Miss Ludington's Sister by Edward Bellamy (the false prince series txt) 📖

toward them, she had still rather resented seeing them about, as tending to blur her recollections of their former selves, in whom alone she was interested.

That her new Long Island neighbours considered her mildly insane was to her the least of all concerns. The only neighbours she cared about were the shadowy forms which peopled the village she had rescued from oblivion, whose faces she fancied smiling gratefully at her from the windows of the homes she had restored to them.

For she had a notion that the spirits of her old neighbours, long dead, had found out this resurrected Hilton, and were grateful for the opportunity to revisit the unaltered scenes of their passion. If she had grieved over the removal of the old landmarks and the change in the appearance of the village, how much more hopelessly must they have grieved if indeed the dead revisit earth! The living, if their homes are broken up, can make them new ones, which, after a fashion, will serve the purpose; but the dead cannot. They are thenceforth homeless and desolate.

No sense of having benefited living persons would have afforded Miss Ludington the pleasure she took in feeling that, by rebuilding ancient Hilton, she had restored homes to these homeless ones.

But of all this fabric of the past which she had resurrected, the central figure was the school-girl Ida Ludington. The restored village was the mausoleum of her youth.

Over the great old-fashioned fireplace, in the sitting-room of the homestead which she had rebuilt in the midst of the village, she had hung a portrait in oil, by the first portrait-painter then in the country. It was an enlarged copy of the little likeness on ivory which had formerly been so great a solace to her.

The portrait was executed with extremely life-like effect, and was fondly believed by Miss Ludington to be a more accurate likeness in some particulars than the ivory picture itself.

It represented a very beautiful girl of seventeen or eighteen, although already possessing the ripened charms of a woman. She was dressed in white, with a low bodice, her luxuriant golden hair, of a rare sheen and fineness, falling upon beautifully moulded shoulders. The complexion was of a purity that needed the faint tinge of pink in the cheeks to relieve it of a suspicion of pallor. The eyes were of the deepest, tenderest violet, full of the light of youth, and the lips were smiling.

It was, indeed, no wonder that Miss Ludington had mourned the vanishing from earth of this delectable maiden with exceeding bitterness, or that her heart yet yearned after her with an aching tenderness across the gulf of years.

How bright, how vivid, how glowing had been the life of that beautiful girl! How real as compared with her own faint and faded personality, which, indeed, had shone these many years only by the light reflected from that young face! And yet that life, in its strength and brightness, had vanished like an exhalation, and its elements might no more be recombined than the hues of yesterday's dawn.

Miss Ludington had hung the portraits of her father and mother with immortelles, but the frame of the girl's picture she had wound with deepest crape.

Her father and mother she did not mourn as one without hope, believing that she should see them some day in another world; but from the death of change which the girl had died no Messiah had ever promised any resurrection.

CHAPTER II.

The solitude in which Miss Ludington lived had become, through habit, so endeared to her that when, a few years after she had been settled in her ghostly village, a cousin died in poverty, bequeathing to her with his last breath a motherless infant boy, it was with great reluctance that she accepted the charge. She would have willingly assumed the support of the child, but if it had been possible would have greatly preferred providing for him elsewhere to bringing him home with her. This, however, was impracticable, and so there came to be a baby in the old maid's house.

Little Paul De Riemer was two years old when he was brought to live with Miss Ludington—a beautiful child, with loving ways, and deep, dark, thoughtful eyes. When he was first taken into the sitting-room, the picture of the smiling girl over the fireplace instantly attracted his gaze, and, putting out his arms, he cooed to it. This completed the conquest of Miss Ludington, whose womanly heart had gone out to the winsome child at first sight.

As the boy grew older his first rational questions were about the pretty lady in the picture, and, he was never so happy as when Miss Ludington took him upon her knee and told him stories about her for hours together.

These stories she always related in the third person, for it would only puzzle and grieve the child to intimate to him that there was anything in common between the radiant girl he had been taught to call Ida and the withered woman whom he called Aunty. What, indeed, had they in common but their name? and it had been so long since any one had called her Ida, that Miss Ludington scarcely felt that the name belonged to her present self at all.

In their daily walks about the village she would tell the little boy endless stories about incidents which had befallen Ida at this spot or that. She was never weary of telling, or he of listening to, these tales, and it was wonderful how the artless sympathy of the child comforted the lone woman.

One day, when he was eight years old, finding himself alone in the sitting-room, the lad, after contemplating Ida's picture for a long time, piled one chair on another, and climbing upon the structure, put up his chubby lips to the painted lips of the portrait and kissed them with right good-will. Just then Miss Ludington came in, and saw what he was doing. Seizing him in her arms, she cried over him and kissed him till he was thoroughly frightened.

A year or two later, on his announcing one day his intention to marry Ida when he grew up, Miss Ludington explained to him that she was dead. He was quite overcome with grief at this intelligence, and for a long time refused to be comforted.

And so it was, that never straying beyond the confines of the eerie village, and having no companion but Miss Ludington, the boy fell scarcely less than she under the influence of the beautiful girl who was the presiding genius of the place.

As he grew older, far from losing its charm, Ida's picture laid upon him a new spell. Her violet eyes lighted his first love-dreams. She became his ideal of feminine loveliness, drawing to herself, as the sun draws mist, all the sentiment and dawning passion of the youth. In a word, he fell in love with her.

Of course he knew now who she had been. Long before as soon as he was old enough to understand it, this had been explained to him. But though he was well aware that neither on earth nor in heaven, nor anywhere in the universe, did she any more exist, that knowledge was quite without effect upon the devotion which she had inspired. The matter indeed, presented itself in a very simple way to his mind. "If I had never seen her picture," he said one day to Miss Ludington, "I should never have known that my love was dead, and I should have gone seeking her through all the world, and wondering what was the reason I could not find her."

Miss Ludington was over sixty years of age and Paul was twenty-two when he finished his course at college. She had naturally supposed that, on going out into the world, mixing with young men and meeting young women, he would outgrow his romantic fancy concerning Ida; but the event was very different. As year after year he returned home to spend his vacations, it was evident that his visionary passion was strengthening rather than losing its hold upon him.

But the strangest thing of all was the very peculiar manner in which, during the last vacation preceding his graduation, he began to allude to Ida in his conversations with Miss Ludington. It was, indeed, so peculiar that when, after his return to college, she recalled the impression left upon her mind, she was constrained to think that she had, somehow, totally misunderstood him; for he had certainly seemed to talk as if Ida, instead of being that most utterly, pathetically dead of all dead things—the past self of a living person—were possibly not dead at all: as if, in fact she might have a spiritual existence, like that ascribed to the souls of those other dead whose bodies are laid in the grave.

Decidedly, she must have misunderstood him.

Some months later, on one of the last days of June, he graduated. Miss Ludington would have attended the graduation exercises but for the fact that her long seclusion from society made the idea of going away from home and mingling with strangers intolerable. She had expected him home the morning after his graduation. When, however, she came downstairs, expecting to greet him at the breakfast-table, she found instead a letter from him, which, to her further astonishment, consisted of several closely written sheets. What could have possessed him to write her this laborious letter on the very day of his return?

The letter began by telling her that he had accepted an invitation from a class-mate, and should not be home for a couple of days. "But this is only an excuse," he went on; "the true reason that I do not at once return is that you may have a day or two to think over the contents of this letter before you see me; for what I have to say will seem very startling to you at first. I was trying to prepare you for it when I talked, as you evidently thought, so strangely, about Ida, the last time I was at home; but you were only mystified, and I was not ready to explain. A certain timidity held me back. It was so great a matter that I was afraid to broach it by word of mouth lest I might fail to put it in just the best way before your mind, and its strangeness might terrify you before you could be led to consider its reasonableness. But, now that I am coming home to stay, I should not be able to keep it from you, and it has seemed to me better to write you in this way, so that you may have time fully to debate the matter with your own heart before you see me. Do you remember the last evening that I was at home, my asking you if you did not sometimes have a sense of Ida's presence? You looked at me as if you thought I were losing my wits. What did I mean, you asked, by speaking of her as a living person? But I was not ready to speak, and I put you off.

"I am going to answer your question now. I am going to tell you how and why I believe that she is neither lost nor dead, but a living and immortal spirit. For this, nothing less than this, is my absolute assurance, the conviction which I ask you to share.

"But stop, let us go back. Let us assume nothing. Let us reason it all out carefully from the beginning. Let me forget that I am her lover. Let me be stiff; and slow, and formal as a logician, while I prove that my darling lives for ever. And you, follow me carefully, to see if I slip. Forget what ineffable thing she is to you; forget what it is to you that she lives. Do not let your eyes fill; do not let your brain swim. It would be madness to believe it if it is not true. Listen, then:— You know that men speak of human beings, taken singly, as individuals. It is taken for granted in the common speech that the individual is the unit of humanity, not to be subdivided. That is, indeed, what the etymology of the word means. Nevertheless, the slightest reflection will cause any one to see that this assumption is a most mistaken one. The individual is no more the unit of humanity than is the tribe or family; but, like them, is a collective noun, and stands for a number of distinct persons, related one to another in a particular way, and having certain features of resemblance. The persons composing a family are related both collaterally and by succession or descent, while the persons composing an individual are related by succession only. They are called infancy, childhood, youth,