The Tragedy of the Chain Pier by Charlotte Mary Brame (heaven official's blessing novel english TXT) 📖

to see if any one was near.

The tall, slender figure of a woman dressed in a dark cloak was slowly walking up the middle of the pier. She could not see me, but I saw her--plainly, distinctly. I noticed the grace of her movements, her grand carriage. She was closely veiled, so that I could not see her face. But, unless I was much mistaken, she carried a bundle of something held tightly under her arm.


CHAPTER II.


If this had been an ordinary woman, I should not have noticed her, beyond the passing regard of the moment; it was the grace of her walk that attracted my attention, and I felt sure that as she passed my by I heard the sound of bitter passionate sobbing.

The old story over again, I thought--sorrow and pain, longing and love! But for the sound of that sob as she passed me I should not have watched her--I should not have known what afterward I would have given my life not to know.

She walked right on to the very head of the pier, and stood there for a few minutes. I knew, by instinct, that she was crying bitterly; then I was struck by the manner in which she looked round; it was evident to me that she wished to be quite alone. At times the waves playing round the wooden pillars made some unusual sound; she turned quickly, as though she suspected some one was near her. Once a gentleman strolled leisurely down the pier, stood for a few minutes watching the sea in silence, then went away; while he was there she stood still and motionless as a statue; then she looked round with a stealthy gaze--a gaze so unlike the free, grand grace of her movements that I was struck by it. She could not see me because I was in the deep shadow, but I could see every gesture of hers. I saw her raise her face to the darkling skies, and I felt that some despairing prayer was on her lip, and the reason why I could see her so plainly was this, that she stood just where the rays of the lamps fell brightly.

It was a dramatic scene: the dark, heaving sea, with the fitful gleam of the moonlight; the silent pier, with the one huge light; the tall, dark figure standing there so motionless. Why did she look round with that hurried stealthy glance, as though so desirous of being alone? Presently she seemed to realize that she stood where the light fell brightest, and she turned away. She walked to the side of the pier farthest from me, where she stood opposite to the bright lights of the western pier. She did not remain there long, but crossed again, and this time she chose that part of the pier where I was sitting.

Far back in the deep shade in the corner she did not see me; she did not suspect that any one was near. I saw her give a hasty look down the pier, but her glance never fell on the corner where I sat. She went to the railings--one or two of them were broken and had not been repaired; in a more frequented place it might, perhaps, have been dangerous. She did not seem to notice it. She stood for some minutes in silence; then I heard again bitter weeping, passionate sobs, long-drawn sighs. I heard a smothered cry of "Oh, Heaven; oh, Heaven have pity!" and then a sickly gleam of light came from the sky, and by its light I saw that she took the bundle from under her arm. I could not see what it was or what it held, but she bent her head over it, she kissed it, sobbed over it with passionate sobs, then raised it above the railings and let it fall slowly into the water.

There was a slight splash; no other sound. As she raised the bundle I saw distinctly that it was something wrapped in a gray and black shawl.

I swear before Heaven that no thought of wrong came to my mind; I never dreamed of it. I had watched her first because the rare grace of her tall figure and of her walk came to me as a surprise, then because she was evidently in such bitter sorrow, then because she seemed so desirous of being alone, but never did one thought cross my mind that there was a shadow of blame--or wrong; I should have been far more on the alert had I thought so. I was always of a dreamy, sentimental, half-awake kind of mind; I thought of nothing more than a woman, desperate, perhaps, with an unhappy love, throwing the love-letters and presents of a faithless lover into the sea--nothing more. I repeat this most emphatically, as I should not like any suspicion of indolence or indifference to rest upon me.

A slight splash--not of anything heavy--no other sound; no cry, no word--a moment's pause in the running of the waves, then they went on again as gayly as ever, washing the wooden pillars, and wreathing them with fresh seaweed. The tall figure, with the head bent over the rail, might have been a statue for all the life or stir there was within her.

Quite a quarter of an hour passed, and she did not stir. I began to wonder if she were dead; her head was bent the whole time, watching the waves as they ran hurrying past. Then the lady moon relented, and showed her fair face again; a flood of silver fell over the sea--each wave seemed to catch some of it, and break with a thousand ripples of light--the white cliffs caught it--it fell on the old pier, and the tall black figure stood out in bold relief against the moonlit sky.

I was almost startled when she turned round, and I saw her face quite plainly. The same light that revealed her pretty little face and figure, threw a deeper shade over me. She looked anxiously up and down, yet by a singular fatality never looked at the corner of the wooden building where I sat. I have often wondered since that I did not cry out when I saw that face--so wonderfully beautiful, but so marble white, so sad, so intent, so earnest, the beautiful eyes wild with pain, the beautiful mouth quivering. I can see it now, and I shall see it until I die.

There was a low, broad brow, and golden-brown hair clustered on it--hair that was like a crown; the face was oval-shaped, exquisitely beautiful, with a short upper lip, a full, lovely under one, and a perfectly modeled chin. But it was the face of a woman almost mad with despair.

"Oh, Heaven! if I dare--if I dare!" she cried. She flung up her hands with the gesture of one who has no hope; she looked over at the sea, once more at the pier, then slowly turned away, and again quite plainly I heard the words, "Oh, Heaven! if I dare--if I dare!"

She then walked slowly away, and I lost sight of her under the silent arches; but I could not forget her. What a face!--what beauty, what passion, what pain, what love and despair, what goodness and power! What a face! When should I ever forget it?

Impelled by curiosity, I went to the railings, and I stood where she stood. I looked down. How deep and fathomless it seemed, this running sea! What was it she had dropped there? In my mind's eye I saw a most pathetic little bundle made of love-letters; I pictured them tied with a pretty faded ribbon; there would be dried flowers, each one a momento of some happy occasion. I could fancy the dried roses, the withered forget-me-nots, the violets, with some faint odor lingering still around them. Then there would be a valentine, perhaps two or three; a photograph, and probably an engagement ring. She had flung them away into the depths of the sea, and only Heaven knows what hopes and love she had flung with them! I could understand now what that cry meant--"If I dare--if I dare!"

It meant that if she dare she would fling herself into the sea after them! How many hopes had been flung, like hers, into those black depths!

Then I came to the conclusion that I was, to say the least of it, a simpleton to waste so much time and thought about another person's affairs.

I remember that, as I walked slowly down the pier, I met several people, and that I felt a glow of pleasure at the thought that some people had the good sense to prefer the Chain Pier. And then I went home.

A game at billiards, a long chat in the smoke-room, ought to have distracted my mind from the little incident I had witnessed, but it did not. My bed-room faced the sea, and I drew up the blind so that I might look at it once more. The beautiful sea has many weird aspects, none stranger than when it lies heaving sullenly under the light of the moon. Fascinated, charmed, I stood to watch it. The moon had changed her mind; she meant to shine now; the clouds had all vanished; the sky was dark and blue; the stars were shining; but the wind had quickened, and the waves rolled in briskly, with white, silvery foam marking their progress.

The Chain Pier stood out quite clear and distinct in the moonlight; very fair and shapely it looked. Then I went to sleep and dreamed of the white, beautiful, desperate face--of the woman who had, I believed, thrown her love-letters into the sea. The wind grew rougher and the sea grew angry during the night; when at times I woke from my sleep I could hear them. Ah! long before this the love-letters had been destroyed--had been torn by the swift waves; the faded flowers and all the pretty love-tokens were done to death in the brisk waters. I wondered if, in thought, that beautiful, desperate woman would go back to that spot on the Chain Pier.

The morning following dawned bright and calm; there was a golden sunlight and a blue sea; why the color of the water should change so greatly, I could not think, but change it did. I have seen it clear as an emerald, and I have seen it blue as the lakes and seas of Italy. This morning it wore a blue dress, and a thousand, brilliants danced on its broad, sweet bosom. Already there were a number of people on the promenade; both piers looked beautiful, and were full of life and activity. It must have been some kind of holiday, although I forget for what the flags were flying, and there was a holiday look about the town. I thought I would walk for ten minutes before my breakfast. I went toward the Chain Pier, drawn by the irresistible attraction of the face I had seen there last evening.

It struck me that there was an unusual number of people about the Chain Pier; quite a crowd had collected at the gate. People were talking to each other in an excited fashion. I saw one or two policemen, and I came to the conclusion that some accident or other had happened on the pier. I went up to the crowd--two or three boatmen stood leaning over the rail.

"What is the matter?" I asked.

"Matter, sir?" replied one; "there is matter enough. There must have been murder, or something very much like it, done on that pier last night."

"Murder?" I cried, with a beating heart; "do