The Big Fix by George O. Smith (e reader pdf best .txt) 📖

He looked up at me. "I couldn't cuff a hundred, could I?"

I shook my head. I didn't have to veil my mind because I knew that Gimpy was about as talented a telepath as a tallow candle. Frankly between me and thee, dear reader, I do not put anybody's bet on the cuff. I do a fair-to-middling brisk trade in booking bets placed and discussed by telepathy, but the ones I accept and pay off on—if they're lucky—are those folks who've been sufficiently foresighted to lay it on the line with a retainer against which their losses can be assessed.

On the other hand I could see in Gimpy's mind the simple logic that told him that as a bookmaker I'd be disinclined to lend him money which he'd use to place with me against a sure-thing long shot. If I were to "Lend" him a century for an on-the-cuff bet on a 100:1 horse, especially one that I knew was sure to come in, I might better simply hand him one hundred times one hundred dollars as a gift. It would save a lot of messy bookkeeping.

So the fact that I wouldn't cuff a bet for Gimpy gave him his own proof that I was confirming the fix.

Then I buttered the process.

"Gimp, do you know another good bookmaker?"

"Sure. But you're the best."

"Know one that'll take a bet from you—one that you don't like?"

"Sure, Mr. Wilson."

"Then," I said hauling a thousand out of my wallet, "Put this on our horses for me."

He eyed the grand. "But won't Mr. Barcelona be unhappy? Won't that run down the track odds?"

I laughed. "The whole world knows them dogs as also-rans," I said. "Gimpy, they put long shots like those into races just to clip the suckers who think there is a real hundred-to-one chance that a 100:1 horse will outrun favorites."

"Well, if you say so, Mr. Wilson."

"I say so."

"Thanks. I'll pay it back."

He would. I'd see to that.

Gimpy Gordon scuttled out of my bailiwick almost on a dead run. He was positively radiating merriment and joy and excitement. The note in his hand represented a sum greater than he had ever seen in one piece at any time of his life, and the concept of the riches he would know when they paid off on the Kentucky Derby was vague simply because Gimpy could not grasp the magnitude of such magnificence. Oddly, for some unexpected reason or from some unknown source hidden deep in his past, his mind pronounced it "Darby."

I returned to my African jungle still bored with the lack of anything constructive. I returned at about the point where Tarzan and Jane were going through that silly, "Me Tarzan; You Jane" routine which was even more irritating because the program director or someone had muffed the perfume that the Lady Jane wore. Instead of the wholesome freshness of the free, open air, Jane was wearing a heady, spicy scent engineered to cut its way through the blocking barrier of stale cigar smoke, whisky-laden secondhand air, and a waft of cooking aroma from the kitchen of the standard cosmopolitan bistro.

Worse, it got worse instead of better. Where a clever effects-director might have started with the heavy sophisticated scent and switched to something lighter and airier as Jane was moved away from civilization, this one had done it backwards for some absolutely ridiculous reason. It finally got strong enough to distract me out of my characterization, and I came back to reality to realize once more that reality had been strong enough to cut into the concentration level of a halluscene. There was strong woman-presence in my room, and as I looked around I found that Tomboy Taylor had come in—just as Gimpy Gordon had—and was sitting in the other halluscene chair. She was probably playing Lady Jane to my Tarzan.

Tomboy Taylor had changed to a short-skirted, low-necked cocktail dress; relaxed with her eyes closed in my halluscene chair she looked lovely. She looked as vulnerable as a soft kitten. Remembering that it's the soft vulnerable ones that claw you if you touch, I refrained.

I went to my little bar and refilled my highball glass because swinging through the jungle makes one thirsty, and while I was pouring I took a sly peek into Tomboy Taylor's mind.

She was not halluscening. She was watching me. And when I made contact with her, she radiated a sort of overall aura of amusement-emotion, covered up her conscious deliberation, and blocked any probing by directing me mentally, "Make it two, Wally."

I built her one, handed it to her, and then said, "Folks these days sure have forgotten how to use doorbells."

"If you don't want people coming in, Wally, you should restrict your mindwarden a little. It's set to admit anybody who does not approach the door with vigorous intent to commit grave physical harm. When the thing radiates 'Come in and relax' is a girl supposed to stand outside twiggling on the doorbell?"

I dropped the subject thinking that maybe I shouldn't have brought it up in the first place. It's one that can't be answered by logic, whereas a firm emotional statement of like or dislike stops all counter-argument and I'd made the mistake of questioning my own judgment.

So I eyed her and said, "Tomboy, you did not come here to indulge in small talk."

"No," she admitted. "I'm here to keep track of you, Wally."

"Oh?"

"Our great and good friend wants me to make notes on how clever you are at arranging things."

"You mean Barcelona sent you."

"That's about it."

I looked at her askance. "And how long are you going to stay?"

She smiled. "Until Flying Heels, Moonbeam, and Lady Grace come across the finish line One, Two, and Three at Churchill Downs on Derby Day."

I grinned at her. "Considering that trio of turtles, Tomboy, it may be for years and it may be forever."

She held up her glass in a sort of a toast. "Or," she said, "'Til death do us part!"

A little bitterly I said, "One might think that Barcelona doesn't trust me."

She replied, "It isn't a matter of trust. Barcelona holds you among his very closest friends. He is well aware of the fact that you would do anything for him, that you prize his friendship so highly yourself that you would go to the most desperate lengths to keep it firm and true. Yet he realizes that the simple desire he has recently expressed does place you in a delicate mental attitude. You are likely to feel that he shouldn't have expressed this desire since you feel obligated to fulfill it. He feels that maybe this obligation to maintain friendship at all costs may cause resentment. Since Barcelona does not want you to resent him, he sent me to be your companion in the hope that I might get some forewarning should your friendship for him begin to weaken."

Just why in this day and age she didn't just come out and say—or think—flatly that she was there to keep me in line, I don't know. But there she was, talking all around the main point and delivering the information by long-winded inference.

Even so, without her Pittsburgh stogie, Tomboy Taylor was a mighty attractive dish, and I knew that she could also be a bright and interesting conversationalist if she wanted to be. Under other circumstances I might have enjoyed the company, but it was no pleasure to know that every grain of her one hundred and fourteen pounds avoirdupois was Barcelona's Personal Property. At that moment I realized that I was not too much concerned with what Barcelona's reaction might be. Instead, I was wishing that things were different so that any activity between us would be for our own personal gain and pleasure rather than the order of or the fight against one Joseph Barcelona. There was one consolation. Tomboy Taylor had not come equipped with a box of Pittsburgh stogies with which to make my appreciation of beauty throw up its lunch.

She said, sweetly, "The better to ensnare you, my dear."

But as she spoke, for just a moment her thick woolly mind shield thinned out enough for me to catch a strange, puzzled grasp for understanding. As if for the first time she had been shown how admiration