Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. Twelve Stories and a Dream by H. G. Wells (good romance books to read .TXT) 📖
- Author: H. G. Wells
Book online «Twelve Stories and a Dream by H. G. Wells (good romance books to read .TXT) 📖». Author H. G. Wells
“Lor'! the trouble I 'ad!” said Mr. Skelmersdale.
“How?”
“Explaining. I suppose you've never had anything like that to explain.”
“Never,” I said, and he expatiated for a time on the behaviour of this person and that. One name he avoided for a space.
“And Millie?” said I at last.
“I didn't seem to care a bit for seeing Millie,” he said.
“I expect she seemed changed?”
“Every one was changed. Changed for good. Every one seemed big, you know, and coarse. And their voices seemed loud. Why, the sun, when it rose in the morning, fair hit me in the eye!”
“And Millie?”
“I didn't want to see Millie.”
“And when you did?”
“I came up against her Sunday, coming out of church. 'Where you been?' she said, and I saw there was a row. I didn't care if there was. I seemed to forget about her even while she was there a-talking to me. She was just nothing. I couldn't make out whatever I 'ad seen in 'er ever, or what there could 'ave been. Sometimes when she wasn't about, I did get back a little, but never when she was there. Then it was always the other came up and blotted her out.... Anyow, it didn't break her heart.”
“Married?” I asked.
“Married 'er cousin,” said Mr. Skelmersdale, and reflected on the pattern of the tablecloth for a space.
When he spoke again it was clear that his former sweetheart had clean vanished from his mind, and that the talk had brought back the Fairy Lady triumphant in his heart. He talked of her—soon he was letting out the oddest things, queer love secrets it would be treachery to repeat. I think, indeed, that was the queerest thing in the whole affair, to hear that neat little grocer man after his story was done, with a glass of whisky beside him and a cigar between his fingers, witnessing, with sorrow still, though now, indeed, with a time-blunted anguish, of the inappeasable hunger of the heart that presently came upon him. “I couldn't eat,” he said, “I couldn't sleep. I made mistakes in orders and got mixed with change. There she was day and night, drawing me and drawing me. Oh, I wanted her. Lord! how I wanted her! I was up there, most evenings I was up there on the Knoll, often even when it rained. I used to walk over the Knoll and round it and round it, calling for them to let me in. Shouting. Near blubbering I was at times. Daft I was and miserable. I kept on saying it was all a mistake. And every Sunday afternoon I went up there, wet and fine, though I knew as well as you do it wasn't no good by day. And I've tried to go to sleep there.”
He stopped sharply and decided to drink some whisky.
“I've tried to go to sleep there,” he said, and I could swear his lips trembled. “I've tried to go to sleep there, often and often. And, you know, I couldn't, sir—never. I've thought if I could go to sleep there, there might be something. But I've sat up there and laid up there, and I couldn't—not for thinking and longing. It's the longing.... I've tried—”
He blew, drank up the rest of his whisky spasmodically, stood up suddenly and buttoned his jacket, staring closely and critically at the cheap oleographs beside the mantel meanwhile. The little black notebook in which he recorded the orders of his daily round projected stiffly from his breast pocket. When all the buttons were quite done, he patted his chest and turned on me suddenly. “Well,” he said, “I must be going.”
There was something in his eyes and manner that was too difficult for him to express in words. “One gets talking,” he said at last at the door, and smiled wanly, and so vanished from my eyes. And that is the tale of Mr. Skelmersdale in Fairyland just as he told it to me.
6. THE STORY OF THE INEXPERIENCED GHOST
The scene amidst which Clayton told his last story comes back very vividly to my mind. There he sat, for the greater part of the time, in the corner of the authentic settle by the spacious open fire, and Sanderson sat beside him smoking the Broseley clay that bore his name. There was Evans, and that marvel among actors, Wish, who is also a modest man. We had all come down to the Mermaid Club that Saturday morning, except Clayton, who had slept there overnight—which indeed gave him the opening of his story. We had golfed until golfing was invisible; we had dined, and we were in that mood of tranquil kindliness when men will suffer a story. When Clayton began to tell one, we naturally supposed he was lying. It may be that indeed he was lying—of that the reader will speedily be able to judge as well as I. He began, it is true, with an air of matter-of-fact anecdote, but that we thought was only the incurable artifice of the man.
“I say!” he remarked, after a long consideration of the upward rain of sparks from the log that Sanderson had thumped, “you know I was alone here last night?”
“Except for the domestics,” said Wish.
“Who sleep in the other wing,” said Clayton. “Yes. Well—” He pulled at his cigar for some little time as though he still hesitated about his confidence. Then he said, quite quietly, “I caught a ghost!”
“Caught a ghost, did you?” said Sanderson. “Where is it?”
And Evans, who admires Clayton immensely and has been four weeks in America, shouted, “CAUGHT a ghost, did you, Clayton? I'm glad of it! Tell us all about it right now.”
Clayton said he would in a minute, and asked him to shut the door.
He looked apologetically at me. “There's no eavesdropping of course, but we don't want to upset our very excellent service with any rumours of ghosts in the place. There's too much shadow and oak panelling to trifle with that. And this, you know, wasn't a regular ghost. I don't think it will come again—ever.”
“You mean to say you didn't keep it?” said Sanderson.
“I hadn't the heart to,” said Clayton.
And Sanderson said he was surprised.
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