The Impossibles by Randall Garrett and Laurence M. Janifer (read the beginning after the end novel TXT) 📖

id="id01965">"I'm a lieutenant here," the officer said. "In charge of the warehouse precinct. I—"

Malone and the lieutenant stepped nimbly aside as another cop careened by them, waving his billy helplessly. They looked away as the crash came. The cop had fallen over a table, and now lay with his legs in the air, supported by the overturned table, blissfully unconscious.

"We seem," Malone said, "to be in an area of some activity. Let's move."

They shifted away a few feet. Malone looked into the foray and saw Boyd at work, roaring and going after the kids. One of them had established a kind of game with him. He appeared just in front of Boyd, who rushed at him, arms outstretched. As Boyd almost reached him, the kid disappeared, and reappeared again just behind Boyd. He tapped the FBI agent gently on the shoulder; Boyd turned and the process was repeated.

Boyd seemed to be getting winded.

"Damn kids," the lieutenant muttered suddenly, and dashed back into the fray. Malone looked around, saw Mike Fueyo flickering in and out at the edges, and headed for him.

A cop swung at Mike, missed, and hit Malone on the arm. Malone swore. The cop backed off, looking in a bewildered fashion for his victim, who was nowhere in sight. Then Malone caught sight of him, at the other edge of the fight. He started to work his way around.

He tried to avoid blows, but it wasn't always possible. A reeling cop caught his lapel and tore it, and Lynch, indefatigable in battle, managed to graze his chin with a blow meant for one of the disappearing boys. Other cops were battling each other, going after the kids and clutching empty air, cursing and screaming unheard orders in the fracas.

Malone ducked past Lynch, rubbed at his chin and looked for Mike. In the tangle of bodies it was getting hard to see. There was the sound of breaking ceramics as a floor lamp went over, and then a table followed it, but Malone avoided both. He looked for Mike Fueyo.

A cop clutched him around the middle, out of nowhere, said, "Sorry, buddy. Who the hell are you?" and dove back into the mass of bodies. Malone caught his breath and forged onward.

There was Mike, at the edge of the fight, watching everything coolly. No cop was near him. In the dim light the place looked like a scene from hell, a special hell for policemen.

Malone wove through battling hordes to the edge, and came out a few feet away from Mike Fueyo.

Fueyo didn't see him. He was looking at Boyd instead—still stumbling back and forth as the teen-ager baiting him winked on and off in front of him and behind him. He was laughing.

Malone came up silently from behind. The trip seemed to take hours. He was being very quiet, although he was reasonably sure that even if he yelled he wouldn't be heard. But he didn't want to take the slightest chance.

He sprang on Mike, and attached the handcuffs to his wrist and to
Mike's wrist within ten seconds.

"Ha!" he said involuntarily. "Now come with me!"

He gave his end of the handcuffs a tremendous yank.

He started to stagger, trailing an empty cuff behind him, flailing his arms wildly. Ahead of him he could see a big cop with an upraised billy. Malone tried to alter his course, but it was too late. He skidded helplessly into the cop, who jerked round and swung the billy automatically. Malone said: "Ugh," as he caught the blow on the cheekbone, bounced off the cop and kept going.

He careened past a blur of figures, trying to avoid hard surfaces and other human beings. But there was—

Oh, no, Malone thought. Lynch.

Lynch was ready to swing. His fist was cocked, and he was heading for one of the teen-agers with murder in his eye. Malone knew their paths were going to intersect. "Watch out," he yelled. "Watch out, it's me! Stop me! Somebody stop me!" He went completely unheard.

Lynch swung and missed, hitting a cop who had been hiding behind the teen-ager. The cop went down to join the wounded, and Lynch roared like a bull and swung around, looking for more enemies.

That was when Malone hit him.

Long afterward, he remembered Lynch's hat sailing through the air, and landing in the center of a struggling mass of policemen. He remembered Lynch saying, "So there you are!" and swinging before he looked.

He remembered the blow on the chin.

And then he remembered falling, and falling, and falling. Somewhere there was a voice: "Where the hell are they? They've disappeared for good."

And then, for long seconds, nothing.

He woke up with a headache, but it wasn't too bad. Surprisingly, not much time had passed; he got up and dusted off his trousers, looking around at the battlefield. Wounded and groaning cops were lying all over. The room was a shambles; the walking wounded—which comprised the rest of the force—were stumbling around in a slow, hopeless sort of fashion.

Lynch was standing next to him. "Malone," he said, "I'm sorry. I hit you, didn't I?"

"Uh-huh," Malone said. "You seemed to be hitting every body."

"I was trying for the kids," Lynch said.

"So was I," Malone said. "I got the cuffs on one and yanked him along, but he disappeared and left me with the cuffs."

"Great," Lynch said. "Hell of a raid."

"Very jolly," Malone agreed. "Fun and games were had by all."

A cop stumbled up, handed Lynch his cap and disappeared without a word. Lynch stared mournfully at it. The emblem was crushed, and the cap looked rather worn and useless. He put it on his head, where it assumed the rakish tilt of a hobo's favorite tam-o'-shanter, and said, "I hope you're not thinking of blaming me for this fiasco."

"Not at all," Malone said nobly. He hurt all over, but on reflection he thought that he would probably live. "It was nobody's fault." Except, he thought, his own. If he'd only told Lynch to come in when called for—and under no other circumstances—this wouldn't have happened. He looked around at the remains of New York's Finest, and felt guilty.

The lieutenant from the local precinct limped up, rubbing a well-kicked shin and trying to disentangle pieces of floor lamp from his hair. "Listen, Lynch," he said, "What's with these kids? What's going on here? Look at my men."

"Some days," Lynch said, "it just doesn't pay to get up."

"Sure," the local man said. "But what do I do now?"

"Make your reports."

"But—"

"To the Commissioner," Lynch said, "and to nobody else. If this gets into the papers, heads will roll."

"My head is rolling right now," the local man said. "Know what one of those kids did? Stood in front of a floor lamp. I swung at him and he vanished. Vanished! I hit the lamp, and then the lamp hit me."

"Just see that this doesn't get out," Lynch said.

"It can't," the local man said. "Anybody who mentioned this to a reporter would just be laughed out of town. It's not possible." He paused thoughtfully, and added, "We'd all be laughed out of town."

"And probably replaced with the FBI," Lynch said morosely. He looked at Malone. "Nothing personal, you understand," he said.

"Of course," Malone said. "We can't do any more here, can we?"

"I don't think we can do any more anywhere," Lynch said. "Let's lock the place up and leave and forget all about it."

"Fine," Malone said. "I've got work to do." He looked around, found
Dorothea and signaled to her. "Come on, Dorothea. Where's Boyd?"

"Here I am," Boyd said, walking slowly across the big room to Malone.
He had one hand held to his chin.

"What's the matter with you?" Malone asked.

Boyd took his hand away. There was a bald spot the size of a quarter on the point of his chin. "One of those kids," he said sadly, "has a hell of a strong grip. Come on, Miss Fueyo. Come on, Malone. Let's get out of here."

13

"Logically," Malone said, "there has to be some way to catch them." He looked around the hotel room as though he expected to find an answer painted in big black letters on the wall. "Logically," he said again, and tried to think of what came next. He liked the sound of the word, but that was as far as it went.

"That's fine," Boyd said. He sat on a chair, staring gloomily at the floor and rubbing the bald spot on his chin with a single, sad, inquisitive forefinger. "There has to be an answer. You're probably right. But what the hell is it?"

Malone started to answer, and then wondered what he had been going to say. He sunk himself in thought. There was a knock at the door. "Who's there?" he called, glad of any relief at all.

"It's me," a small voice said. "Dorothea."

"Come in," Malone said.

The door opened. Dorothea came in, shut the door behind her, and looked around the room a little awkwardly.

"Did you get a good night's sleep?" Malone said.

She nodded. "I guess so," she said. "Sure. It was nice of you to get me a room for the night. I mean, I guess I was—well…"

"Forget it," Malone said grandly. "You were upset and tired, that's all. Hell, in the car on the way back here last night, you fainted."

"I did not faint," she said.

"Well," Malone said, "you sure looked like—"

"I was tired," Dorothea said.

Malone shrugged. "Okay. You were tired."

"You're not mad, are you," she said, "because I stole your notebook?"

"Of course not," Malone said. "I said forget it, didn't I? Sit down and help us out."

"Help you?" she said.

"That's right," Boyd said. "Help us figure out how to catch this bunch of maniacs before they steal everything in New York."

Dorothea said, "Maniacs? I—" and Malone interrupted her in a hurry.

"Police Commissioner Fernack has called twice this morning already," he said. "He's screaming about all the burglaries that have been occurring since midnight last night."

"Oh," Dorothea said. "You mean the Spooks? Mike and the others?
They've been stealing again?"

"They sure have, Miss Fueyo," Boyd said.

"I guess they're furnishing their new hideout," Malone said. "Wherever it is. Only God knows."

"And even if He told us," Boyd said, "it wouldn't do us any good.
Chase 'em out of there, and they'd go somewhere else."

Malone stood up, fished for his cigarettes and lit one. "What we need," he said, blowing out smoke, "is some way to trap 'em and hold 'em. And I don't see how we can do either."

"After last night," Dorothea said, "I really don't see—"

"Wait a minute," Boyd said. "You said trap, didn't you?" He looked slowly and speculatively at Dorothea Fueyo.

A second passed.

"Oh, no, you don't!" she said. "Oh, no. Not on your life. I'll help catch him if I can, because I know you don't mean to hurt him or the others. But I wouldn't want Mike to know about it. You're not using me as bait in any trap."

Boyd looked at Malone, shook his head slowly, and said disconsolately,
"Well, it was an idea." He returned his gaze to the floor.

The furtive gleam of the half bottle of bourbon on Malone's dresser caught his eye. He'd had it sent up the night before, feeling the need of some medicinal refreshment. Now it winked at him. He ignored it resolutely. "Dorothea," he said.

"Yes?"

"Dorothea, do you have any idea how far one of those kids can go when he teleports?"

"No," Dorothea said. "I really haven't any idea about any of it. Mike tried to teach me once, but I guess I just don't have the talent."

"Oh," Malone said.

"I wish I could help," Dorothea said.

Silence fell, and gloom followed it.

Time ticked by. The bourbon bottle resumed its seductive winking.

"There is one thing," Dorothea said suddenly. "He did say one thing about it."

"What?" Malone said eagerly.

"He said you couldn't teleport to some place you haven't been before.
You've got to be able to visualize where you're going."

Malone said, "Hmm." It seemed like