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- Author: William Richard Bradshaw
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It was a delirious phantasy of airy clouds, fluttering leaves, songs of birds, milky avalanches, balsamic forests, and the awe-inspiring silences of revolving walls!
The intoxication of such wheeling flight filled us with a strange joy. Our journey became wistful, eager, breathless. We became poets, and the soul of a poet is a chameleon that takes its glow and color from the surrounding infection. The motion that bore us in daring circles produced a euthanasia of mind and an exaltation of soul. The jugglery of flight under such conditions produced a Nirvana of soul and a Dharana of body. An exquisitely sweet whirlwind of emotion swept through I know not how many souls on the Aeropher, but certainly through the souls of Lyone and myself.
We both flew round and round like birds in intoxicating converse. During the progress of the flight, intellect, will and memory slumbered. I was deprived of the use of all external faculties, while those of the soul were correspondingly increased. Imagination and emotion were excited with rapturous energy. Lyone's eyes sparkled with a celestial joy. She was again the goddess in her ecstasy!
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CHAPTER XXVII. WE REACH EGYPLOSIS.When I recovered my every-day senses the revolving motion of the Aeropher had ceased and our flight was confined to an undulating movement. I was holding the hand of the goddess, who had been in a hyperæsthetic condition herself during the gyrations of the ship, and when feeling her senses leaving her she had involuntarily grasped my hand. Our souls had been the recipients of the same rapturous joy.
When we were once more ourselves, Lyone was anxious to know something of the character of the women of the outer world. I talked to her about such women as resembled herself in spiritual fervor.
I described the Egyptian legend of Isis, the goddess of love, of life, of nature. I told her of St. Theresa, that blessed visionary, whose soul frequently experienced those voluptuous sensations, such as might be experienced when expiring in raptures on the bosom of God. I spoke also of pearly Eve, to whom, ere she had eaten of the fatal fruit, every moment was a delight, every blossom a wilderness of sweets. I spoke of Cleopatra, the haughty daughter of the Nile, the fervor of whose passion thickened into lust and death.
My story was interrupted by the arrival of the captain, who said: "Your holiness, we will reach Egyplosis in an hour."
"So soon," murmured the goddess.
"Is it the pleasure of your holiness that we alight at the private sanctuary or at the grand gate?" inquired the captain.
"At the grand gate, of course," said the goddess; "we must give our friends a royal welcome."
The captain bowed in obedience and disappeared.
The charms of our journey grew more and more interesting. In addition to the delights of discovery, I felt the rising ambition of a great joy in connection with Lyone. It was a daring thought, that I might possibly partake of a glorious camaraderie with the goddess, but when I thought that no stranger could possibly share a heart that belonged only to her own people, only to Atvatabar, I felt that Lyone was very far off indeed.[145]
In a land where spiritual love was the prerogative of the priestly caste, strictly limited to the members of that caste, any priestly condescension or favor given to those outside the pale of the priesthood could have no meaning and was forbidden under penalty of death. Of course human nature is liable to err always, and it came to pass that the records of the legal tribunals of Atvatabar proved that many departures in soul fellowship took place between the most loyal inmates of Egyplosis and the outer inhabitants. The punishment for such offence to the most sacred law of Atvatabar, although terrible, was powerless to prevent such mésalliances of souls.
I knew that a spark of what might prove a mighty conflagration was already kindled in the bosom of the goddess. It thrilled me to know it, but only as the laws and customs of this strange country became known to me did I realize the tremendous risk in Lyone allowing her heart to betray any kinship, however remote, with mine. The greater the dignity, the greater the offence. The crime was sacrilege, and the punishment was death by the magnic fluid.
The goddess already belonged to her faith. She was love's religieuse. It was a cruel thing to seek her love when I knew it would perhaps bring her to an untimely end and stamp her name with everlasting disgrace. On the other hand, if the goddess, knowing much better than I the result of loving one not only outside of the sacred caste, but an "outer barbarian" as well, was brave enough to incur even the risk of death on behalf of her love, would I be so cowardly as not to follow her supreme soul even to martyrdom itself? And it might be that we might even raise a following large enough to defeat our enemies, and end in a greater triumph than either of us ever yet experienced.
Such were the thoughts that filled me when the aerial ship suddenly shot out of the chasm in which we had so long travelled and emerged upon the wide circular basin of the mountains about one hundred miles in diameter. In the centre of the high valley lay an immense lake, in whose centre stood a large island, everywhere visible from the shores, whereon stood the sacred palace of Egyplosis, the many-templed college of souls. We saw its pale green, gleaming walls rising from a tropical forest of dark green trees. Its gold and crystal domes reflected the sunlight dazzlingly, making the palace plainly visible all over that wide valley.[146]
Egyplosis was a little city composed of an immense quadrangle, the supernal palace together with the subterranean infernal palace. The supernal palace was of enormous dimensions, being a square mile in extent, and was composed of over a hundred temples and palaces rising high in the air, the chief seat of soul worship in Atvatabar, and the home of twice ten thousand priests and priestesses.
The infernal palace consisted of one hundred subterranean temples and labyrinths, all sculptured, like the supernal palace, out of the living rock, and situated directly underneath it.
Our course lay in a direct line across the noble valley. It was the most diversified part of the country we had yet crossed, being broken up into hills and valleys, glens and precipices, fields and forests, lakes, islands and gardens, all composing a region of bewildering beauty.
The emotions awakened by my near approach to this strange place were keen and exciting. Now for the first time in history its mystery was about to be disclosed to alien eyes from the outer world.
Soon after entering the park we saw, some fifty miles to the north, the ship containing the sailors rapidly approaching Egyplosis. It had also escaped destruction by the cyclone, having doubtless followed us down the cañon we sought refuge in.
It was a new sensation to float bird-like over the enchanted fields in this most mysterious of worlds, toward a spot that has no prototype on earth.
A multitude of domes and crenelated walls grew into immense proportions beneath the boundless light. Egyplosis possessed in its palaces the enchanted calm of Hindoo and Greek architecture, together with the thrilling ecstasy of Gothic shrines. Blended with these precious qualities there was a poetic generalization of the mighty activities of modern civilization. It was the home of spiritual and physical empire.
I wondered greatly what Eleusinian mysteries its courts contained. I was indeed another Hercules visiting the realms of Pluto and the garden of Proserpine in quest of the immortal fruits of knowledge. Would I be successful in my quest, and bear back to the outer world some magical secret its nations would be glad to know?
Finally, we saw the clear and marvellous palace close at hand.
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LYONE WAS BORNE ON A LITTER FROM THE AERIAL SHIP TO THE PALACE.
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A hundred banners floated from its walls, and music from an army of neophytes on its towers saluted us.
The Aeropher swept over the lake, and, reaching the island, alighted on a marble causeway leading to the grand entrance of the palace. A thousand wayleals stood ranged on either side as a guard of honor. We had left the forest that largely covers the island, and on either hand stretched gardens of rainbow-colored flowers, and here and there fountains sparkled in the sunny air.
Lyone seemed the impersonation of divine loveliness as she was borne in a litter from the aerial ship to the palace. On her head sparkled the bird of yearning, typical of hopeless love.
The high priest Hushnoly and the priestess Zooly-Soase of the supernal palace and the grand sorcerer Charka and the grand sorceress Thoubool of the infernal palace, surrounded by the chief priests and priestesses, magicians, sorcerers, wizards, theosophists, spiritualists, etc., gave us a royal welcome, and were jubilant at the return of the supreme goddess to Egyplosis.
CHAPTER XXVIII. THE GRAND TEMPLE OF HARIKAR.Twelve of the most handsome priests and priestesses constituted the guard of twin-souls in waiting to the goddess, and these escorted her into the grand court of the temple palace. Over a gigantic archway were sculptured the words "Dya Pateis omt Ami Cair," which meant "Two Bodies and One Soul." This was the motto of Egyplosis, the expression of ideal friendship and indicative of a system of life the reverse of that of the outer world of Atvatabar, which had for its motto, "One Body and Two Souls."
The architecture of the supernal palace was of amazing proportions and solid grandeur. Its aggregation of temples was sculptured out of one mighty block of pale green marble. The vast quadrangle seemed a tempest of imagination and art, whose temples, terraces and towers were the expression of the infinite souls that formed them. The color of the stone was beautifully[150] relieved by broad bands of the vermilion metal terrelium, that plated the walls with several parallel friezes, which lent an amazing splendor to the scene, and made us feel as though we were entering some palace of eternity, where magnificence has no end.
We had no time to examine the marvels spread before our delighted eyes, for, on the conclusion of our reception by the great officers of the palace, we were conducted to chambers set apart for our use, to rest and refresh ourselves to witness the exercises attending the installation of a twin-soul on the following day.
The chief temple at Egyplosis was interiorly of semi-circular shape, like a Greek theatre, five hundred feet in width. It was covered like the pantheon with a sculptured roof and dome of many-colored glass. The roof was one hundred and thirty feet above the lowest tier of seats beneath or one hundred feet above the level of the highest seats beneath. The walls were laboriously sculptured dado and field and frieze, with bas-reliefs of the same character as the golden throne of the gods that stood at the centre of the semi-circle.
The dado was thirty-two feet in height, on which were carved the emblems of every possible machine, implement or invention that conferred supremacy over nature in idealized grandeur. Battles of flying wayleals and races of bockhockids were carved in grand confusion. It was a splendid reunion of science and art.
Higher up the field space, which was fifty feet in height, was broken by a gallery or cloister behind a tier of splendid pillars, themselves carved with the emblems of art. The hidden wall, as well as those portions above and below the cloister between dado and frieze, were covered with endless representations of the creations of art. Heroic eurythmic figures representing poetry, music, painting, architecture, etc., formed a mighty symposium.
Highest of all, the enormous frieze, fully sixteen feet in width, was one mighty band of solid terrelium. This had been cast in plates having sculptured symbols in high relief of the sublime emblems of Harikar, and portrayed scenes from the idealities and mysteries of Egyplosis.
There were represented the fine and perfect figures of magicians in the midst of their incantations, of sorcerers raising[151] souls to life again; there were visions of the sorcery of love in all its moods, and of the rapt practices of twin-souls generating a creative force in batteries of spirit power.
Above all
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