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Reading books fiction Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself.



Fiction genre suitable for people of all ages. Everyone will find something interesting for themselves. Our electronic library is always at your service. Reading online free books without registration. Nowadays ebooks are convenient and efficient. After all, don’t forget: literature exists and develops largely thanks to readers.
The genre of fiction is interesting to read not only by the process of cognition and the desire to empathize with the fate of the hero, this genre is interesting for the ability to rethink one's own life. Of course the reader may accept the author's point of view or disagree with them, but the reader should understand that the author has done a great job and deserves respect. Take a closer look at genre fiction in all its manifestations in our elibrary.



Read books online » Fiction » A Great Man by Arnold Bennett (good books to read for beginners TXT) 📖

Book online «A Great Man by Arnold Bennett (good books to read for beginners TXT) 📖». Author Arnold Bennett



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man with spectacles and a light wavy beard.

'I shall send you back to Paris, Mr. Dolbiac,' said Mrs. Ashton Portway, 'if you are too witty.' The hostess smiled and sniggered, but it was generally felt that Mr. Dolbiac's remark had not been in the best taste.

For a few moments Henry was alone and uncared for, and he examined his surroundings. His first conclusion was that there was not a pretty woman in the room, and his second, that this fact had not escaped the notice of several other men who were hanging about in corners. Then Mrs. Ashton Portway, having accomplished the task of receiving, beckoned him, and intimated to him that, being a lion and the king of beasts, he must roar. 'I think everyone here has done something,' she said as she took him round and forced him to roar. His roaring was a miserable fiasco, but most people mistook it for the latest fashion in roaring, and were impressed.

'Now you must take someone down to get something to eat,' she apprised him, when he had growled out soft nothings to poetesses, paragraphists, publicists, positivists, penny-a-liners, and other pale persons. 'Whom shall it be?--Ashton! What have you done?'

The phonograph had been advertised to give a reproduction of Ternina in the Liebestod from _Tristan und Isolde_, but instead it broke into the 'Washington Post,' and the room, braced to a great occasion, was horrified. Mrs. Portway, abandoning Henry, ran to silence the disastrous consequence of her husband's clumsiness. Henry, perhaps impelled by an instinctive longing, gazed absently through the open door into the passage, and there, with two other girls on a settee, he perceived Geraldine! She smiled, rose, and came towards him. She looked disconcertingly pretty; she was always at her best in the evening; and she had such eyes to gaze on him.

'You here!' she murmured.

Ordinary words, but they were enveloped in layers of feeling, as a child's simple gift may be wrapped in lovely tinted tissue-papers!

'She's the finest woman in the place,' he thought decisively. And he said to her: 'Will you come down and have something to eat?'

'I can talk to _her_,' he reflected with satisfaction, as the faultless young man handed them desired sandwiches in the supper-room. What he meant was that she could talk to him; but men often make this mistake.

Before he had eaten half a sandwich, the period of time between that night and the night at the Louvre had been absolutely blotted out. He did not know why. He could think of no explanation. It merely was so.

She told him she had sold a sensational serial for a pound a thousand words.

'Not a bad price--for me,' she added.

'Not half enough!' he exclaimed ardently.

Her eyes moistened. He thought what a shame it was that a creature like her should be compelled to earn even a portion of her livelihood by typewriting for Mark Snyder. The faultless young man unostentatiously poured more wine into their glasses. No other guests happened to be in the room....

'Ah, you're here!' It was the hostess, sniggering.

'You told me to bring someone down,' said Henry, who had no intention of being outfaced now.

'We're just coming up,' Geraldine added.

'That's right!' said Mrs. Ashton Portway. 'A lot of people have gone, and now that we shall be a little bit more intimate, I want to try that new game. I don't think it's ever been played in London anywhere yet. I saw it in the _New York Herald_. Of course, nobody who isn't just a little clever could play at it.'

'Oh yes!' Geraldine smiled. 'You mean "Characters." I remember you told me about it.'

And Mrs. Ashton Portway said that she did mean 'Characters.'

In the drawing-room she explained that in playing the game of 'Characters' you chose a subject for discussion, and then each player secretly thought of a character in fiction, and spoke in the discussion as he imagined that character would have spoken. At the end of the game you tried to guess the characters chosen.

'I think it ought to be classical fiction only,' she said.

Sundry guests declined to play, on the ground that they lacked the needful brilliance. Henry declined utterly, but he had the wit not to give his reasons. It was he who suggested that the non-players should form a jury. At last seven players were recruited, including Mr. Ashton Portway, Miss Marchrose, Geraldine, Mr. Dolbiac, and three others. Mrs. Ashton Portway sat down by Henry as a jurywoman.

'And now what are you going to discuss?' said she.

No one could find a topic.

'Let us discuss love,' Miss Marchrose ventured.

'Yes,' said Mr. Dolbiac, 'let's. There's nothing like leather.'

So the seven in the centre of the room assumed attitudes suitable for the discussion of love.

'Have you all chosen your characters?' asked the hostess.

'We have,' replied the seven.

'Then begin.'

'Don't all speak at once,' said Mr. Dolbiac, after a pause.

'Who is that chap?' Henry whispered.

'Mr. Dolbiac? He's a sculptor from Paris. Quite English, I believe, except for his grandmother. Intensely clever.' Mrs. Ashton Portway distilled these facts into Henry's ear, and then turned to the silent seven. 'It _is_ rather difficult, isn't it?' she breathed encouragingly.

'Love is not for such as me,' said Mr. Dolbiac solemnly. Then he looked at his hostess, and called out in an undertone: 'I've begun.'

'The question,' said Miss Marchrose, clearing her throat, 'is, not what love is not, but what it is.'

'You must kindly stand up,' said Mr. Dolbiac. 'I can't hear.'

Miss Marchrose glanced at Mrs. Ashton Portway, and Mrs. Ashton Portway told Mr. Dolbiac that he was on no account to be silly.

Then Mr. Ashton Portway and Geraldine both began to speak at once, and then insisted on being silent at once, and in the end Mr. Ashton Portway was induced to say something about Dulcinea.

'He's chosen Don Quixote,' his wife informed Henry behind her hand. 'It's his favourite novel.'

The discussion proceeded under difficulties, for no one was loquacious except Mr. Dolbiac, and all Mr. Dolbiac's utterances were staccato and senseless. The game had had several narrow escapes of extinction, when Miss Marchrose galvanized it by means of a long and serious monologue treating of the sorts of man with whom a self-respecting woman will never fall in love. There appeared to be about a hundred and thirty-three sorts of that man.

'There is one sort of man with whom no woman, self-respecting or otherwise, will fall in love,' said Mr. Dolbiac, 'and that is the sort of man she can't kiss without having to stand on the mantelpiece. Alas!'--he hid his face in his handkerchief--'I am that sort.'

'Without having to stand on the mantelpiece?' Mrs. Ashton Portway repeated. 'What can he mean? Mr. Dolbiac, you aren't playing the game.'

'Yes, I am, gracious lady,' he contradicted her.

'Well, what character are you, then?' demanded Miss Marchrose, irritated by his grotesque pendant to her oration.

'I'm Gerald in _A Question of Cubits_.'

The company felt extremely awkward. Henry blushed.

'I said classical fiction,' Mrs. Ashton Portway corrected Mr. Dolbiac stiffly. 'Of course I don't mean to insinuate that it isn't----' She turned to Henry.

'Oh! did you?' observed Dolbiac calmly. 'So sorry. I knew it was a silly and nincompoopish book, but I thought you wouldn't mind so long as----'

'_Mr._ Dolbiac!'

That particular Wednesday of Mrs. Ashton Portway's came to an end in hurried confusion. Mr. Dolbiac professed to be entirely ignorant of Henry's identity, and went out into the night. Henry assured his hostess that really it was nothing, except a good joke. But everyone felt that the less said, the better. Of such creases in the web of social life Time is the best smoother.


CHAPTER XXII


HE LEARNS MORE ABOUT WOMEN



When Henry had rendered up his ticket and recovered his garments, he found Geraldine in the hall, and a servant asking her if she wanted a four-wheeler or a hansom. He was not quite sure whether she had descended before him or after him: things were rather misty.

'I am going your way,' he said. 'Can't I see you home?'

He was going her way: the idea of going her way had occurred to him suddenly as a beautiful idea.

Instead of replying, she looked at him. She looked at him sadly out of the white shawl which enveloped her head and her golden hair, and nodded.

There was a four-wheeler at the kerb, and they entered it and sat down side by side in that restricted compartment, and the fat old driver, with his red face popping up out of a barrel consisting of scores of overcoats and aprons, drove off. It was very foggy, but one could see the lamp-posts.

Geraldine coughed.

'These fogs are simply awful, aren't they?' he remarked.

She made no answer.

'It isn't often they begin as early as this,' he proceeded; 'I suppose it means a bad winter.'

But she made no answer.

And then a sort of throb communicated itself to him, and then another, and then he heard a smothered sound. This magnificent creature, this independent, experienced, strong-minded, superior, dazzling creature was crying--was, indeed, sobbing. And cabs are so small, and she was so close. Pleasure may be so keen as to be agonizing: Henry discovered this profound truth in that moment. In that moment he learnt more about women than he had learnt during the whole of his previous life. He knew that her sobbing had some connection with _A Question of Cubits_, but he could not exactly determine the connection.

'What's the matter?' the blundering fool inquired nervously. 'You aren't well.'

'I'm so--so ashamed,' she stammered out, when she had patted her eyes with a fragment of lace.

'Why? What of?'

'I introduced her to you. It's my fault.'

'But what's your fault?'

'This horrible thing that happened.'

She sobbed again frequently.

'Oh, that was nothing!' said Henry kindly. 'You mustn't think about it.'

'You don't know how I feel,' she managed to tell him.

'I wish you'd forget it,' he urged her. 'He didn't mean to be rude.'

'It isn't so much his rudeness,' she wept. 'It's--anyone saying a thing--like that--about your book. You don't know how I feel.'

'Oh, come!' Henry enjoined her. 'What's my book, anyhow?'

'It's yours,' she said, and began to cry gently, resignedly, femininely.

It had grown dark. The cab had plunged into an opaque sea of blackest fog. No sound could be heard save the footfalls of the horse, which was now walking very slowly. They were cut off absolutely from the rest of the universe. There was no such thing as society, the state, traditions, etiquette; nothing existed, ever had existed, or ever would exist, except themselves, twain, in that lost four-wheeler.

Henry had a box of matches in his overcoat pocket. He struck one, illuminating their tiny chamber, and he saw her face once more, as though after long years. And there were little black marks round her eyes, due to her tears and the fog and the fragment of lace. And those little black marks appeared to him to be the most delicious, enchanting, and wonderful little black marks that the mind of man could possibly conceive. And there was an exquisite, timid, confiding, surrendering look in her eyes, which said: 'I'm only a weak,

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