Halil the Pedlar: A Tale of Old Stambul by Mór Jókai (lightweight ebook reader .TXT) 📖

let thee go. What art thou thinking about? If they destroy thee there we shall be without a leader, and we shall fall to pieces and perish like the rush-roof of a cottage when the joists are suddenly pulled from beneath it. And thou thyself wilt be a laughing-stock to the people, like the cock of the fairy tale who spitted and roasted himself."

"That will never happen," said Halil, unbuckling his sword (for no weapon may enter the Seraglio) and handing it to Musli; "take care of it for me till I return, and if I do not return it will be something to remember me by."

"Then thou art really resolved to go?" inquired Musli. "Well, in that case, I will go too."

At these words the others also began to bestir[Pg 195] themselves, and when they saw that Halil really was not joking, they accompanied him right up to the Seraglio. Into it indeed they did not go; but, anyhow, they surrounded the huge building which forms a whole quarter of the city by itself, and as soon as they saw Halil pass through the Seraglio gates they set up a terrific shout.

Alone, unarmed, and without an escort, the rebel leader passed through the strange, unfamiliar rooms, and at every door armed resplendent sentries made way before him, closing up again, with pikes crossed, before every door when he had passed through them.

On reaching the Hall of Audience, a couple of Kapu-Agasis seized him by the arm, and led him into the Cupola Chamber where Sultan Mahmud received those who came to render homage.

In all the rooms was that extraordinary pomp which is only to be seen on the day when a new Sultan has ascended the throne. The very ante-chamber, "The Mat-Room," as it is called, because of the variegated straw-mats with which it is usually covered, was now spread over with costly Persian carpets. The floor of the Cupola Chamber looked like a flower-bed. Its rich pile carpets were splendidly embroidered with gold, silver, and silken flowers of a thousand hues, interspersed with wreaths of pearls. At the foot of[Pg 196] a sofa placed on an elevated daïs glistened a coverlet of pure pearls. On each side of this sofa stood a little round writing-table inlaid with gold. On one of these tables lay an open portfolio encrusted with precious stones and writing materials flashing with rubies and emeralds; on the other lay a copy of the Alkoran, bound in black velvet and studded with rose brilliants. Another copy of the Alkoran lay open on a smaller table, written in the Talik script in letters of gold, cinnabar, and ultramarine; and there were twelve other Korans on just as many other tables, with gold clasps and pearl-embroidered bindings. On both sides of the fire-place, on stands that were masterpieces of carving, were heaped up the gala mantles exhibited on such occasions; and side by side, along the wall, on raised alabaster pedestals were nine clocks embellished with figures, each more ingenious than the other, which moved and played music every time the hour struck. Four large Venetian mirrors multiplied the extravagant splendours of the stately room.

Around the room on divans sat the chief dignitaries of the Empire, the viziers, the secretaries, the presenters of petitions according to rank, in splendid robes, and with round, pyramidal or beehive-shaped turbans according to the nature of their office.

Yet all this pomp was utterly eclipsed by the[Pg 197] splendour which radiated from the new Padishah; he seemed enveloped in a shower of pearls and diamonds. Whichever way he turned the roses embroidered on his dress, the girdle which encircled his loins, the clasp of his turban, and every weapon about him seemed to scatter rainbow sparks, so that those who gazed at him were dazzled into blindness before they could catch a glimpse of his face.

Behind the back of the throne, flashing with carbuncles as large as nuts, stood a whole army of ministering servants with their heads plunged deep in their girdles.

It was into this room that Halil entered.

On the threshold his two conductors released his arm, and Halil advanced alone towards the Padishah.

His face was not a whit the paler than at other times, he stepped forth as boldly and gazed around him as confidently as ever.

His dress, too, was just the same as hitherto—a simple Janissary mantle, a blue dolman with divided sleeves, without any ornament, a short salavari, or jerkin, reaching to the knee, leaving the lower part of the legs bare, and the familiar roundish kuka on his head.

As he passed through the long apartment he cast a glance upon the dignitaries sitting around the throne, and there was not one among them who could[Pg 198] withstand the fire of his gaze. With head erect he advanced in front of the Sultan, and placing his muscular, half-naked foot on the footstool before the throne stood there, for a moment, like a figure cast in bronze, a crying contrast to all this tremulous pomp and obsequious splendour. Then he raised his hand to his head, and greeted the Sultan in a strong sonorous voice:

"Aleikum unallah! The grace of God be upon thee!"

Then folding his hands across his breast he flung himself down before the throne, pressing his forehead against its steps.

Mahmud descended towards him, and raised him from the ground with his own hand.

"Speak! what can I do for thee?" he asked with condescension.

"My wishes have already been fulfilled," said Halil, and every word he then uttered was duly recorded by the chronicler. "It was my wish that the sword of Mahomet should pass into worthy hands; behold it is accomplished, thou dost sit on the throne to which I have raised thee. I know right well what is the usual reward for such services—a shameful death awaits me."

Mahmud passionately interrupted him.

"And I swear to thee by my ancestors that no[Pg 199] harm shall befall thee. Ask thine own reward, and it shall be granted thee before thou hast yet made an end of preferring thy request."

Halil reflected for a moment, and all the time his gaze rested calmly on the faces of the dignitaries sitting before him. His gaze passed down the whole row of them, and he took them all in one by one. Everyone of them believed that he was seeking a victim whose place he coveted. The rebel leader read this thought plainly in the faces of the dignitaries. Once more he ran his eyes over them, then he spoke.

"Glorious Padishah! as the merit of thy elevation belongeth not to me but to thy people, let the reward be theirs whose is the merit. A heavy burden oppresses thy slaves, and the name of that burden is Malikane. It is the farming out of the taxes for the lives of the holders thereof which puts money into the pockets of the high officers of state and the pashas, so that the Sublime Porte derives no benefit therefrom. Abolish, O Padishah, this farming out of the revenue, so that the destiny of the people may be in thy hands alone, and not in the hands of these rich usurers!"

And with these words he waved his hand defiantly in the direction of the viziers and the magnates.

Deep silence fell upon them. Through the closed[Pg 200] doors resounded the tempestuous roar of the multitudes assembled around the Seraglio. Those within it trembled, and Halil Patrona stood there among them like an enchanter who knows that he is invulnerable, immortal.

But the Sultan immediately commanded the Ciaus Aga to proclaim to the people with a trumpet-blast at the gates of the Seraglio, that at the desire of Halil Patrona the Malikane was from this day forth abolished.

The shout which arose the next moment and made the very walls of the Seraglio tremble was ample evidence of the profound impression which this announcement made.

"And now place thyself at the head of thy host," said Halil, "accept the invitation of thy people to go to the Ejub mosque, in order that the Silihdars may gird thee with the Sword of the Prophet according to ancient custom."

The Sultan thereupon caused it to be announced that in an hour's time he would proceed to the mosque of Ejub, there to be girded with the Sword of the Prophet.

With a shout of joy the people pressed towards the mosque in their thousands, crowding all the streets and all the house-tops between the mosque and the Seraglio. The cannons of the Bosphorus sent[Pg 201] thundering messages to the distant mountains of the joy of Stambul, and an hour later, to the sound of martial music, Mahmud held his triumphal progress through the streets of his capital on horseback; and the people waved rich tapestries at him from the house-tops and scattered flowers in his path. Behind him came radiant knightly viziers and nobles, and venerable councillors in splendid apparel on gorgeous full bloods; but in front of him walked two men alone, Halil Patrona and Musli, both in plain, simple garments, with naked calves, on their heads small round turbans, and with drawn swords in their hands as is the wont of the common Janissaries when on the march.

And the people sitting on the house-tops shouted the name of Halil just as often and just as loudly as they shouted the name of Mahmud.

The firing of the last salvo announced that the Sultan had arrived at the Ejub mosque.

Ispirizade, the chief imam of the Aja Sophia mosque, already awaited him. He had asked Halil as a favour that he might bless the new Sultan, and Halil had granted his request. Since he had ventured into the Seraglio everyone had obeyed his words. The people now whispered everywhere that the Sultan was doing everything which Halil Patrona demanded.[Pg 202]

Ispirizade had already mounted the lofty pulpit when Mahmud and his suite took their places on the lofty daïs set apart for them.

The chief priest's face was radiant with triumph. He extended his hands above his head and thrice pronounced the name of Allah. And when he had thus thrice called upon the name of God, his lips suddenly grew dumb, and there for a few moments he stood stiffly, with his hands raised towards Heaven and wide open eyes, and then he suddenly fell down dead from the pulpit.

"'Tis the dumb curse of Achmed!" whispered the awe-stricken spectators to one another.[Pg 203]