The Works of Lucian of Samosata — Volume 02 by of Samosata Lucian (english novels for beginners TXT) 📖

id="id00563">When a formal preface is used, one of the three objects to which a public speaker devotes his exordium may be neglected; the historian, that is, has not to bespeak goodwill—only attention and an open mind. The way to secure the reader's attention is to show that the affairs to be narrated are great in themselves, throw light on Destiny, or come home to his business and bosom; and as to the open mind, the lucidity in the body of the work, which is to secure that, will be facilitated by a preliminary view of the causes in operation and a precise summary of events.

Prefaces of this character have been employed by the best historians—by Herodotus, 'to the end that what befell may not grow dim by lapse of time, seeing that it was great and wondrous, and showed forth withal Greeks vanquishing and barbarians vanquished'; and by Thucydides, 'believing that that war would be great and memorable beyond any previous one; for indeed great calamities took place during its course.'

After the preface, long or short in proportion to the subject, should come an easy natural transition to the narrative; for the body of the history which remains is nothing from beginning to end but a long narrative; it must therefore be graced with the narrative virtues— smooth, level, and consistent progress, neither soaring nor crawling, and the charm of lucidity—which is attained, as I remarked above, partly by the diction, and partly by the treatment of connected events. For, though all parts must be independently perfected, when the first is complete the second will be brought into essential connexion with it, and attached like one link of a chain to another; there must be no possibility of separating them; no mere bundle of parallel threads; the first is not simply to be next to the second, but part of it, their extremities intermingling.

Brevity is always desirable, and especially where matter is abundant; and the problem is less a grammatical than a substantial one; the solution, I mean, is to deal summarily with all immaterial details, and give adequate treatment to the principal events; much, indeed, is better omitted altogether. Suppose yourself giving a dinner, and extremely well provided; there is pastry, game, kickshaws without end, wild boar, hare, sweetbreads; well, you will not produce among these a pike, or a bowl of peasoup, just because they are there in the kitchen; you will dispense with such common things.

Restraint in descriptions of mountains, walls, rivers, and the like, is very important; you must not give the impression that you are making a tasteless display of word-painting, and expatiating independently while the history takes care of itself. Just a light touch—no more than meets the need of clearness—, and you should pass on, evading the snare, and denying yourself all such indulgences. You have the mighty Homer's example in such a case; poet as he is, he yet hurries past Tantalus and Ixion, Tityus and the rest of them. If Parthenius, Euphorion, or Callimachus had been in his place, how many lines do you suppose it would have taken to get the water to Tantalus's lip; how many more to set Ixion spinning? Better still, mark how Thucydides—a very sparing dealer in description—leaves the subject at once, as soon as he has given an idea (very necessary and useful, too) of an engine or a siege-operation, of the conformation of Epipolae, or the Syracusan harbour. It may occur to you that his account of the plague is long; but you must allow for the subject; then you will appreciate his brevity; he is hastening on; it is only that the weight of matter holds him back in spite of himself.

When it comes in your way to introduce a speech, the first requirement is that it should suit the character both of the speaker and of the occasion; the second is (once more) lucidity; but in these cases you have the counsel's right of showing your eloquence.

Not so with praise or censure; these should be sparing, cautious, avoiding hypercriticism and producing proofs, always brief, and never intrusive; historical characters are not prisoners on trial. Without these precautions you will share the ill name of Theopompus, who delights in flinging accusations broadcast, makes a business of the thing in fact, and of himself rather a public prosecutor than a historian.

It may occasionally happen that some extraordinary story has to be introduced; it should be simply narrated, without guarantee of its truth, thrown down for any one to make what he can of it; the writer takes no risks and shows no preference.

But the general principle I would have remembered—it will ever be on my lips—is this: do not write merely with an eye to the present, that those now living may commend and honour you; aim at eternity, compose for posterity, and from it ask your reward; and that reward?—that it be said of you, 'This was a man indeed, free and free-spoken; flattery and servility were not in him; he was truth all through.' It is a name which a man of judgement might well prefer to all the fleeting hopes of the present.

Do you know the story of the great Cnidian architect? He was the builder of that incomparable work, whether for size or beauty, the Pharus tower. Its light was to warn ships far out at sea, and save them from running on the Paraetonia, a spot so fatal to all who get among its reefs that escape is said to be hopeless. When the building was done, he inscribed on the actual masonry his own name, but covered this up with plaster, on which he then added the name of the reigning king. He knew that, as happened later, letters and plaster would fall off together, and reveal the words:

SOSTRATUS SON OF DEXIPHANES OF CNIDUS ON BEHALF OF ALL MARINERS TO THE SAVIOUR GODS

He looked not, it appears, to that time, nor to the space of his own little life, but to this time, and to all time, as long as his tower shall stand and his art abide.

So too should the historian write, consorting with Truth and not with flattery, looking to the future hope, not to the gratification of the flattered.

There is your measuring-line for just history. If any one be found to use it, well; I have not written in vain: if none, yet have I rolled my tub on the Craneum.

THE TRUE HISTORY INTRODUCTION

Athletes and physical trainers do not limit their attention to the questions of perfect condition and exercise; they say there is a time for relaxation also—which indeed they represent as the most important element in training. I hold it equally true for literary men that after severe study they should unbend the intellect, if it is to come perfectly efficient to its next task.

The rest they want will best be found in a course of literature which does not offer entertainment pure and simple, depending on mere wit or felicity, but is also capable of stirring an educated curiosity—in a way which I hope will be exemplified in the following pages. They are intended to have an attraction independent of any originality of subject, any happiness of general design, any verisimilitude in the piling up of fictions. This attraction is in the veiled reference underlying all the details of my narrative; they parody the cock-and-bull stories of ancient poets, historians, and philosophers; I have only refrained from adding a key because I could rely upon you to recognize as you read.

Ctesias, son of Ctesiochus of Cnidus, in his work on India and its characteristics, gives details for which he had neither the evidence of his eyes nor of hearsay. Iambulus's Oceanica is full of marvels; the whole thing is a manifest fiction, but at the same time pleasant reading. Many other writers have adopted the same plan, professing to relate their own travels, and describing monstrous beasts, savages, and strange ways of life. The fount and inspiration of their humour is the Homeric Odysseus, entertaining Alcinous's court with his prisoned winds, his men one-eyed or wild or cannibal, his beasts with many heads, and his metamorphosed comrades; the Phaeacians were simple folk, and he fooled them to the top of their bent.

When I come across a writer of this sort, I do not much mind his lying; the practice is much too well established for that, even with professed philosophers; I am only surprised at his expecting to escape detection. Now I am myself vain enough to cherish the hope of bequeathing something to posterity; I see no reason for resigning my right to that inventive freedom which others enjoy; and, as I have no truth to put on record, having lived a very humdrum life, I fall back on falsehood—but falsehood of a more consistent variety; for I now make the only true statement you are to expect—that I am a liar. This confession is, I consider, a full defence against all imputations. My subject is, then, what I have neither seen, experienced, nor been told, what neither exists nor could conceivably do so. I humbly solicit my readers' incredulity.

BOOK I

Starting on a certain date from the Pillars of Heracles, I sailed with a fair wind into the Atlantic. The motives of my voyage were a certain intellectual restlessness, a passion for novelty, a curiosity about the limits of the ocean and the peoples who might dwell beyond it. This being my design, I provisioned and watered my ship on a generous scale. My crew amounted to fifty, all men whose interests, as well as their years, corresponded with my own. I had further provided a good supply of arms, secured the best navigator to be had for money, and had the ship—a sloop—specially strengthened for a long and arduous voyage.

For a day and a night we were carried quietly along by the breeze, with land still in sight. But with the next day's dawn the wind rose to a gale, with a heavy sea and a dark sky; we found ourselves unable to take in sail. We surrendered ourselves to the elements, let her run, and were storm-driven for more than eleven weeks. On the eightieth day the sun came out quite suddenly, and we found ourselves close to a lofty wooded island, round which the waves were murmuring gently, the sea having almost fallen by this time. We brought her to land, disembarked, and after our long tossing lay a considerable time idle on shore; we at last made a start, however, and leaving thirty of our number to guard the ship I took the other twenty on a tour of inspection.

We had advanced half a mile inland through woods, when we came upon a brazen pillar, inscribed in Greek characters—which however were worn and dim—'Heracles and Dionysus reached this point.' Not far off were two footprints on rock; one might have been an acre in area, the other being smaller; and I conjecture that the latter was Dionysus's, and the other Heracles's; we did obeisance, and proceeded. Before we had gone far, we found ourselves on a river which ran wine; it was very like Chian; the stream full and copious, even navigable in parts. This evidence of Dionysus's sojourn was enough to convince us that the inscription on the pillar was authentic. Resolving to find the source, I followed the river up, and discovered, instead of a fountain, a number of huge vines covered with grapes; from the root of each there issued a trickle of perfectly clear wine, the joining of which made the river. It was well stocked with great fish, resembling wine both in colour and taste; catching and eating some, we at once found ourselves intoxicated; and indeed when opened the fish were full of wine-lees; presently it occurred to us to mix them with ordinary water fish, thus diluting the strength of our spirituous food.

We now crossed the river by a ford, and came to some vines of a most extraordinary kind. Out of the ground came a thick well-grown stem; but the upper part was a woman, complete from the loins upward. They were like our painters' representations of Daphne in the act of turning into a tree just as Apollo overtakes her. From the finger-tips sprang vine twigs, all loaded with grapes; the hair of their heads was tendrils, leaves, and grape-clusters. They greeted us and welcomed our approach, talking Lydian, Indian, and Greek, most of them the last. They went so far as to kiss us on the mouth; and whoever was kissed staggered like a drunken man. But they would not permit us to pluck their fruit, meeting the attempt with cries of pain. Some of them made further amorous advances; and