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Reading books fiction Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself.



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Read books online » Fiction » John Thorndyke's Cases<br />related by Christopher Jervis and edited by R. Austin Freeman by R. Austin Freeman (books to read for 13 year olds TXT) 📖

Book online «John Thorndyke&#039;s Cases&lt;br /&gt;related by Christopher Jervis and edited by R. Austin Freeman by R. Austin Freeman (books to read for 13 year olds TXT) 📖». Author R. Austin Freeman



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and so save me further sleepless nights? You may rely on my discretion."

"Have you the document with you?" asked Thorndyke.

The Professor produced it from his pocket-book, and passed it to my colleague.

"You observe, Professor," said the latter, "that this is a laid paper, and has no water-mark?"

"Yes, I noticed that."

"And that the writing is in indelible Chinese ink?"

"Yes, yes," said the savant impatiently; "but it is the inscription that interests me, not the paper and ink."

"Precisely," said Thorndyke. "Now, it was the ink that interested me when I caught a glimpse of the document three days ago. 'Why,' I asked myself, 'should anyone use this troublesome medium'—for this appears to be stick ink—'when good writing ink is to be had?' What advantages has Chinese ink over writing ink? It has several advantages as a drawing ink, but for writing purposes it has only one: it is quite unaffected by wet. The obvious inference, then, was that this document was, for some reason, likely to be exposed to wet. But this inference instantly suggested another, which I was yesterday able to put to the test—thus."

He filled a tumbler with water, and, rolling up the document, dropped it in. Immediately there began to appear on it a new set of characters of a curious grey colour. In a few seconds Thorndyke lifted out the wet paper, and held it up to the light, and now there was plainly visible an inscription in transparent lettering, like a very distinct water-mark. It was in printed Roman capitals, written across the other writing, and read:

"THE PICKERDILLEY STUF IS UP THE CHIMBLY 416 WARDOUR ST 2ND FLOUR BACK IT WAS HID BECOS OF OLD MOAKEYS JOOD MOAKEY IS A BLITER."

The Professor regarded the inscription with profound disfavour.

"How do you suppose this was done?" he asked gloomily.

"I will show you," said Thorndyke. "I have prepared a piece of paper to demonstrate the process to Dr. Jervis. It is exceedingly simple."

He fetched from the office a small plate of glass, and a photographic dish in which a piece of thin notepaper was soaking in water.

"This paper," said Thorndyke, lifting it out and laying it on the glass, "has been soaking all night, and is now quite pulpy."

He spread a dry sheet of paper over the wet one, and on the former wrote heavily with a hard pencil, "Moakey is a bliter." On lifting the upper sheet, the writing was seen to be transferred in a deep grey to the wet paper, and when the latter was held up to the light the inscription stood out clear and transparent as if written with oil.

"When this dries," said Thorndyke, "the writing will completely disappear, but it will reappear whenever the paper is again wetted."

The Professor nodded.

"Very ingenious," said he—"a sort of artificial palimpsest, in fact. But I do not understand how that illiterate man could have written in the difficult Moabite script."

"He did not," said Thorndyke. "The 'cryptogram' was probably written by one of the leaders of the gang, who, no doubt, supplied copies to the other members to use instead of blank paper for secret communications. The object of the Moabite writing was evidently to divert attention from the paper itself, in case the communication fell into the wrong hands, and I must say it seems to have answered its purpose very well."

The Professor started, stung by the sudden recollection of his labours.

"Yes," he snorted; "but I am a scholar, sir, not a policeman. Every man to his trade."

He snatched up his hat, and with a curt "Good-morning," flung out of the room in dudgeon.

Thorndyke laughed softly.

"Poor Professor!" he murmured. "Our playful friend Barton has much to answer for."



VI THE MANDARIN'S PEARL

Mr. Brodribb stretched out his toes on the kerb before the blazing fire with the air of a man who is by no means insensible to physical comfort.

"You are really an extraordinarily polite fellow, Thorndyke," said he.

He was an elderly man, rosy-gilled, portly, and convivial, to whom a mass of bushy, white hair, an expansive double chin, and a certain prim sumptuousness of dress imparted an air of old-world distinction. Indeed, as he dipped an amethystine nose into his wine-glass, and gazed thoughtfully at the glowing end of his cigar, he looked the very type of the well-to-do lawyer of an older generation.

"You are really an extraordinarily polite fellow, Thorndyke," said Mr. Brodribb.

"I know," replied Thorndyke. "But why this reference to an admitted fact?"

"The truth has just dawned on me," said the solicitor. "Here am I, dropping in on you, uninvited and unannounced, sitting in your own armchair before your fire, smoking your cigars, drinking your Burgundy—and deuced good Burgundy, too, let me add—and you have not dropped a single hint of curiosity as to what has brought me here."

"I take the gifts of the gods, you see, and ask no questions," said Thorndyke.

"Devilish handsome of you, Thorndyke—unsociable beggar like you, too," rejoined Mr. Brodribb, a fan of wrinkles spreading out genially from the corners of his eyes; "but the fact is I have come, in a sense, on business—always glad of a pretext to look you up, as you know—but I want to take your opinion on a rather queer case. It is about young Calverley. You remember Horace Calverley? Well, this is his son. Horace and I were schoolmates, you know, and after his death the boy, Fred, hung on to me rather. We're near neighbours down at Weybridge, and very good friends. I like Fred. He's a good fellow, though cranky, like all his people."

"What has happened to Fred Calverley?" Thorndyke asked, as the solicitor paused.

"Why, the fact is," said Mr. Brodribb, "just lately he seems to be going a bit queer—not mad, mind you—at least, I think not—but undoubtedly queer. Now, there is a good deal of property, and a good many highly interested relatives, and, as a natural consequence, there is some talk of getting him certified. They're afraid he may do something involving the estate or develop homicidal tendencies, and they talk of possible suicide—you remember his father's death—but I say that's all bunkum. The fellow is just a bit cranky, and nothing more."

"What are his symptoms?" asked Thorndyke.

"Oh, he thinks he is being followed about and watched, and he has delusions; sees himself in the glass with the wrong face, and that sort of thing, you know."

"You are not highly circumstantial," Thorndyke remarked.

Mr. Brodribb looked at me with a genial smile.

"What a glutton for facts this fellow is, Jervis. But you're right, Thorndyke; I'm vague. However, Fred will be here presently. We travel down together, and I took the liberty of asking him to call for me. We'll get him to tell you about his delusions, if you don't mind. He's not shy about them. And meanwhile I'll give you a few preliminary facts. The trouble began about a year ago. He was in a railway accident, and that knocked him all to pieces. Then he went for a voyage to recruit, and the ship broke her propeller-shaft in a storm and became helpless. That didn't improve the state of his nerves. Then he went down the Mediterranean, and after a month or two, back he came, no better than when he started. But here he is, I expect."

He went over to the door and admitted a tall, frail young man whom Thorndyke welcomed with quiet geniality, and settled in a chair by the fire. I looked curiously at our visitor. He was a typical neurotic—slender, fragile, eager. Wide-open blue eyes with broad pupils, in which I could plainly see the characteristic "hippus"—that incessant change of size that marks the unstable nervous equilibrium—parted lips, and wandering taper fingers, were as the stigmata of his disorder. He was of the stuff out of which prophets and devotees, martyrs, reformers, and third-rate poets are made.

"I have been telling Dr. Thorndyke about these nervous troubles of yours," said Mr. Brodribb presently. "I hope you don't mind. He is an old friend, you know, and he is very much interested."

"It is very good of him," said Calverley. Then he flushed deeply, and added: "But they are not really nervous, you know. They can't be merely subjective."

"You think they can't be?" said Thorndyke.

"No, I am sure they are not." He flushed again like a girl, and looked earnestly at Thorndyke with his big, dreamy eyes. "But you doctors," he said, "are so dreadfully sceptical of all spiritual phenomena. You are such materialists."

"Yes," said Mr. Brodribb; "the doctors are not hot on the supernatural, and that's the fact."

"Supposing you tell us about your experiences," said Thorndyke persuasively. "Give us a chance to believe, if we can't explain away."

Calverley reflected for a few moments; then, looking earnestly at Thorndyke, he said:

"Very well; if it won't bore you, I will. It is a curious story."

"I have told Dr. Thorndyke about your voyage and your trip down the Mediterranean," said Mr. Brodribb.

"Then," said Calverley, "I will begin with the events that are actually connected with these strange visitations. The first of these occurred in Marseilles. I was in a curio-shop there, looking over some Algerian and Moorish tilings, when my attention was attracted by a sort of charm or pendant that hung in a glass case. It was not particularly beautiful, but its appearance was quaint and curious, and took my fancy. It consisted of an oblong block of ebony in which was set a single pear-shaped pearl more than three-quarters of an inch long. The sides of the ebony block were lacquered—probably to conceal a joint—and bore a number of Chinese characters, and at the top was a little gold image with a hole through it, presumably for a string to suspend it by. Excepting for the pearl, the whole thing was uncommonly like one of those ornamental tablets of Chinese ink.

"Now, I had taken a fancy to the thing, and I can afford to indulge my fancies in moderation. The man wanted five pounds for it; he assured me that the pearl was a genuine one of fine quality, and obviously did not believe it himself. To me, however, it looked like a real pearl, and I determined to take the risk; so I paid the money, and he bowed me out with a smile—I may almost say a grin—of satisfaction. He would not have been so well pleased if he had followed me to a jeweller's to whom I took it for an expert opinion; for the jeweller pronounced the pearl to be undoubtedly genuine, and worth anything up to a thousand pounds.

"A day or two later, I happened to show my new purchase to some men whom I knew, who had dropped in at Marseilles in their yacht. They were highly amused at my having bought the thing, and when I told them what I had paid for it, they positively howled with derision.

"'Why, you silly guffin,' said one of them, a man named Halliwell, 'I could have had it ten days ago for half a sovereign, or probably five shillings. I wish now I had bought it; then I could have sold it to you.'

"It seemed that a sailor had been hawking the pendant round the harbour, and had been on board the yacht with it.

"'Deuced anxious the beggar was to get rid of it, too,' said Halliwell, grinning at the recollection. 'Swore it was a genuine pearl of priceless value, and was willing to deprive himself of it for the trifling sum of half a jimmy. But we'd heard that sort of thing before. However, the curio-man seems to have speculated on the chance of meeting with a greenhorn, and he seems to have pulled it off. Lucky curio man!'

"I listened patiently to their gibes, and when they had talked themselves out I told them about the jeweller. They were most frightfully sick; and when we had taken the pendant to a dealer in gems who happened to be staying in the town, and he had offered me five hundred pounds for it, their language wasn't fit for a divinity students' debating club. Naturally the story got noised abroad, and when I left, it was the talk of the place. The general opinion was that the sailor, who was traced to a tea-ship that had put into the harbour, had stolen it from some Chinese passenger; and no less than seventeen different Chinamen came forward to claim it as their stolen property.

"Soon after this I returned to England, and, as my nerves were still in a very shaky state, I came to live with my cousin Alfred, who has a large house at Weybridge. At this time he had a friend staying with him, a certain Captain Raggerton, and the two men appeared to be on very intimate terms. I did not take to Raggerton at all. He was a good-looking man,

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