Miss Anderson with any scruple, it was probably to reflect that if she could not take care of these things she did not deserve to have them. This at all events was how her attitude expressed itself practically; and the upshot was that Miss Anderson lost them. There came a day when Frederick Prendergast, in much discomfort of mind, took to Violet the news that Madeline had brought their engagement to an end. She, Violet, gave him some tea, and they talked frankly of the absurd misconception of the relations between them upon which his dismissal was founded; and Prendergast went away much comforted and wholly disposed to respect Miss Anderson's startling wishes. She, with what both the others thought excellent taste, persuaded her mother and sister to move to Brooklyn; and so far as the thoroughfares and social theatres of New York were concerned, the city over the river might have been a nunnery which had closed its gates upon her. It was only in imagination that she heard Frederick Prendergast's wedding-bells when, two months later, he was united to Miss Forde in Grace Church, and that after the fact, their melody being brought to her inner sense next day by the marriage notice in the 'Tribune'.

It would be painful, in view of what we know of Frederick Prendergast, to dwell upon what Madeline Anderson undeniably felt. Besides her emotions were not destructively acute, they only lasted longer than any one could have either expected or approved. She suffered for him as well; she saw as plainly as he did the first sordid consequences of his mistake the afternoon he came to solicit her friendship, having lost other claims; and it was then perhaps, that her responsibility in allowing Violet Forde to spoil his life for him began to suggest itself to her. Up to that time she had thought of the matter differently, as she would have said, selfishly. He was not permitted to come again; but he went away lightened, inasmuch as he had added his burden to hers.

When a year later the national credit involved that of Prendergast's firm, Madeline read financial articles in the newspapers with heavy concern, surprising her family with views on 'sound money'; and when, shortly afterward, his partners brought that unhappy young man before the criminal courts for an irregular use of the firm's signature, which further involved it beyond hope of extrication, there was no moment of the day which did not find her, in spirit, beside him there.

The case dragged on through appeal, and the decision of the lower courts was not reversed. The day this became known the fact also transpired that poor Prendergast would never live to complete his ten years' term of imprisonment. He went to prison with hardly more than one lung, and in the most favourable physical condition to get rid of the other. Mrs. Prendergast wept a little over the installation, and assured Frederick that it was perfectly absurd; they were certain to get him out again; people always got people out again in America. She took him grapes and flowers once a week for about a month, and then she sailed for Europe. She put it about that her stay was to be as brief as was consistent with the transaction of certain necessary business in London; but she never came back, and Madeline Anderson had taken her place, in so far as the grapes and flowers were concerned, for many months, when the announcement of his wife's death reached Prendergast in an English paper published in Paris. About a year after that it began to be thought singular how he picked up in health, and Madeline's mother and sister occasionally romanced about the possibility of his recovering and marrying her after all--they had an enormous opinion of the artistic virtue of forgiveness--but it was not a contingency ever seriously contemplated by Miss Anderson herself. Her affection, pricked on by remorse, had long satisfied itself with the duties of her ministry. If she would not leave him until he died, it was
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