Lothair by Benjamin Disraeli (interesting novels in english TXT) 📖

on him, she addressed him in tones of sympathy, even of tenderness. She seemed interested in all he was doing; she flattered him by a mode which is said to be irresistible to a man, by talking only of himself. When the dance had finished, he offered to attend her to the tea-room. She accepted the invitation even with cordiality.

"I think I must have some tea," she said, "and I like to go with my kinsman."

Just before supper was announced, Lady St. Jerome told Lothair, to his surprise, that he was to attend Miss Arundel to the great ceremony. "It is Clare's ball," said Lady St. Jerome, "given in her honor, and you are to take care of her."

"I am more than honored," said Lothair. "But does Miss Arundel wish it, for, to tell you the truth, I thought I had rather abused her indulgence this evening?"

"Of course she wishes it," said Lady St. Jerome. "Who should lead her out on such an occasion--her own ball--than the nearest and dearest relation she has in the world, except ourselves?"

Lothair made no reply to this unanswerable logic, but was as surprised as he was gratified. He recalled the hour when the kinship was, at the best, but coldly recognized, the inscrutable haughtiness, even distrust, with which Miss Arundel listened to the exposition of his views and feelings, and the contrast which her past mood presented to her present brilliant sympathy and cordial greeting. But he yielded to the magic of the flowing hour. Miss Arundel, seemed, indeed, quite a changed being to-night, full of vivacity, fancy, feeling--almost fun. She was witty, and humorous, and joyous, and fascinating. As he fed her with cates as delicate as her lips, and manufactured for her dainty beverages which would not outrage their purity, Lothair, at last, could not refrain from intimating his sense of her unusual but charming joyousness.

"No," she said, turning round with animation, "my natural disposition, always repressed, because I have felt overwhelmed by the desolation of the world. But now I have hope; I have more than hope, I have joy. I feel sure this idea of the restoration of Christendom comes from Heaven. It has restored me to myself, and has given me a sense of happiness in this life which I never could contemplate. But what is the climax of my joy is, that you, after all my own blood, and one in whose career I have ever felt the deepest interest, should be ordained to lay, as it were, the first stone of this temple of divine love."

It was break of day when Lothair jumped into his brougham. "Thank Heaves," he exclaimed, "it is at last Friday!"


CHAPTER 29

There is something very pleasant in a summer suburban ride in the valley of the Thames. London transforms itself into bustling Knightsbridge, and airy Brompton, brightly and gracefully, lingers cheerfully in the long, miscellaneous, well-watered King's-road, and only says farewell when you come to an abounding river and a picturesque bridge. The boats were bright upon the waters when Lothair crossed it, and his dark chestnut barb, proud of its resplendent form, curveted with joy when it reached a green common, studded occasionally with a group of pines and well bedecked with gorse. After this he pursued the public road for a couple of miles until he observed on his left hand a gate on which was written "private road," and here he stopped. The gate was locked, but, when Lothair assured the keeper that he was about to visit Belmont, he was permitted to enter.

He entered a green and winding lane, fringed with tall elms, and dim with fragrant shade, and, after proceeding about half a mile, came to a long, low-built lodge, with a thatched and shelving roof, and surrounded by a rustic colonnade covered with honeysuckle. Passing through the gate at hand, he found himself in a road winding through gently-undulating banks of exquisite turf, studded with rare shrubs, and, occasionally, rarer trees. Suddenly the confined scene expanded; wide lawns spread out before him, shadowed with the dark forms of many huge cedars, and blazing with flower-beds of every hue. The house was also apparent, a stately mansion of hewn stone, with wings and a portico of Corinthian columns, and backed by deep woods.

This was Belmont, built by a favorite minister of state, to whom a grateful and gracious sovereign had granted a slice of a royal park whereon to raise a palace and a garden, and find occasionally Tusculan repose.

The lady of the mansion was at home, and, though Lothair was quite prepared for this, his heart beat. The inner hall was of noble proportion, and there were ranged in it many Roman busts, and some ancient slabs and altars of marble. These had been collected some century ago by the minister; but what immediately struck the eye of Lothair were two statues by an American artist, and both of fame, the Sybil and the Cleopatra. He had heard of these, but had never seen them, and could not refrain from lingering a moment to gaze upon their mystical and fascinating beauty.

He proceeded through two spacious and lofty chambers, of which it was evident the furniture was new. It was luxurious and rich, and full of taste; but there was no attempt to recall the past in the details; no cabinets and clocks of French kings, or tables of French queens, no chairs of Venetian senators, no candelabra, that had illumined Doges of Genoa, no ancient porcelain of rare schools, and ivory carvings and choice enamels. The walls were hung with master-pieces of modern art, chiefly of the French school, Ingres and Delaroche and Scheffer.

The last saloon led into a room of smaller dimensions, opening on the garden, and which Lothair at first thought must be a fernery, it seemed so full of choice and expanding specimens of that beautiful and multiform plant; but, when his eye had become a little accustomed to the scene and to the order of the groups, he perceived they were only the refreshing and profuse ornaments of a regularly furnished and inhabited apartment. In its centre was a table covered with writing-materials and books and some music. There was a chair before the table, so placed as if some one had only recently quitted it; a book was open, but turned upon its face, with an ivory cutter by its side. It would seem that the dweller in the chamber might not be far distant. The servant invited Lothair to be seated, and, saying that Mrs. Campian must be in the garden, proceeded to inform his mistress of the arrival of a guest.

The room opened on a terrace adorned with statues and orange-trees, and descending gently into a garden in the Italian style, in the centre of which was a marble fountain of many figures. The grounds were not extensive, but they were only separated from the royal park by a wire fence, so that the scene seemed alike rich and illimitable. On the boundary was a summer-house in the shape of a classic temple, one of those pavilions of pleasure which nobles loved to raise in the last century.

As Lothair beheld the scene with gratification, the servant reappeared on the step of the terrace and invited him to descend. Guiding him through the garden, the servant retired as Lothair recognized Mrs. Campian approaching them.

She gave her hand to Lothair and welcomed him cordially but with serenity. They mutually exchanged hopes that their return to town had been agreeable. Lothair could not refrain from expressing how pleased he was with Belmont.

"I am glad you approve of our hired home," said Theodora; "I think we were fortunate in finding one that suits our tastes and habits. We love pictures and statues and trees and flowers, and yet we love our friends, and our friends are people who live in cities."

"I think I saw two statues to-day of which I have often heard," said Lothair.

"The Sibyl and Cleopatra! Yes Colonel Campian is rather proud of possessing them. He collects only modern art, for which I believe there is a great future, though some of our friends think it is yet in its cradle."

"I am very sorry to say," said Lothair, "that I know very little about art, or indeed any thing else, but I admire what is beautiful. I know something about architecture, at least church architecture."

"Well, religion has produced some of our finest buildings," said Theodora; "there is no question of that; and as long as they are adapted to what takes place in them they are admirable. The fault I find in modern churches in this country is, that there is little relation between the ceremonies and the structure. Nobody seems now conscious that every true architectural form has a purpose. But I think the climax of confused ideas is capped when dissenting chapels are built like cathedrals."

"Ah! to build a cathedral!" exclaimed Lothair, "that is a great enterprise. I wish I might show you some day some drawings I have of a projected cathedral."

"A projected cathedral!" said Theodora. "Well, I must confess to you I never could comprehend the idea of a Protestant cathedral."

"But I am not quite sure," said Lothair, blushing and agitated, "that it will be a Protestant cathedral. I have not made up my mind about that."

Theodora glanced at him, unobserved, with her wonderful gray eyes; a sort of supernatural light seemed to shoot from beneath their long dark lashes and read his inmost nature. They were all this time returning, as she had suggested, to the house. Rather suddenly she said, "By-the-by, as you are so fond of art, I ought to have asked you whether you would like to see a work by the sculptor of Cleopatra, which arrived when we were at Oxford. We have placed it on a pedestal in the temple. It is the Genius of Freedom. I may say I was assisting at its inauguration when your name was announced to me."

Lothair caught at this proposal, and they turned and approached the temple. Some workmen were leaving the building as they entered, and one or two lingered.

Upon a pedestal of porphyry rose the statue of a female in marble. Though veiled with drapery which might have become the Goddess of Modesty, admirable art permitted the contour of the perfect form to be traced. The feet were without sandals, and the undulating breadth of one shoulder, where the drapery was festooned, remained uncovered. One expected with such a shape some divine visage. That was not wanting; but humanity was asserted in the transcendent brow, which beamed with sublime thought and profound enthusiasm.

Some would have sighed that such beings could only be pictured in a poet's or an artist's dream, but Lothair felt that what he beheld with rapture was no ideal creation, and that he was in the presence of the inspiring original.

"It is too like!" he murmured.

"It is the most successful recurrence to the true principles of art in modern sculpture," said a gentleman on his right hand.

This person was a young man, though more than ten years older than Lothair. His appearance was striking. Above the middle height, his form, athletic though lithe and symmetrical, was crowned by a countenance aquiline but delicate, and from many circumstances of a remarkable radiancy. The lustre of his complexion, the fire of his eye, and his chestnut hair in profuse curls, contributed much to this dazzling effect. A thick but small mustache did not conceal his curved lip or the scornful pride of his distended nostril, and his beard,