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Reading books fiction Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself.



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The genre of fiction is interesting to read not only by the process of cognition and the desire to empathize with the fate of the hero, this genre is interesting for the ability to rethink one's own life. Of course the reader may accept the author's point of view or disagree with them, but the reader should understand that the author has done a great job and deserves respect. Take a closer look at genre fiction in all its manifestations in our elibrary.



Read books online » Fiction » The Man Who Laughs by Victor Hugo (best ereader for pdf and epub .txt) 📖

Book online «The Man Who Laughs by Victor Hugo (best ereader for pdf and epub .txt) 📖». Author Victor Hugo



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the few scattered ewes, which nibbled the salt grass there two centuries ago, were small and tough and coarse in the fleece, as became Celtic flocks brought there by garlic-eating shepherds, who lived to a hundred, and who, at the distance of half a mile, could pierce a cuirass with their yard-long arrows. Uncultivated land makes coarse wool. The Chesil of to-day resembles in no particular the Chesil of the past, so much has it been disturbed by man and by those furious winds which gnaw the very stones.

At present this tongue of land bears a railway, terminating in a pretty square of houses, called Chesilton, and there is a Portland station. Railway carriages roll where seals used to crawl.

The Isthmus of Portland two hundred years ago was a back of sand, with a vertebral spine of rock.

The child's danger changed its form. What he had had to fear in the descent was falling to the bottom of the precipice; in the isthmus, it was falling into the holes. After dealing with the precipice, he must deal with the pitfalls. Everything on the sea-shore is a trap—the rock is slippery, the strand is quicksand. Resting-places are but snares. It is walking on ice which may suddenly crack and yawn with a fissure, through which you disappear. The ocean has false stages below, like a well-arranged theatre.

The long backbone of granite, from which fall away both slopes of the isthmus, is awkward of access. It is difficult to find there what, in scene-shifters' language, are termed practicables. Man has no hospitality to hope for from the ocean; from the rock no more than from the wave. The sea is provident for the bird and the fish alone. Isthmuses are especially naked and rugged; the wave, which wears and mines them on either side, reduces them to the simplest form. Everywhere there were sharp relief ridges, cuttings, frightful fragments of torn stone, yawning with many points, like the jaws of a shark; breaknecks of wet moss, rapid slopes of rock ending in the sea. Whosoever undertakes to pass over an isthmus meets at every step misshapen blocks, as large as houses, in the forms of shin-bones, shoulder-blades, and thigh-bones, the hideous anatomy of dismembered rocks. It is not without reason that these striæ of the sea-shore are called côtes.[9]

The wayfarer must get out as he best can from the confusion of these ruins. It is like journeying over the bones of an enormous skeleton.

Put a child to this labour of Hercules.

Broad daylight might have aided him. It was night. A guide was necessary. He was alone. All the vigour of manhood would not have been too much. He had but the feeble strength of a child. In default of a guide, a footpath might have aided him; there was none.

By instinct he avoided the sharp ridge of the rocks, and kept to the strand as much as possible. It was there that he met with the pitfalls. They were multiplied before him under three forms: the pitfall of water, the pitfall of snow, and the pitfall of sand. This last is the most dangerous of all, because the most illusory. To know the peril we face is alarming; to be ignorant of it is terrible. The child was fighting against unknown dangers. He was groping his way through something which might, perhaps, be the grave.

He did not hesitate. He went round the rocks, avoided the crevices, guessed at the pitfalls, obeyed the twistings and turnings caused by such obstacles, yet he went on. Though unable to advance in a straight line, he walked with a firm step. When necessary, he drew back with energy. He knew how to tear himself in time from the horrid bird-lime of the quicksands. He shook the snow from about him. He entered the water more than once up to the knees. Directly that he left it, his wet knees were frozen by the intense cold of the night. He walked rapidly in his stiffened garments; yet he took care to keep his sailor's coat dry and warm on his chest. He was still tormented by hunger.

The chances of the abyss are illimitable. Everything is possible in it, even salvation. The issue may be found, though it be invisible. How the child, wrapped in a smothering winding-sheet of snow, lost on a narrow elevation between two jaws of an abyss, managed to cross the isthmus is what he could not himself have explained. He had slipped, climbed, rolled, searched, walked, persevered, that is all. Such is the secret of all triumphs. At the end of somewhat less than half an hour he felt that the ground was rising. He had reached the other shore. Leaving Chesil, he had gained terra firma.

The bridge which now unites Sandford Castle with Smallmouth Sands did not then exist. It is probable that in his intelligent groping he had reascended as far as Wyke Regis, where there was then a tongue of sand, a natural road crossing East Fleet.

He was saved from the isthmus; but he found himself again face to face with the tempest, with the cold, with the night.

Before him once more lay the plain, shapeless in the density of impenetrable shadow. He examined the ground, seeking a footpath. Suddenly he bent down. He had discovered, in the snow, something which seemed to him a track.

It was indeed a track—the print of a foot. The print was cut out clearly in the whiteness of the snow, which rendered it distinctly visible. He examined it. It was a naked foot; too small for that of a man, too large for that of a child.

It was probably the foot of a woman. Beyond that mark was another, then another, then another. The footprints followed each other at the distance of a step, and struck across the plain to the right. They were still fresh, and slightly covered with little snow. A woman had just passed that way.

This woman was walking in the direction in which the child had seen the smoke. With his eyes fixed on the footprints, he set himself to follow them.

 

 

 

CHAPTER II. THE EFFECT OF SNOW.

 

He journeyed some time along this course. Unfortunately the footprints were becoming less and less distinct. Dense and fearful was the falling of the snow. It was the time when the hooker was so distressed by the snow-storm at sea.

The child, in distress like the vessel, but after another fashion, had, in the inextricable intersection of shadows which rose up before him, no resource but the footsteps in the snow, and he held to it as the thread of a labyrinth.

Suddenly, whether the snow had filled them up or for some other reason, the footsteps ceased. All became even, level, smooth, without a stain, without a detail. There was now nothing but a white cloth drawn over the earth and a black one over the sky. It seemed as if the foot-passenger had flown away. The child, in despair, bent down and searched; but in vain.

As he arose he had a sensation of hearing some indistinct sound, but he could not be sure of it. It resembled a voice, a breath, a shadow. It was more human than animal; more sepulchral than living. It was a sound, but the sound of a dream.

He looked, but saw nothing.

Solitude, wide, naked and livid, was before him. He listened. That which he had thought he heard had faded away. Perhaps it had been but fancy. He still listened. All was silent.

There was illusion in the mist.

He went on his way again. He walked forward at random, with nothing henceforth to guide him.

As he moved away the noise began again. This time he could doubt it no longer. It was a groan, almost a sob.

He turned. He searched the darkness of space with his eyes. He saw nothing. The sound arose once more. If limbo could cry out, it would cry in such a tone.

Nothing so penetrating, so piercing, so feeble as the voice—for it was a voice. It arose from a soul. There was palpitation in the murmur. Nevertheless, it seemed uttered almost unconsciously. It was an appeal of suffering, not knowing that it suffered or that it appealed.

The cry—perhaps a first breath, perhaps a last sigh—was equally distant from the rattle which closes life and the wail with which it commences. It breathed, it was stifled, it wept, a gloomy supplication from the depths of night. The child fixed his attention everywhere, far, near, on high, below. There was no one. There was nothing. He listened. The voice arose again. He perceived it distinctly. The sound somewhat resembled the bleating of a lamb.

Then he was frightened, and thought of flight.

The groan again. This was the fourth time. It was strangely miserable and plaintive. One felt that after that last effort, more mechanical than voluntary, the cry would probably be extinguished. It was an expiring exclamation, instinctively appealing to the amount of aid held in suspense in space. It was some muttering of agony, addressed to a possible Providence.

The child approached in the direction from whence the sound came.

Still he saw nothing.

He advanced again, watchfully.

The complaint continued. Inarticulate and confused as it was, it had become clear—almost vibrating. The child was near the voice; but where was it?

He was close to a complaint. The trembling of a cry passed by his side into space. A human moan floated away into the darkness. This was what he had met. Such at least was his impression, dim as the dense mist in which he was lost.

Whilst he hesitated between an instinct which urged him to fly and an instinct which commanded him to remain, he perceived in the snow at his feet, a few steps before him, a sort of undulation of the dimensions of a human body—a little eminence, low, long, and narrow, like the mould over a grave—a sepulchre in a white churchyard.

At the same time the voice cried out. It was from beneath the undulation that it proceeded. The child bent down, crouching before the undulation, and with both his hands began to clear it away.

Beneath the snow which he removed a form grew under his hands; and suddenly in the hollow he had made there appeared a pale face.

The cry had not proceeded from that face. Its eyes were shut, and the mouth open but full of snow.

It remained motionless; it stirred not under the hands of the child. The child, whose fingers were numbed with frost, shuddered when he touched its coldness. It was that of a woman. Her dishevelled hair was mingled with the snow. The woman was dead.

Again the child set himself to sweep away the snow. The neck of the dead woman appeared; then her shoulders, clothed in rags. Suddenly he felt something move feebly under his touch. It was something small that was buried, and which stirred. The child swiftly cleared away the snow, discovering a wretched little body—thin, wan with cold, still alive, lying naked on the dead woman's naked breast.

It was a little girl.

It had been swaddled up, but in rags so scanty that in its struggles it had freed itself from its tatters. Under it its attenuated limbs, and above it its breath, had somewhat melted the snow. A nurse would have said that it was five or six months old, but perhaps it might be a year, for growth, in poverty, suffers heart-breaking reductions which sometimes even produce rachitis. When its face was exposed to the air it gave a cry, the continuation of its sobs of distress. For the mother not to have heard that sob, proved her irrevocably dead.

The child took the infant in his arms. The stiffened body of the mother was a fearful sight; a spectral light proceeded from her face. The mouth, apart and without breath, seemed to form in the indistinct language of shadows her answer to the questions put to the

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