Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. The Sleeper Awakes by H. G. Wells (book recommendations TXT) 📖
- Author: H. G. Wells
- Performer: -
Book online «The Sleeper Awakes by H. G. Wells (book recommendations TXT) 📖». Author H. G. Wells
And as the standard of comfort rose, as the complexity of the mechanism of living increased, life in the country had become more and more costly, or narrow and impossible. The disappearance of vicar and squire, the extinction of the general practitioner by the city specialist; had robbed the village of its last touch of culture. After telephone, kinematograph and phonograph had replaced newspaper, book, schoolmaster, and letter, to live outside the range of the electric cables was to live an isolated savage. In the country were neither means of being clothed nor fed (according to the refined conceptions of the time), no efficient doctors for an emergency, no company and no pursuits.
Moreover, mechanical appliances in agriculture made one engineer the equivalent of thirty labourers. So, inverting the condition of the city clerk in the days when London was scarce inhabitable because of the coaly foulness of its air, the labourers now came to the city and its life and delights at night to leave it again in the morning. The city had swallowed up humanity; man had entered upon a new stage in his development. First had come the nomad, the hunter, then had followed the agriculturist of the agricultural state, whose towns and cities and ports were but the headquarters and markets of the countryside. And now, logical consequence of an epoch of invention, was this huge new aggregation of men.
Such things as these, simple statements of fact though they were to contemporary men, strained Graham’s imagination to picture. And when he glanced “over beyond there” at the strange things that existed on the Continent, it failed him altogether.
He had a vision of city beyond city; cities on great plains, cities beside great rivers, vast cities along the sea margin, cities girdled by snowy mountains. Over a great part of the earth the English tongue was spoken; taken together with its Spanish American and Hindoo and Negro and “Pidgin” dialects, it was the everyday-language of two-thirds of humanity. On the Continent, save as remote and curious survivals, three other languages alone held sway—German, which reached to Antioch and Genoa and jostled Spanish-English at Cadiz; a Gallicised Russian which met the Indian English in Persia and Kurdistan and the “Pidgin” English in Pekin; and French still clear and brilliant, the language of lucidity, which shared the Mediterranean with the Indian English and German and reached through a negro dialect to the Congo.
And everywhere now through the city-set earth, save in the administered “black belt” territories of the tropics, the same cosmopolitan social organisation prevailed, and everywhere from Pole to Equator his property and his responsibilities extended. The whole world was civilised; the whole world dwelt in cities; the whole world was his property....
Out of the dim south-west, glittering and strange, voluptuous, and in some way terrible, shone those Pleasure Cities of which the kinematograph-phonograph and the old man in the street had spoken. Strange places reminiscent of the legendary Sybaris, cities of art and beauty, mercenary art and mercenary beauty, sterile wonderful cities of motion and music, whither repaired all who profited by the fierce, inglorious, economic struggle that went on in the glaring labyrinth below.
Fierce he knew it was. How fierce he could judge from the fact that these latter-day people referred back to the England of the nineteenth century as the figure of an idyllic easy-going life. He turned his eyes to the scene immediately before him again, trying to conceive the big factories of that intricate maze....
CHAPTER XV. — PROMINENT PEOPLE
The state apartments of the Wind Vane Keeper would have astonished Graham had he entered them fresh from his nineteenth century life, but already he was growing accustomed to the scale of the new time. He came out through one of the now familiar sliding panels upon a plateau of landing at the head of a flight of very broad and gentle steps, with men and women far more brilliantly dressed than any he had hitherto seen, ascending and descending. From this position he looked down a vista of subtle and varied ornament in lustreless white and mauve and purple, spanned by bridges that seemed wrought of porcelain and filigree, and terminating far off in a cloudy mystery of perforated screens.
Glancing upward, he saw tier above tier of ascending galleries with faces looking down upon him. The air was full of the babble of innumerable voices and of a music that descended from above, a gay and exhilarating music whose source he did not discover.
The central aisle was thick with people, but by no means uncomfortably crowded; altogether that assembly must have numbered many thousands. They were brilliantly, even fantastically dressed, the men as fancifully as the women, for the sobering influence of the Puritan conception of dignity upon masculine dress had long since passed away. The hair of the men, too, though it was rarely worn long, was commonly curled in a manner that suggested the barber, and baldness had vanished from the earth. Frizzy straight-cut masses that would have charmed Rossetti abounded, and one gentleman, who was pointed out to Graham under the mysterious title of an “amorist,” wore his hair in two becoming plaits ` la Marguerite. The pigtail was in evidence; it would seem that citizens of Chinese extraction were no longer ashamed of their race. There was little uniformity of fashion apparent in the forms of clothing worn. The more shapely men displayed their symmetry in trunk hose, and here were puffs and slashes, and there a cloak and there a robe. The fashions of the days of Leo the Tenth were perhaps the prevailing influence, but the aesthetic conceptions of the far east were also patent. Masculine embonpoint, which, in Victorian times, would have been subjected to the buttoned perils, the ruthless exaggeration of tight-legged tight-armed evening dress, now formed but the basis of a wealth of dignity and drooping folds. Graceful slenderness abounded also. To Graham, a typically stiff man from a typically stiff period, not only did these men seem altogether too graceful in person, but altogether too expressive in their vividly expressive faces. They gesticulated, they expressed surprise, interest, amusement, above all, they expressed the emotions excited in their minds by the ladies about them with astonishing frankness. Even at the first glance it was evident that women were in a great majority.
The ladies in the company of these gentlemen displayed in dress, bearing and manner alike, less emphasis and more intricacy. Some affected a classical simplicity of robing and subtlety of fold, after the fashion of the First French Empire, and flashed conquering arms and shoulders as Graham passed. Others had closely-fitting dresses without seam or belt at the waist, sometimes with long folds falling from the shoulders. The delightful confidences of evening dress had not been diminished by the passage of two centuries.
Everyone’s movements seemed graceful. Graham remarked to Lincoln that he saw men as Raphael’s cartoons walking, and Lincoln told him that the attainment of an appropriate set of gestures was part of every rich person’s education. The Master’s entry was greeted with a sort of tittering applause, but these people showed their distinguished manners by not crowding upon him nor annoying him by any persistent scrutiny, as he descended the steps towards the floor of the aisle.
He had already learnt from Lincoln that these were the leaders of existing London society; almost every person there that night was either a powerful official or the immediate connexion of a powerful official. Many had returned from the European Pleasure Cities expressly to welcome him. The aeronautic authorities, whose defection had played a part in the overthrow of the Council only second to Graham’s, were very prominent, and so, too, was the Wind Vane Control. Amongst others there were several of the more prominent officers of the Food Department; the controller of the European Piggeries had a particularly melancholy and interesting countenance and a daintily cynical manner. A bishop in full canonicals passed athwart Graham’s vision, conversing with a gentleman dressed exactly like the traditional Chaucer, including even the laurel wreath.
“Who is that?” he asked almost involuntarily.
“The Bishop of London,” said Lincoln.
“No—the other, I mean.”
“Poet Laureate.”
“You still—?”
“He doesn’t make poetry, of course. He’s a cousin of Wotton—one of the Councillors. But he’s one of the Red Rose Royalists—a delightful club—and they keep up the tradition of these things.”
“Asano told me there was a King.”
“The King doesn’t belong. They had to expel him. It’s the Stuart blood, I suppose; but really—”
“Too much?”
“Far too much.”
Graham did not quite follow all this, but it seemed part of the general inversion of the new age. He bowed condescendingly to his first introduction. It was evident that subtle distinctions of class prevailed even in this assembly, that only to a small proportion of the guests, to an inner group, did Lincoln consider it appropriate to introduce him. This first introduction was the Master Aeronaut, a man whose sun-tanned face contrasted oddly with the delicate complexions about him. Just at present his critical defection from the Council made him a very important person indeed.
His manner contrasted very favourably, according to Graham’s ideas, with the general bearing. He offered a few commonplace remarks, assurances of loyalty and frank inquiries about the Master’s health. His manner was breezy, his accent lacked the easy staccato of latter-day English. He made it admirably clear to Graham that he was a bluff “aerial dog”—he used that phrase—that there was no nonsense about him, that he was a thoroughly manly fellow and old-fashioned at that, that he didn’t profess to know much, and that what he did not know was not worth knowing. He made a curt bow, ostentatiously free from obsequiousness, and passed.
“I am glad to see that type endures,” said Graham.
“Phonographs and kinematographs,” said Lincoln, a little spitefully. “He has studied from the life.” Graham glanced at the burly form again. It was oddly reminiscent.
“As a matter of fact we bought him,” said Lincoln. “Partly. And partly he was afraid of Ostrog. Everything rested with him.”
He turned sharply to introduce the Surveyor-General of the Public Schools. This person was a willowy figure in a blue-grey academic gown, he beamed down upon Graham through pince-nez of a Victorian pattern, and illustrated his remarks by gestures of a beautifully manicured hand. Graham was immediately interested in this gentleman’s functions, and asked him a number of singularly direct questions. The Surveyor-General seemed quietly amused at the Master’s fundamental bluntness. He was a little vague as to the monopoly of education his Company possessed; it was done by contract with the syndicate that ran the numerous London Municipalities, but he waxed enthusiastic over educational progress since the Victorian times. “We have conquered Cram,” he said, “completely conquered Cram—there is not an examination left in the world. Aren’t you glad?”
“How do you get the work done?” asked Graham.
“We make it attractive—as attractive as possible. And if it does not attract then—we let it go. We cover an immense field.”
He proceeded to details, and they had a lengthy conversation. Graham learnt that University Extension still existed in a modified form. “There is a certain type of girl, for example,” said the Surveyor-General, dilating with a sense of his usefulness, “with a perfect passion for severe studies—when they are not too difficult you know. We cater for them by the thousand. At this
Comments (0)