Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. Les Misérables by Victor Hugo (top novels .txt) 📖
- Author: Victor Hugo
Book online «Les Misérables by Victor Hugo (top novels .txt) 📖». Author Victor Hugo
“That is just.”
As for Enjolras, he had begun to re-load his rifle; he cut his eyes about him:
“No objections.”
And he turned to Jean Valjean:
“Take the spy.”
Jean Valjean did, in fact, take possession of Javert, by seating himself on the end of the table. He seized the pistol, and a faint click announced that he had cocked it.
Almost at the same moment, a blast of trumpets became audible.
“Take care!” shouted Marius from the top of the barricade.
Javert began to laugh with that noiseless laugh which was peculiar to him, and gazing intently at the insurgents, he said to them:
“You are in no better case than I am.”
“All out!” shouted Enjolras.
The insurgents poured out tumultuously, and, as they went, received in the back,—may we be permitted the expression,—this sally of Javert’s:
“We shall meet again shortly!”
When Jean Valjean was left alone with Javert, he untied the rope which fastened the prisoner across the middle of the body, and the knot of which was under the table. After this he made him a sign to rise.
Javert obeyed with that indefinable smile in which the supremacy of enchained authority is condensed.
Jean Valjean took Javert by the martingale, as one would take a beast of burden by the breast-band, and, dragging the latter after him, emerged from the wine-shop slowly, because Javert, with his impeded limbs, could take only very short steps.
Jean Valjean had the pistol in his hand.
In this manner they crossed the inner trapezium of the barricade. The insurgents, all intent on the attack, which was imminent, had their backs turned to these two.
Marius alone, stationed on one side, at the extreme left of the barricade, saw them pass. This group of victim and executioner was illuminated by the sepulchral light which he bore in his own soul.
Jean Valjean with some difficulty, but without relaxing his hold for a single instant, made Javert, pinioned as he was, scale the little entrenchment in the Mondétour lane.
When they had crossed this barrier, they found themselves alone in the lane. No one saw them. Among the heap they could distinguish a livid face, streaming hair, a pierced hand and the half nude breast of a woman. It was Éponine. The corner of the houses hid them from the insurgents. The corpses carried away from the barricade formed a terrible pile a few paces distant.
Javert gazed askance at this body, and, profoundly calm, said in a low tone:
“It strikes me that I know that girl.”
Then he turned to Jean Valjean.
Jean Valjean thrust the pistol under his arm and fixed on Javert a look which it required no words to interpret: “Javert, it is I.”
Javert replied:
“Take your revenge.”
Jean Valjean drew from his pocket a knife, and opened it.
“A clasp-knife!” exclaimed Javert, “you are right. That suits you better.”
Jean Valjean cut the martingale which Javert had about his neck, then he cut the cords on his wrists, then, stooping down, he cut the cord on his feet; and, straightening himself up, he said to him:
“You are free.”
Javert was not easily astonished. Still, master of himself though he was, he could not repress a start. He remained open-mouthed and motionless.
Jean Valjean continued:
“I do not think that I shall escape from this place. But if, by chance, I do, I live, under the name of Fauchelevent, in the Rue de l’Homme Armé, No. 7.”
Javert snarled like a tiger, which made him half open one corner of his mouth, and he muttered between his teeth:
“Have a care.”
“Go,” said Jean Valjean.
Javert began again:
“Thou saidst Fauchelevent, Rue de l’Homme Armé?”
“Number 7.”
Javert repeated in a low voice:—“Number 7.”
He buttoned up his coat once more, resumed the military stiffness between his shoulders, made a half turn, folded his arms and, supporting his chin on one of his hands, he set out in the direction of the Halles. Jean Valjean followed him with his eyes:
A few minutes later, Javert turned round and shouted to Jean Valjean:
“You annoy me. Kill me, rather.”
Javert himself did not notice that he no longer addressed Jean Valjean as “thou.”
“Be off with you,” said Jean Valjean.
Javert retreated slowly. A moment later he turned the corner of the Rue des PrĂŞcheurs.
When Javert had disappeared, Jean Valjean fired his pistol in the air.
Then he returned to the barricade and said:
“It is done.”
In the meanwhile, this is what had taken place.
Marius, more intent on the outside than on the interior, had not, up to that time, taken a good look at the pinioned spy in the dark background of the tap-room.
When he beheld him in broad daylight, striding over the barricade in order to proceed to his death, he recognized him. Something suddenly recurred to his mind. He recalled the inspector of the Rue de Pontoise, and the two pistols which the latter had handed to him and which he, Marius, had used in this very barricade, and not only did he recall his face, but his name as well.
This recollection was misty and troubled, however, like all his ideas.
It was not an affirmation that he made, but a question which he put to himself:
“Is not that the inspector of police who told me that his name was Javert?”
Perhaps there was still time to intervene in behalf of that man. But, in the first place, he must know whether this was Javert.
Marius called to Enjolras, who had just stationed himself at the other extremity of the barricade:
“Enjolras!”
“What?”
“What is the name of yonder man?”
“What man?”
“The police agent. Do you know his name?”
“Of course. He told us.”
“What is it?”
“Javert.”
Marius sprang to his feet.
At that moment, they heard the report of the pistol.
Jean Valjean reappeared and cried: “It is done.”
A gloomy chill traversed Marius’ heart.
The death agony of the barricade was about to begin.
Everything contributed to its tragic majesty at that supreme moment; a thousand mysterious crashes in the air, the breath of armed masses set in movement in the streets which were not visible, the intermittent gallop of cavalry, the heavy shock of artillery on the march, the firing by squads, and the cannonades crossing each other in the labyrinth of Paris, the smokes of battle mounting all gilded above the roofs, indescribable and vaguely terrible cries, lightnings of menace everywhere, the tocsin of Saint-Merry, which now had the accents of a sob, the mildness of the weather, the splendor of the sky filled with sun and clouds, the beauty of the day, and the alarming silence of the houses.
For, since the preceding evening, the two rows of houses in the Rue de la Chanvrerie had become two walls; ferocious walls, doors closed, windows closed, shutters closed.
In those days, so different from those in which we live, when the hour was come, when the people wished to put an end to a situation, which had lasted too long, with a charter granted or with a legal country, when universal wrath was diffused in the atmosphere, when the city consented to the tearing up of the pavements, when insurrection made the bourgeoisie smile by whispering its password in its ear, then the inhabitant, thoroughly penetrated with the revolt, so to speak, was the auxiliary of the combatant, and the house fraternized with the improvised fortress which rested on it. When the situation was not ripe, when the insurrection was not decidedly admitted, when the masses disowned the movement, all was over with the combatants, the city was changed into a desert around the revolt, souls grew chilled, refuges were nailed up, and the street turned into a defile to help the army to take the barricade.
A people cannot be forced, through surprise, to walk more quickly than it chooses. Woe to whomsoever tries to force its hand! A people does not let itself go at random. Then it abandons the insurrection to itself. The insurgents become noxious, infected with the plague. A house is an escarpment, a door is a refusal, a façade is a wall. This wall hears, sees and will not. It might open and save you. No. This wall is a judge. It gazes at you and condemns you. What dismal things are closed houses. They seem dead, they are living. Life which is, as it were, suspended there, persists there. No one has gone out of them for four and twenty hours, but no one is missing from them. In the interior of that rock, people go and come, go to bed and rise again; they are a family party there; there they eat and drink; they are afraid, a terrible thing! Fear excuses this fearful lack of hospitality; terror is mixed with it, an extenuating circumstance. Sometimes, even, and this has been actually seen, fear turns to passion; fright may change into fury, as prudence does into rage; hence this wise saying: “The enraged moderates.” There are outbursts of supreme terror, whence springs wrath like a mournful smoke.—“What do these people want? What have they come there to do? Let them get out of the scrape. So much the worse for them. It is their fault. They are only getting what they deserve. It does not concern us. Here is our poor street all riddled with balls. They are a pack of rascals. Above all things, don’t open the door.”—And the house assumes the air of a tomb. The insurgent is in the death-throes in front of that house; he sees the grape-shot and naked swords drawing near; if he cries, he knows that they are listening to him, and that no one will come; there stand walls which might protect him, there are men who might save him; and these walls have ears of flesh, and these men have bowels of stone.
Whom shall he reproach?
No one and every one.
The incomplete times in which we live.
It is always at its own risk and peril that Utopia is converted into revolution, and from philosophical protest becomes an armed protest, and from Minerva turns to Pallas.
The Utopia which grows impatient and becomes revolt knows what awaits it; it almost always comes too soon. Then it becomes resigned, and stoically accepts catastrophe in lieu of triumph. It serves those who deny it without complaint, even excusing them, and even disculpates them, and its magnanimity consists in consenting to abandonment. It is indomitable in the face of obstacles and gentle towards ingratitude.
Is this ingratitude, however?
Yes, from the point of view of the human race.
No, from the point of view of the individual.
Progress is man’s mode of existence. The general life of the human race is called Progress, the collective stride of the human race is called Progress. Progress advances; it makes the great human and terrestrial journey towards the celestial and the divine; it has its halting places where it rallies the laggard troop, it has its stations where it meditates, in the presence of some splendid Canaan suddenly unveiled on its horizon, it has its nights when it sleeps; and it is one of the poignant anxieties of the thinker that he sees the shadow resting on the human soul, and that he gropes in darkness without being able to awaken that slumbering Progress.
“God is dead, perhaps,” said Gerard de Nerval one day to the writer of these lines, confounding progress with God, and taking the interruption of movement for the death of Being.
He who despairs is in the wrong. Progress infallibly awakes, and, in short, we may say that it marches on, even when it is asleep, for it has increased in size. When we behold it erect once more, we find it taller. To be always peaceful does not depend on progress any more than it does on the stream; erect no barriers, cast in no boulders; obstacles make water froth and humanity boil. Hence arise troubles; but after these troubles, we recognize the fact that ground has been gained. Until order, which is nothing else than universal peace, has been established, until harmony and unity reign, progress will have revolutions as its halting-places.
What, then, is progress? We have just enunciated it; the permanent life of the peoples.
Now, it sometimes happens, that the momentary life of individuals offers resistance to the eternal life of the human race.
Let us admit without bitterness, that the individual has his distinct interests, and can, without forfeiture, stipulate for his interest, and defend it; the present has its pardonable dose of egotism; momentary life has its rights, and is not bound to sacrifice itself constantly to the future. The generation which is passing in its turn over the earth, is not forced to abridge it for the sake of the generations, its equal, after all, who will have their turn later on.—“I exist,” murmurs that some one whose name is
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