Surgeon Paul Faber by George MacDonald (i am malala young readers edition TXT) 📖
- Author: George MacDonald
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When Juliet came to understand clearly that her new friend did mean thorough-going unbelief, the rejection of all the doctrines she had been taught by him whose memory she revered, she was altogether shocked, and for a day and a night regarded him as a monster of wickedness. But her horror was mainly the reflex of that with which her father would have regarded him, and all that was needed to moderate horror to disapproval, was familiarity with his doctrines in the light of his agreeable presence and undeniable good qualities. Thoroughly acquainted as she believed herself with "the plan of salvation," Jesus of Nazareth was to her but the vague shadow of something that was more than a man, yet no man at all. I had nearly said that what He came to reveal had become to her yet more vague from her nebulous notion of Him who was its revelation. Her religion was, as a matter of course, as dusky and uncertain, as the object-center of it was obscure and unrealized. Since her father's death and her comparative isolation, she had read and thought a good deal; some of my readers may even think she had read and thought to tolerable purposes judging from her answers to Faber in the first serious conversation they had; but her religion had lain as before in a state of dull quiescence, until her late experience, realizing to her the idea of the special care of which she stood so much in need, awoke in her a keen sense of delight, and if not a sense of gratitude as well, yet a dull desire to be grateful.
The next day, as she sat pondering what had passed between them, altogether unaware of her own weakness, she was suddenly seized with the ambition-in its inward relations the same as his-of converting him to her belief. The purpose justified an interest in him beyond what gratitude obligated, and was in part the cause why she neither shrank from his society, nor grew alarmed at the rapid growth of her intimacy. But they only who love the truth simply and altogether, can really know what they are about.
I do not care to follow the intellectual duel between them. Argument, save that of a man with himself, when council is held between heart, will, imagination, conscience, vision, and intellect, is of little avail or worth. Nothing, however, could have suited Faber's desires better. Under the shadow of such difficulties as the wise man ponders and the fool flaunts, difficulties which have been difficulties from the dawn of human thought, and will in new shapes keep returning so long as the human understanding yearns to infold its origin, Faber brought up an array of arguments utterly destructive of the wretched theories of forms of religion which were all she had to bring into the field: so wretched and false were they-feeblest she found them just where she had regarded them as invincible-that in destroying them Faber did even a poor part of the work of a soldier of God: Mephistopheles describes himself as
Ein Theil von jener Kraft,
Die stets das Böse will, und stets das Gute schafft,
. . . . . . . . .
. . . . der Geist der stets verneint.
For the nature of Juliet's argument I must be content to refer any curious reader to the false defenses made, and lies spoken for God, in many a pulpit and many a volume, by the worshipers of letter and system, who for their sakes "accept His person," and plead unrighteously for Him. Before the common sense of Faber, they went down like toys, and Juliet, without consciously yielding at first, soon came to perceive that they were worse than worthless-weapons whose handles were sharper than their blades. She had no others, nor metal of which to make any; and what with the persuasive influence of the man, and the pleasure in the mere exercise of her understanding, became more and more interested as she saw the drift of his argument, and apprehended the weight of what truth lay upon his side. For even the falsest argument is sustained in virtue of some show of truth, or perhaps some crumb of reality belonging to it. The absolute lie, if such be frameable by lips of men, can look only the blackness of darkness it is. The lie that can hurt, hurts in the strength of the second lie in which it is folded-a likeness to the truth. It would have mattered little that she was driven from line after line of her defense, had she not, while she seemed to herself to be its champion, actually lost sight of that for which she thought she was striving.
It added much to Faber's influence on Juliet, that a tone of pathos and an element of poetry generally pervaded the forms of his denial. The tone was the more penetrating that it veiled the pride behind it all, the pride namely of an unhealthy conscious individuality, the pride of
self as self, which makes a man the center of his own universe, and a mockery to all the demons of the real universe. That man only who rises above the small yet mighty predilection, who sets the self of his own consciousness behind his back, and cherishes only the self of the Father's thought, the angel that beholds the eternal face, that man only is a free and noble being, he only breathes the air of the infinite. Another may well deny the existence of any such Father, any such infinite, for he knows nothing of the nature of either, and his testimony for it would be as worthless as that is which he gives against it.
The nature of Juliet Meredith was true and trusting-but in respect of her mother she had been sown in weakness, and she was not yet raised in strength. Because of his wife, Captain Meredith had more than once had to exchange regiments. But from him Juliet had inherited a certain strength of honest purpose, which had stood him in better stead than the whole sum of his gifts and acquirements, which was by no means despicable.
Late one lovely evening in the early summer, they sat together in the dusky parlor of the cottage, with the window to the garden open. The sweetest of western airs came in, with a faint scent chiefly of damp earth, moss, and primroses, in which, to the pensive imagination, the faded yellow of the sunset seemed to bear a part.
"I am sorry to say we must shut the window, Miss Meredith," said the doctor, rising. "You must always be jealous of the night air. It will never be friendly to you."
"What enemies we have all about us!" she returned with a slight shiver, which Faber attributed to the enemy in question, and feared his care had not amounted to precaution. "It is strange," she went on, "that all things should conspire, or at least rise, against 'the roof and crown of things,' as Tennyson calls us. Are they jealous of us?"
"Clearly, at all events, we are not at home amidst them-not genuinely so," admitted the doctor.
"And yet you say we are sprung of them?" said Juliet.
"We have lifted ourselves above them," rejoined the doctor, "and must conquer them next."
"And until we conquer them," suggested Juliet, "our lifting above them is in vain?"
"For we return to them," assented Faber; and silence fell.-"Yes," he resumed, "it is sad. The upper air is sweet, and the heart of man loves the sun;-"
"Then," interrupted Juliet, "why would you have me willing to go down to the darkness?"
"I would not have you willing. I would have you love the light as you do. We can not but love the light, for it is good; and the sorrow that we must leave it, and that so soon, only makes it dearer. The sense of coming loss is, or ought to be, the strongest of all bonds between the creatures of a day. The sweetest, saddest, most entrancing songs that love can sing, must be but variations on this one theme.-'The morning is clear; the dew mounts heavenward; the odor spreads; the sun looks over the hill; the world breaks into laughter: let us love one another! The sun grows hot, the shadow lies deep; let us sit in it, and remember; the sea lies flashing in green, dulled with purple; the peacock spreads his glories, a living garden of flowers; all is mute but the rush of the stream: let us love one another! The soft evening draws nigh; the dew is coming down again; the air is cool, dusky, and thin; it is sweeter than the morning; other words of death gleam out of the deepening sky; the birds close their wings and hide their heads, for death is near: let us love one another! The night is come, and there is no morrow; it is dark; the end is nigh; it grows cold; in the darkness and the cold we tremble, we sink; a moment and we are no more; ah! ah, beloved! let us love, let us cleave to one another, for we die!'"
But it seems to me, that the pitifulness with which we ought to regard each other in the horror of being the offspring of a love we do not love, in the danger of wandering ever, the children of light, in the midst of darkness, immeasurably surpasses the pitifulness demanded by the fancy that we are the creatures of but a day.
Moved in his soul by the sound of his own words, but himself the harp upon which the fingers of a mightier Nature than he knew were playing a prelude to a grander phantasy than he could comprehend, Faber caught the hand of Juliet where it gleamed white in the gathering gloom. But she withdrew it, saying in a tone which through the darkness seemed to him to come from afar, tinged with mockery.
"You ought to have been a poet-not a doctor, Mr. Faber!"
The jar of her apparent coolness brought him back with a shock to the commonplace. He almost shuddered. It was like a gust of icy wind piercing a summer night.
"I trust the doctor can rule the poet," he said, recovering his self-possession with an effort, and rising.
"The doctor ought at least to keep the poet from falsehood. Is false poetry any better than false religion?" returned Juliet.
"I do not quite see-"
"Your day is not a true picture of life such as you would make it.-Let me see! I will give you one.-Sit down.-Give me time.-'The morning is dark; the mist hangs and will not rise; the sodden leaves sink under the foot; overhead the boughs are bare; the cold creeps into bone and marrow; let us love one another!
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