Futuria Fantasia, Winter 1940 by Ray Bradbury (free e reader txt) 📖

writers as well cannot see anything beyond their own perverted models." In virtually the next breath he admires P. Schuyler Miller's intellectuality. Yet P. Schuyler Miller continues to write sfn, reads it, and is one of the active fans.

Furthermore, I disagree outright and violently with Onya's statement, "When literature becomes possessed of ideas as such, it is no longer literature." And I'd like to challenge Onya to a further debate on this, if he dares. Also his statement about Wells' early stories. It so happens (what a coincidence!) that I also read Wells' EXPERIMENT IN AUTOBIOGRAPHY—and yes, while Wells did admit his early sfn stories were a preparation for his later and more serious writing, he did not disclaim them as not being literature of their own type. The trouble with Mr. Onya, I'm afraid, is that he has (deliberately?) lost sight of the fact that there is literature and literature. Instead, he wants everything to conform precisely to his own rather peculiar conception of literature. I'll make a statement right here that will undoubtedly shock Mr. Onya: I'll go so far as to say that pulp fiction, even the pulpiest of pulp fiction, is really and truly LITERATURE, insofar as it has its own special niche, its own certain purpose for being. There, I've said it! I'll admit, Mr. Onya, that it took a little courage to say it. But I ask all who read this, isn't it true when you come to think of it?

I have not dealt with Onya's article nearly to the extent that I might, but I don't think it's really necessary, mainly because, as I said, I have a very strong idea who Foo E. Onya is. I wish I could hazard my suspicion right here, but I'm so sure I'm right, and both the editor and Onya seem so determined to keep it secret, that I cannot be otherwise than silent. I will merely conclude by reiterating my doubt that you, "Foo E. Onya", are really disclaiming sfn. At least I hope you will continue both reading and writing it. But I swear, if I ever hear of you doing so, I shall feel sorely tempted to broadcast what a hypocrite you were with that article!

THE FIGHT OF THE GOOD SHIP CLARISSA by one who should know better

The space rocket Clarissa was nine days out from Venus. The members of the crew were also out for nine days. They were hunters, fearless expeditionists who bagged game in Venusian jungles. At the start of our story they are busy bagging their pants, not to forget their eyes. A sort of lull has fallen over the ship (Note: a lull is a time warp that frequently attacks rockets and seduces its members into a siesta). It was during this lull that Anthony Quelch sat sprawled at his typewriter looking as baggy as a bag of unripe grapefruit. ANTHONY QUELCH, the Cosmic Clamor Boy, with a face like turned linoleum on the third term, busy writing a book: "Fascism is Communism with a shave" for which he would receive 367 rubles, 10 pazinkas and incarceration in a cinema showing Gone With The Wind.

The boys upstairs were throwing a party in the control room. They had been throwing the same party so long the party looked like a worn out first edition of a trapeze artist. There is doubt in our mind as to whether they were trying to break the party up or just do the morning mopping and break the lease simultaneously. Arms, legs and heads littered the deck. The boys, it seems, threw a party at the drop of a chin. Sort of a space cataclysm with rules and little regulation—kind of an atomic convulsion in the front parlor. The neighbors never complained. The neighbors were 450 million miles away. And the boys were tighter than a catsup bottle at lunch-time. The last time the captain had looked up the hatch and called to his kiddies in a gentle voice, "HELL!" the kiddies had thrown snowballs at him. The captain had vanished. Clever way they make these space bombs nowadays. A few minutes previous the boys had been tearing up old Amazings and throwing them at one another, but now they contented themselves with tearing up just the editors. Palmer was torn in half and he sat in a corner arguing with himself about rejecting a story for an hour before someone put him through an orange juice machine killing him. (Orange juice sorry, now?)

And then they landed on Venus. How in heck they got back there so quick is a wonder of science, but there they were. "Come on, girls!" cried Quelch, "put on your shin guards, get out there and dig ditches for good old W.P.A. and the Rover Boys Academy, earth branch 27!"

Out into the staggering rain they dashed. Five minutes later they came back in, gasping, reeling. They had forgotten their corsets! The Venusians closed in like a million land-lords. "Charge, men!" cried Quelch, running the other way. And then—BATTLE! "What a fight; folks," cried Quelch. "Twenty thousand earth men against two Venusians! We're outnumbered, but we'll fight!" BLOOSH! "Correction—ten thousand men fighting!" KERBLOM! "One hundred men from earth left!" BOOM! "This is the last man speaking, folks! What a fight. I ain't had so much fun since—Help, someone just clipped my corset strings!" BWOM! "Someone just clipped me!"

The field was silent. The ship lay gleaming in the pink light of dawn that was just blooming over the mountains like a pale flower. The two Venusians stood weeping over the bodies of the Earthlings like onion peelers or two women in a bargain basement. One Venusian looked at the other Venusian, and in a high-pitched, hoarse, sad voice said: "Aye, aye, aye—THIS—HIT SHOODEN HEPPEN TO A DOG—NOT A DOIDY LEEDLE DOG!" And dawn came peacefully, like beer barrels, rolling.

The Intruder emil petaja

It was in San Francisco, on the walk above the sand and surf that pounded like the heart of the earth. There was wind, the sky and sea blended in a grey mist.

I was sitting on a stone bench watching a faint hint of distant smoke, wondering what ship it was and from what far port.

Mine was a pleasent wind—loneliness. So when he came, wrapped in his great overcoat and muffler, hat pulled down, and sat on my bench I was about to rise and leave him. There were other benches, and I was not in the mood for idle gossip about Hitler and taxes.

"Don't go. Please." His plea was authentic.

"I must get back to my shop," I said.

"Surely you can spare a moment." I could not even to begin to place the accent in his voice. Low as a whisper, tense. His deep-set eyes held me ... his face was pale and had a serenity born of suffering. A placcid face, not given to emotional betrayels, yet mystical. I sat down again. Here was someone bewilderingly strange. Someone I wouldn't soon forget. He moved a hand toward me, as tho to hold me from going, and I saw with mild curiosity that he wore heavy gloves, like mittens.

"I am not well. I ... I must not be out in the damp air," I said. "But today I just had to go out and walk. I had to."

"I can understand." I warmed to the wave of aloneness that lay in his words. "I too have been ill. I know you, Otis Marlin. I have visited your shop off Market Street. You are not rich, but the feel of the covers on a fine book between your hands suffices. Am I right?"

I nodded, "But how...."

"You have tried writing, but have had no success. Alone in the world, your loneliness has much a family man, harassed might envy."

"That's true," I admitted, wondering if he could be a seer, a fake mystic bent on arousing in me an interest in spiritism favorable to his pocket-book. His next words were a little amused, but he didn't smile.

"No, I'm not a psychic—in the ordinary sense, I've visited your shop. I was there only yesterday," he said. And I remembered him. In returning from my lunch I had met him coming out of my humble place of business. One glimpse into those brooding eyes was not a thing to soon forget, and I recalled pausing to watch his stiff-legged progress down the street and around the corner.

There was now a pause, while I watched leaves scuttling along the oiled walk in the growling wind. Then a sound like a sigh came from my companion. It seemed to me that the wind and the sea spoke loudly of a sudden, as tho approaching some dire climax. The sea wind chilled me as it had not before, I wanted to leave.

"Dare I tell you? DARE I!" His white face turned upward. It was as though he questioned some spirit in the winds.

I was silent; curious, yet fearful of what it might be he might not be allowed to tell me. The winds were portentously still.

"Were you ever told, as a child, that you must not attempt to count the stars in the sky at night—that if you did you might lose your mind?"

"Why, yes. I believe I've heard that old superstition. Very reasonable, I believe; based on the assumption that the task would be too great for one brain. I...."

"I suppose it never occurred to you," he interrupted, "that this superstition might hold even more truth than that, truth as malignant as it is vast. Perhaps the cosmos hold secrets beyond comprehension of man; and what is your assurance that these secrets are beneficent and kind? Is nature rather not terrible, than kind? In the stars are patterns—designs which if read, might lure the intrepid miserable one who reads them out of earth and beyond ... beyond, to immeasurable evil.... Do you understand what I am saying?" His voice quivered metallically, was vibrant with emotion.

I tried to smile, but managed only a sickly grin. "I understand you, sir, but I am not in the habit of accepting nebulous theories such as that without any shred of evidence."

"There is, sad to say, only too much evidence. But do you believe that men have lost their minds from incessant study of the stars?"

"Perhaps some have, I don't know," I returned. "But in the South of this state in one of the country's leading observatories, I have a friend who is famous as an astronomer. He is as sane as you or I. If not saner." I tacked the last sentence on with significant emphasis.

The fellow was muttering something into his muffler, and I fancied I caught the words "danger ..." and "fools ..." We were silent again. Low dark clouds fled over the roaring sea and the gloom intensified.

Presently, in his clipt speech, the stranger said, "Do you believe that life exists on other planets, other stars? Have you ever wondered what kind of life might inhabit the other stars in this solar system, and those beyond it?" His eyes were near mine as he spoke, and they bewitched me. There was something in them, something intangible and awful. I sensed that he was questioning me idly, as an outlander might be questioned about things with which the asker is familiar, as I might ask a New Yorker, "What do you think of the Golden Gate Bridge?"

"I wouldn't attempt to guess, to describe, for instance, a Martian man," I said. "Yet I read with interest various guesses by writers of fiction." I was striving to maintain a mood of lightness and ease, but inwardly I felt a bitter cold, as one on the rim of a nightmare. I suddenly realized, with childish fear, that night was falling.

"Writers of fiction! And what if they were to guess too well? What then? Is it safe for them to have full rein over their imaginations? Like the star-gazers...." I said nothing, but smiled.

"Perhaps, man, there have been those whose minds were acute beyond most earthly minds—those who have guessed too closely to truth. Perhaps those who are Beyond are not yet ready to make themselves known to Earthlings? And maybe THEY, are annoyed with the puny publicity they receive from imaginative writers.... Ask yourself, what is imagination? Are earth-minds capable of conceiving that which is not and has never been; or is this imagination merely a deeper insight into worlds you know not of, worlds glimpsed dimly in the throes of dream? And whence come these dreams? Tell me, have you ever awakened from a dream with the sinister feeling that all was not well inside your mind?—that while you, the real you, were away in Limbo—someone—something was probing in your mind, invading it and reading it. Might not THEY leave behind them in departure shadowy trailings of their own minds?"

Now I was indeed speechless. For a