Writings in the United Amateur, 1915-1922 by H. P. Lovecraft (good books to read .txt) 📖

The Brooklynite for January contains one of Rheinhart Kleiner's characteristic poems, entitled "A Mother's Song". Mr. Kleiner's command of good taste, harmony, and correctness requires no further panegyric amongst those who know him; but to the more recent United members who have not yet read extensively in our journals, his work may well be recommended as undoubtedly the safest of all amateur poetical models for emulation. Mr. Kleiner has a sense of musical rhythm which few amateur bards have ever possessed, and his choice of words and phrases is the result of a taste both innate and cultivated, whose quality appears to rare advantage in the present degenerate age. This remarkable young poet has not yet fully displayed in verse the variety of thoughts and images of which his fertile brain and well selected reading have made him master, but has preferred to concentrate most of his powers upon delicate amatory lyrics. While some of his readers may at times regret this limitation of endeavor, and wish he might practice to a greater extent that immense versatility which he permitted the amateur public to glimpse in the September Piper; it is perhaps not amiss that he should cultivate most diligently that type of composition most natural and easy to him, for he is obviously a successor of those polished and elegant poets of gallantry whose splendour adorned the reigns of Queen Elizabeth and King James the First.

The Conservative for January opens with Winifred Virginia Jordan's "Song of the North Wind", one of the most powerful poems lately seen in the amateur press. Mrs. Jordan is the newest addition to the United's constellation of genuine poetical luminaries; shining as an artist of lively imagination, faultless taste, and graphic expression, whose work possesses touches of genius and individualism that have already brought her renown in amateur circles. In the poem under consideration, Mrs. Jordan displays a phenomenal comprehension of the sterner aspects of Nature, producing a thoroughly virile effect. Words are chosen with care and placed with remarkable force, whilst both alliteration and onomatopoeia are employed with striking success. By the same author is the shorter poem entitled "Galileo and Swammerdam", which though vastly different in aspect and rhythm, yet retains that suggestion of mysticism so frequently encountered in Mrs. Jordan's work.

James Tobey Pyke, a lyrical and philosophical poet of high scholastic attainments, contributes two poems; "Maia", and "The Poet". The latter is a stately sonnet, rich in material for reflection. Such is the quality of Mr. Pyke's work, that his occasional contributions are ever to be acclaimed with the keenest interest and appreciation.

Rheinhart Kleiner, our Laureate, is another bard twice represented in the January Conservative. His two poems, "Consolation" and "To Celia", though widely different in structure, are yet not unrelated in sentiment, being both devoted to the changing heart. One amateur critic has seen fit to frown upon so skilled an apotheosis of inconsistency, but it seems almost captious thus to analyse an innocuous bit of art so daintily and tastefully arrayed. "To Celia" is perhaps slightly the better of the two, having a very commendable stateliness of cadence, and a gravity of thought greater than that of "Consolation".

"The Horizon of Dreams", by Mrs. Renshaw, is a graphic and enthralling venture into the realm of nocturnal unreality. The free play of active imagination, the distorted and transitory conceptions and apparitions, and the strangely elusive analogies, all lend charm and color to this happy portrayal of the vague boundaries of Somnus' domain. Mrs. Renshaw's rank as a poet is of very high tone, most of her productions[36] involving a spiritual insight and metaphysical comprehension vastly beyond that of the common mind. But this very nobility of imagination, and superiority to the popular appeal, are only too likely to render her best work continually underestimated and unappreciated by the majority. She is not a "poet of the masses", and her graver efforts must needs reach audiences more notable for cultured than numerical magnitude. Of Mrs. Renshaw's liberal metrical theories, enough is said elsewhere. This Department can neither endorse principles so radical, nor refrain from remarking that want of proper rhyme and metre has relegated to obscurity many a rich and inspired poem.

"Departed", by Maude Kingsbury Barton, is a sentimental poem of undoubted grace and sweetness, happily cast in unbroken metre.

The Coyote for January is adorned by no less than three of Mrs. Winifred V. Jordan's exquisite short poems. "The Night-Wind" is a delicately beautiful fragment of dreamy metaphor. There is probably a slight misprint in the last line, since the construction there becomes somewhat obscure. "My Love's Eyes" has merit, but lacks polish. The word "azure" in the first stanza, need not be in the possessive case; whilst the use of a singular verb with a plural noun in the second stanza (smiles-beguiles) is a little less than grammatical. "Longing" exhibits the author at her best, the images and phraseology alike showing the touch of genius.

Other poetry in this issue is by Adam Dickson, a bard of pleasing manner but doubtful correctness. "Smile" needs rigorous metrical and rhetorical revision to escape puerility. "Silver Bells of Memory" is better, though marred by the ungrammatical passage "thoughts doth linger". In this passage, either the noun must be made singular, or the verb form plural.

"Prohibition in Kansas" is a well written prose article by Editor William T. Harrington, wherein he exhibits a commendably favourable attitude toward the eradication of the menace of strong drink. Mr. Harrington is an able and active amateur, and takes an intelligent interest in many public questions. His style and taste are steadily improving, so that The Coyote has already become a paper of importance among us.

The Dixie Booster for January is Mr. Raymond E. Nixon's Capital