Return to Pleasure Island by Cory Doctorow (best english books to read txt) 📖
- Author: Cory Doctorow
Book online «Return to Pleasure Island by Cory Doctorow (best english books to read txt) 📖». Author Cory Doctorow
IN WRITING OR REQUIRED BY APPLICABLE LAW, THE WORK IS LICENSED ON
AN "AS IS" BASIS, WITHOUT WARRANTIES OF ANY KIND, EITHER EXPRESS
OR IMPLIED INCLUDING, WITHOUT LIMITATION, ANY WARRANTIES
REGARDING THE CONTENTS OR ACCURACY OF THE WORK.
6. Limitation on Liability. EXCEPT TO THE EXTENT REQUIRED BY
APPLICABLE LAW, AND EXCEPT FOR DAMAGES ARISING FROM LIABILITY TO
A THIRD PARTY RESULTING FROM BREACH OF THE WARRANTIES IN SECTION
5, IN NO EVENT WILL LICENSOR BE LIABLE TO YOU ON ANY LEGAL THEORY
FOR ANY SPECIAL, INCIDENTAL, CONSEQUENTIAL, PUNITIVE OR EXEMPLARY
DAMAGES ARISING OUT OF THIS LICENSE OR THE USE OF THE WORK, EVEN
IF LICENSOR HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES.
7. Termination
a. This License and the rights granted hereunder will terminate automatically upon any breach by You of the terms of this License. Individuals or entities who have received Collective Works from You under this License, however, will not have their licenses terminated provided such individuals or entities remain in full compliance with those licenses. Sections 1, 2, 5, 6, 7, and 8 will survive any termination of this License.
b. Subject to the above terms and conditions, the license granted here is perpetual (for the duration of the applicable copyright in the Work). Notwithstanding the above, Licensor reserves the right to release the Work under different license terms or to stop distributing the Work at any time; provided, however that any such election will not serve to withdraw this License (or any other license that has been, or is required to be, granted under the terms of this License), and this License will continue in full force and effect unless terminated as stated above.
8. Miscellaneous
a. Each time You distribute or publicly digitally perform the Work or a Collective Work, the Licensor offers to the recipient a license to the Work on the same terms and conditions as the license granted to You under this License.
b. If any provision of this License is invalid or unenforceable under applicable law, it shall not affect the validity or enforceability of the remainder of the terms of this License, and without further action by the parties to this agreement, such provision shall be reformed to the minimum extent necessary to make such provision valid and enforceable.
c. No term or provision of this License shall be deemed waived and no breach consented to unless such waiver or consent shall be in writing and signed by the party to be charged with such waiver or consent.
d. This License constitutes the entire agreement between the parties with respect to the Work licensed here. There are no understandings, agreements or representations with respect to the Work not specified here. Licensor shall not be bound by any additional provisions that may appear in any communication from You. This License may not be modified without the mutual written agreement of the Licensor and You.
###
Return to Pleasure Island =========================
George twiddled his thumbs in his booth and watched how the brown, clayey knuckles danced overtop of one another. Not as supple as they had once been, his thumbs — no longer the texture of wet clay on a potter's wheel; more like clay after it had been worked to exhausted crackling and brittleness. He reached into the swirling vortex of the cotton-candy machine with his strong right hand and caught the stainless-steel sweep-arm. The engines whined and he felt them strain against his strong right arm, like a live thing struggling to escape a trap. Still strong, he thought, still strong, and he released the sweep-arm to go back to spinning sugar into floss.
A pack of boys sauntered down the midway, laughing and calling, bouncing high on sugar and g-stresses. One of them peeled off from the group and ran to his booth, still laughing at some cruelty. He put his palms on George's counter and pushed against it, using them to lever his little body in a high-speed pogo. "Hey, mister," he said, "how about some three-color swirl, with sprinkles?"
George smiled and knocked the rack of paper cones with his strong right elbow, jostled it so one cone spun high in the air, and he caught it in his quick left hand. "Coming riiiiiight up," he sang, and flipped the cone into the floss-machine. He spun a beehive of pink, then layered it with stripes of blue and green. He reached for the nipple that dispensed the sprinkles, but before he turned its spigot, he said, "Are you sure you don't want a dip, too? Fudge? Butterscotch? Strawberry?"
The boy bounced even higher, so that he was nearly vaulting the counter. "All three! All three!" he said.
George expertly spiraled the floss through the dips, then applied a thick crust of sprinkles. "Open your mouth, kid!" he shouted, with realistic glee.
The boy opened his mouth wide, so that the twinkling lights of the midway reflected off his back molars and the pool of saliva on his tongue. George's quick, clever left hand dipped a long-handled spoon into the hot fudge, then flipped the sticky gob on a high arc that terminated perfectly in the boy's open mouth. The boy swallowed and laughed gooely. George handed over the dripping confection in his strong right hand, and the boy plunged his face into it. When he whirled and ran to rejoin his friends, George saw that his ears were already getting longer, and his delighted laugh had sounded a little like a bray. A job well done, he thought, and watched the rain spatter the spongy rubber cobbles of the midway.
#
George was supposed to go off-shift at midnight. He always showed up promptly at noon, but he rarely left as punctually. The soft one who had the midnight-to-six shift was lazy and late, and generally staggered in at twelve thirty, grumbling about his tiredness. George knew how to deal with the soft ones, though — his father had brought him up surrounded by them, so that he spoke without his father's thick accent, so that he never inadvertently crushed their soft hands when he shook with them, so that he smiled good-naturedly and gave up a realistic facsimile of sympathy when they griped their perennial gripes.
His father! How wise the old man had been, and how proud, and how stupid. George shucked his uniform backstage and tossed it into a laundry hamper, noting with dismay how brown the insides were, how much of himself had eroded away during his shift. He looked at his clever left thumb and his strong right thumb, and tasted their good, earthy tastes, and then put them away. He dressed himself in the earth-coloured dungarees and workshirt that his own father had stolen from a laundry line when he left the ancestral home of George's people for the society of the soft ones.
He boarded a Cast Member tram that ran through the ultidors underneath Pleasure Island's midway, and stared aimlessly at nothing as the soft ones on the tram gabbled away, as the tram sped away to the Cast housing, and then it was just him and the conductor, all the way to the end of the line, to the cottage he shared with his two brothers, Bill and Joe. The conductor wished him a good night when he debarked, and he shambled home.
Bill was already home, napping in the pile of blankets that all three brothers shared in the back room of the cottage. Joe wasn't home yet, even though his shift finished earlier than theirs. He never came straight home; instead, he wandered backstage, watching the midway through the peepholes. Joe's Lead had spoken to George about it, and George had spoken to Joe, but you couldn't tell Joe anything. George thought of how proud his father had been, having three sons — three! George, the son of his strong right thumb, and Bill, the son of his clever left thumb, and Joe. Joe, the son of his tongue, an old man's folly, that left him wordless for the remainder of his days. He hadn't needed words, though: his cracked and rheumy eyes had shone with pride every time they lit on Joe, and the boy could do no wrong by him.
George busied himself with supper for his brothers. In the little wooded area behind the cottage, he found good, clean earth with juicy roots in it. In the freezer, he had a jar of elephant-dung sauce, spiced with the wrung-out sweat of the big top acrobats' leotards, which, even after reheating, still carried the tang of vitality. Preparing a good meal for his kind meant a balance of earthy things and living things, things to keep the hands supple and things to make them strong, and so he brought in a chicken from the brothers' henhouse and covered it in the sloppy green-brown sauce, feathers and all. Bill, being the clever one, woke when the smell of the sauce bubbling in the microwave reached him, and he wandered into the kitchen.
To an untutored eye, Bill and George were indistinguishable. Both of them big, even for their kind — for their father had been an especially big specimen himself — whose faces were as expressive as sculptor's clay, whose chisel-shaped teeth were white and hard as rocks. When they were alone together, they went without clothing, as was the custom of their kind, and their bodies bulged with baggy, loose muscle. They needed no clothing, for they lacked the shame of the soft ones, the small thumb between the legs. They had a more civilised way of reproducing.
"Joe hasn't returned yet?" Bill asked his strong brother.
"Not yet," George told his clever brother.
"We eat, then. No sense in waiting for him. He knows the supper hour," Bill said, and since he was the clever one, they ate.
#
Joe returned as the sun was rising, and burrowed in between his brothers on their nest of blankets. George flung one leg over his smallest brother, and smelled the liquor on his breath in his sleep, and his dreams were tainted with the stink of rotting grapes.
George was the first one awake, preparing the morning meal. A maggoty side of beef, ripe with the vitality of its parasites, and gravel. Joe came for breakfast before Bill, as was his custom. Bill needed the sleep, to rest his cleverness.
"God-damn, I am hungry!," Joe said loudly, without regard for his sleeping brother.
"You missed dinner," George said.
"I had more important things to do," Joe said. "I was out with an Imagineer!"
George stared hard at him. "What did the Imagineer want? Is there trouble?"
Joe gave a deprecating laugh. "Why do you always think there's trouble? The guy wanted to chat with me — he likes me, wants to get to know me. His name is Woodrow, he's in charge of a whole operations division, and he was interested in what I thought of some of his plans." He stopped and waited for George to be impressed.
George knew what the pause was for. "That's very good. You must be doing a good job for your Lead to mention you to him."
"That little prick? He hates my guts. Woodrow's building a special operations unit out of lateral thinkers — he wants new blood, creativity. He says I have a unique perspective."
"Did you talk to Orville?" Orville was the soft one who'd brought them from their father's shack to the Island, and he was their mentor and advocate inside its Byzantine politics. Bill had confided to George that he suspected Orville was of a different species from the soft ones — he certainly seemed to know more about George's kind than a soft one had any business knowing.
Joe tore a hunk from the carcass on the rickety kitchen table and stuffed it into his mouth. Around it, he mumbled something that might have been yes and might have been no. It was Joe's favorite stratagem, and it was responsible for the round belly that bulged out beneath his skinny chest.
Joe tore away more than half of the meat and made for the door. "Woodrow wants to meet with me again this morning. Don't wait up for me tonight!" He left the cottage and set off toward the tram-stop.
Bill rolled over on his bedding and said, "I don't like this at all."
George kept quiet. Bill's voice surprised him, but it shouldn't have. Bill was clever enough to lie still and feign sleep so that he could overhear Joe's conversations, where George would have just sat up and started talking.
"Orville
Comments (0)