The Hated Son by Honoré de Balzac (reading fiction txt) 📖
- Author: Honoré de Balzac
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The countess, who was now in her nineteenth year, made a painful contrast to that large, repulsive figure. She was fair and slim. Her chestnut locks, threaded with gold, played upon her neck like russet shadows, and defined a face such as Carlo Dolce has painted for his ivory-toned madonnas,--a face which now seemed ready to expire under the increasing attacks of physical pain. You might have thought her the apparition of an angel sent from heaven to soften the iron will of the terrible count.
"No, he will not kill us!" she cried to herself mentally, after contemplating her husband for a long time. "He is frank, courageous, faithful to his word--faithful to his word!"
Repeating that last sentence in her thoughts, she trembled violently, and remained as if stupefied.
To understand the horror of her present situation, we must add that this nocturnal scene took place in 1591, a period when civil war raged throughout France, and the laws had no vigor. The excesses of the League, opposed to the accession of Henri IV., surpassed the calamities of the religious wars. License was so universal that no one was surprised to see a great lord kill his enemy in open day. When a military expedition, having a private object, was led in the name of the King or of the League, one or other of these parties applauded it. It was thus that Blagny, a soldier, came near becoming a sovereign prince at the gates of France. Sometime before Henri III.'s death, a court lady murdered a nobleman who made offensive remarks about her. One of the king's minions remarked to him:--
"Hey! vive Dieu! sire, she daggered him finely!"
The Comte d'Herouville, one of the most rabid royalists in Normandy, kept the part of that province which adjoins Brittany under subjection to Henri IV. by the rigor of his executions. The head of one of the richest families in France, he had considerably increased the revenues of his great estates by marrying seven months before the night on which this history begins, Jeanne de Saint-Savin, a young lady who, by a not uncommon chance in days when people were killed off like flies, had suddenly become the representative of both branches of the Saint-Savin family. Necessity and terror were the causes which led to this union. At a banquet given, two months after the marriage, to the Comte and Comtesse d'Herouville, a discussion arose on a topic which in those days of ignorance was thought amusing: namely, the legitimacy of children coming into the world ten months after the death of their fathers, or seven months after the wedding day.
"Madame," said the count brutally, turning to his wife, "if you give me a child ten months after my death, I cannot help it; but be careful that you are not brought to bed in seven months!"
"What would you do then, old bear?" asked the young Marquis de Verneuil, thinking that the count was joking.
"I should wring the necks of mother and child!"
An answer so peremptory closed the discussion, imprudently started by a seigneur from Lower Normandy. The guests were silent, looking with a sort of terror at the pretty Comtesse d'Herouville. All were convinced that if such an event occurred, her savage lord would execute his threat.
The words of the count echoed in the bosom of the young wife, then pregnant; one of those presentiments which furrow a track like lightning through the soul, told her that her child would be born at seven months. An inward heat overflowed her from head to foot, sending the life's blood to her heart with such violence that the surface of her body felt bathed in ice. From that hour not a day had passed that the sense of secret terror did not check every impulse of her innocent gaiety. The memory of the look, of the inflections of voice with which the count accompanied his words, still froze her blood, and silenced her sufferings, as she leaned over that sleeping head, and strove to see some sign of a pity she had vainly sought there when awake.
The child, threatened with death before its life began, made so vigorous a movement that she cried aloud, in a voice that seemed like a sigh, "Poor babe!"
She said no more; there are ideas that a mother cannot bear. Incapable of reasoning at this moment, the countess was almost choked with the intensity of a suffering as yet unknown to her. Two tears, escaping from her eyes, rolled slowly down her cheeks, and traced two shining lines, remaining suspended at the bottom of that white face, like dewdrops on a lily. What learned man would take upon himself to say that the child unborn is on some neutral ground, where the emotions of its mother do not penetrate during those hours when soul clasps body and communicates its impressions, when thought permeates blood with healing balm or poisonous fluids? The terror that shakes the tree, will it not hurt the fruit? Those words, "Poor babe!" were they dictated by a vision of the future? The shuddering of this mother was violent; her look piercing.
The bloody answer given by the count at the banquet was a link mysteriously connecting the past with this premature confinement. That odious suspicion, thus publicly expressed, had cast into the memories of the countess a dread which echoed to the future. Since that fatal gala, she had driven from her mind, with as much fear as another woman would have found pleasure in evoking them, a thousand scattered scenes of her past existence. She refused even to think of the happy days when her heart was free to love. Like as the melodies of their native land make exiles weep, so these memories revived sensations so delightful that her young conscience thought them crimes, and sued them to enforce still further the savage threat of the count. There lay the secret of the horror which was now oppressing her soul.
Sleeping figures possess a sort of suavity, due to the absolute repose of both body and mind; but though that species of calmness softened but slightly the harsh expression of the count's features, all illusion granted to the unhappy is so persuasive that the poor wife ended by finding hope in that tranquillity. The roar of the tempest, now descending in torrents of rain, seemed to her no more than a melancholy moan; her fears and her pains both yielded her a momentary respite. Contemplating the man to whom her life was bound, the countess allowed herself to float into a reverie, the sweetness of which was so intoxicating that she had no strength to break its charm. For a moment, by one of those visions which in some way share the divine power, there passed before her rapid images of a happiness lost beyond recall.
Jeanne in her vision saw faintly, and as if in a distant gleam of dawn, the modest castle where her careless childhood had glided on; there were the verdant lawns, the rippling brook, the little chamber, the scenes of her happy play. She saw herself gathering flowers and planting them, unknowing why they wilted and would not grow, despite her constancy in watering them. Next, she saw confusedly the vast town and the vast house blackened by age, to which her mother took her when she was seven years old. Her lively memory showed her the old gray heads of the masters who taught and tormented her. She remembered the person of her father; she saw him getting off his mule at the door of the manor-house, and taking her by the hand to lead her up the stairs; she recalled how her prattle drove from his brow the judicial cares he did not always lay aside with his black or his red robes, the white fur of which fell one day by chance under the snipping of her mischievous scissors. She cast but one glance at the confessor of her aunt, the mother-superior of a convent of Poor Clares, a rigid and fanatical old man, whose duty it was to initiate her into the mysteries of religion. Hardened by the severities necessary against heretics, the old priest never ceased to jangle the chains of hell; he told her of nothing but the vengeance of Heaven, and made her tremble with the assurance that God's eye was on her. Rendered timid, she dared not raise her eyes in the priest's presence, and ceased to have any feeling but respect for her mother, whom up to that time she had made a sharer in all her frolics. When she saw that beloved mother turning her blue eyes towards her with an appearance of anger, a religious terror took possession of the girl's heart.
Then suddenly the vision took her to the second period of her childhood, when as yet she understood nothing of the things of life. She thought with an almost mocking regret of the days when all her happiness was to work beside her mother in the tapestried salon, to pray in the church, to sing her ballads to a lute, to read in secret a romance of chivalry, to pluck the petals of a flower, discover what gift her father would make her on the feast of the Blessed Saint-John, and find out the meaning of speeches repressed before her. Passing thus from her childish joys through the sixteen years of her girlhood, the grace of those softly flowing years when she knew no pain was eclipsed by the brightness of a memory precious though ill-fated. The joyous peace of her childhood was far less sweet to her than a single one of the troubles scattered upon the last two years of her childhood,--years that were rich in treasures now buried forever in her heart.
The vision brought her suddenly to that morning, that ravishing morning, when in the grand old parlor panelled and carved in oak, which served the family as a dining-room, she saw her handsome cousin for the first time. Alarmed by the seditions in Paris, her mother's family had sent the young courtier to Rouen, hoping that he could there be trained to the duties of the magistracy by his uncle, whose office might some day devolve upon him. The countess smiled involuntarily as she remembered the haste with which she retired on seeing this relation whom she did not know. But, in spite of the rapidity with which she opened and shut the door, a single glance had put into her soul so vigorous an impression of the scene that even at this moment she seemed to see it still occurring. Her eye again wandered from the violet velvet mantle embroidered with gold and lined with satin to the spurs on the boots, the pretty lozenges slashed into the doublet, the trunk-hose, and the rich collaret which gave to view a throat
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