Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. The Satyricon — Complete by Petronius Arbiter (book series for 12 year olds TXT) 📖
- Author: Petronius Arbiter
Book online «The Satyricon — Complete by Petronius Arbiter (book series for 12 year olds TXT) 📖». Author Petronius Arbiter
“And when it comes to silver, I’m a connoisseur; I have goblets as big as wine-jars, a hundred of ‘em more or less, with engraving that shows how Cassandra killed her sons, and the dead boys are lying so naturally that you’d think ‘em alive. I own a thousand bowls which Mummius left to my patron, where Daedalus is shown shutting Niobe up in the Trojan horse, and I also have cups engraved with the gladiatorial contests of Hermeros and Petraites: they’re all heavy, too. I wouldn’t sell my taste in these matters for any money!” A slave dropped a cup while he was running on in this fashion. Glaring at him, Trimalchio said, “Go hang yourself, since you’re so careless.” The boy’s lip quivered and he immediately commenced to beg for mercy. “Why do you pray to me?” Trimalchio demanded, at this: “I don’t intend to be harsh with you, I’m only warning you against being so awkward.” Finally, however, we got him to give the boy a pardon and no sooner had this been done than the slave started running around the room crying, “Out with the water and in with the wine!” We all paid tribute to this joke, but Agamemnon in particular, for he well knew what strings to pull in order to secure another invitation to dinner. Tickled by our flattery, and mellowed by the wine, Trimalchio was just about drunk. “Why hasn’t one of you asked my Fortunata to dance?” he demanded, “There’s no one can do a better cancan, believe me,” and he himself raised his arms above his head and favored us with an impersonation of Syrus the actor; the whole household chanting:
Oh bravo
Oh bravissimo
in chorus, and he would have danced out into the middle of the room before us all, had not Fortunata whispered in his ear, telling him, I suppose, that such low buffoonery was not in keeping with his dignity. But nothing could be so changeable as his humor, for one minute he stood in awe of Fortunata, but his natural propensities would break out the next.
But his passion for dancing was interrupted at this stage by a stenographer who read aloud, as if he were reading the public records, “On the seventh of the Kalends of July, on Trimalchio’s estates near Cumae, were born thirty boys and forty girls: five hundred pecks of wheat were taken from the threshing floors and stored in the granaries: five hundred oxen were put to yoke: the slave Mithridates was crucified on the same date for cursing the genius of our master, Gaius: on said date ten million sesterces were returned to the vaults as no sound investment could be found: on said date, a fire broke out in the gardens at Pompeii, said fire originating in the house of Nasta, the bailiff.” “What’s that?” demanded Trimalchio. “When were the gardens at Pompeii bought for me?” “Why, last year,” answered the stenographer, “for that reason the item has not appeared in the accounts.” Trimalchio flew into a rage at this. “If I’m not told within six months of any real estate that’s bought for me,” he shouted, “I forbid it’s being carried to my account at all!” Next, the edicts of his aediles were read aloud, and the wills of some of his foresters in which Trimalchio was disinherited by a codicil, then the names of his bailiffs, and that of a freedwoman who had been repudiated by a night watchman, after she had been caught in bed with a bath attendant, that of a porter banished to Baioe, a steward who was standing trial, and lastly the report of a decision rendered in the matter of a lawsuit, between some valets. When this was over with, some rope dancers came in and a very boresome fool stood holding a ladder, ordering his boy to dance from rung to rung, and finally at the top, all this to the music of popular airs; then the boy was compelled to jump through blazing hoops while grasping a huge wine jar with his teeth. Trimalchio was the only one who was much impressed by these tricks, remarking that it was a thankless calling and adding that in all the world there were just two things which could give him acute pleasure, rope-dancers and horn blowers; all other entertainments were nothing but nonsense. “I bought a company of comedians,” he went on, “but I preferred for them to put on Atellane farces, and I ordered my flute-player to play Latin airs only.”
While our noble Gaius was still talking away, the boy slipped and fell, alighting upon Trimalchio’s arm. The whole household cried out, as did also the guests, not that they bore such a coarse fellow any good will, as they would gladly have seen his neck broken, but because such an unlucky ending to the dinner might make it necessary for them to go into mourning over a total stranger. As for Trimalchio, he groaned heavily and bent over his arm as though it had been injured: doctors flocked around him, and Fortunata was among the very first, her hair was streaming and she held a cup in her hand and screamed out her grief and unhappiness. As for the boy who had fallen, he was crawling at our feet, imploring pardon. I was uneasy for fear his prayers would lead up to some ridiculous theatrical climax, for I had not yet been able to forget that cook who had forgotten to bowel that hog, and so, for this reason, I began to scan the whole dining-room very closely, to see if an automaton would come out through the wall; and all the more so as a slave was beaten for having bound up his master’s bruised arm in white wool instead of purple. Nor was my suspicion unjustified, for in place of punishment, Trimalchio ordered that the boy be freed, so that no one could say that so exalted a personage had been injured by a slave.
We applauded his action and engaged in a discussion upon the instability of human affairs, which many took sides. “A good reason,” declared Trimalchio, “why such an occasion shouldn’t slip by without an epigram.” He called for his tablets at once, and after racking his brains for a little while, he got off the following:
The unexpected will turn up;
Our whole lives Fortune bungles up.
Falernian, boy, hand round the cup.
This epigram led up to a discussion of the poets, and for a long time, the greatest praise was bestowed upon Mopsus the Thracian, until Trimalchio broke in with: “Professor, I wish you’d tell me how you’d compare Cicero and Publilius. I’m of the opinion that the first was the more eloquent, but that the last moralizes more beautifully, for what can excel these lines?
Insatiable luxury crumbles the walls of war;
To satiate gluttony, peacocks in coops are brought
Arrayed in gold plumage like Babylon tapestry rich.
Numidian guinea-fowls, capons, all perish for thee:
And even the wandering stork, welcome guest that he is,
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