Real Folks by Mrs. A. D. T. Whitney (the best electronic book reader .TXT) 📖

and well-bred self-possession, and the manner of her quietly assured self-introduction. She had her card all ready that should explain for her; and to the servant's reply that Madam Mucklegrand was in, she responded by moving forward with only enough of voluntary hesitation to allow him to indicate to her the reception room, at the door of which she gave him the little pasteboard, with,--

"Take that to her, if you please," and so sat down, very much as if she had been in such places frequently before, which she never had. One may be quite used to the fine, free essence of gentle living, and never in all one's life have anything to do with such solid, concrete expression of it as Rosamond saw here.

Very high, to begin with, the ceiled and paneled room was; reaching up into space as if it had really been of no consequence to the builders where they should put the cover on; and with no remotest suggestion of any reserve for further superstructure upon the same foundation.

Very dark, and polished, and deeply carved, and heavily ornamented were its wainscotings, and frames, and cornices; out of the new look of the streets, which it will take them yet a great while to outgrow, she had stepped at once into a grand, and mellow, and ancient stateliness.

There were dim old portraits on the walls, and paintings that hinted at old mastership filled whole panels; and the tall, high-backed, wonderfully wrought oaken chairs had heraldic devices in relief upon their bars and corners; and there was a great, round mosaic table, in soft, rich, dark colors, of most precious stones; these, in turn, hidden with piles of rare engravings.

The floor was of dark woods, inlaid; and sumptuous rugs were put about upon it for the feet, each one of which was wide enough to call a carpet.

And nothing of it all was _new_; there was nothing in the room but some plants in a jardiniere by the window, that seemed to have a bit of yesterday's growth upon it.

A great, calm, marble face of Jove looked down from high up, out of the shadows.

Underneath sat Rosamond Holabird, holding on to her identity and her self-confidence.

Madam Mucklegrand came in plainly enough dressed,--in black; you would not notice what she had on; but you would notice instantly the consummate usedness to the world and the hardening into the mould thereof that was set and furrowed upon eye and lip and brow.

She sailed down upon Rosamond like a frigate upon a graceful little pinnace; and brought to within a pace or two of her, continuing to stand an instant, as Rosamond rose, just long enough for the shadow of a suggestion that it might not be altogether material that she should be seated again at all.

But Rosamond made a movement backward to her chair, and laid her hand upon its arm, and then Madam Mucklegrand decided to sit down.

"You called about the nurse, I conclude, Miss--Holabird?"

"Yes, ma'am; I thought you had some questions you wished to ask, and that I had better come myself. I have her with me, in the carriage."

"Thank you," said Madam Mucklegrand, politely.

But it was rather a _de haut en bas_ politeness; she exercised it also toward her footman.

Then followed inquiries about age, and health, and character. Rosamond told all she knew, clearly and sufficiently, with some little sympathetic touches that she could not help, in giving her story.

Madam Mucklegrand met her nowhere, however, on any common ground; she passed over all personal interest; instead of two women befriending a third in her need, who in turn was to give life to a little child waiting helplessly for some such ministry, it might have been the leasing of a house, or the dealing about some merchandise, that was between them.

Rosamond proposed, at last, to send Jane Jopson in.

Jane and her baby were had in, and had up-stairs; the physician and attending nurse pronounced upon her; she was brought down again, to go home and dispose of her child, and return. Rosamond, meanwhile, had been sitting under the marble Jove.

There was nothing really rude in it; she was there on business; what more could she expect? But then she knew all the time, that she too was a lady, and was taking trouble to do a kind thing. It was not so that Madam Mucklegrand would have been treated at Westover.

Rosamond was feeling pretty proud by the time Madam Mucklegrand came down stairs.

"We have engaged the young woman: the doctor quite approves; she will return without delay, I hope?"

As if Rosamond were somehow responsible all through.

"I have no doubt she will; good morning, madam."

"Good morning. I am, really, very much obliged. You have been of great service."

Rosamond turned quietly round upon the threshold.

"That was what I was very anxious to be," she said, in her perfectly sweet and musical voice,--"to the poor woman."

Italics would indicate too coarsely the impalpable emphasis she put upon the last two words. But Mrs. Mucklegrand caught it.

Rosamond went away quite as sure of her own self-respect as ever, but very considerably cured of Spreadsplendidism.

This was but one phase of it, she knew; there are real folks, also, in Spreadsplendid Park; they are a good deal covered up, there, to be sure; but they can't help that. It is what always happens to somebody when Pyramids are built. Madam Mucklegrand herself was, perhaps, only a good deal covered up.

How lovely it was to go down into Orchard Street after that, and take tea with Miss Craydocke! How human and true it seemed,--the friendliness that shone and breathed there, among them all. How kingdom-of-heaven-like the air was, and into what pleasantness of speech it was born!

And then Hazel Ripwinkley came over, like a little spirit from another blessed society, to tell that "the picture-book things were all ready, and that it would take everybody to help."

That was Rosamond's first glimpse of Witch Hazel, who found her out instantly,--the real, Holabirdy part of her,--and set her down at once among her "folks."

It was bright and cheery in Mrs. Ripwinkley's parlor; you could hardly tell whence the cheeriness radiated, either.

The bright German lamp was cheery, in the middle of the round table; the table was cheery, covered with glossy linen cut into large, square book-sheets laid in piles, and with gay pictures of all kinds, brightly colored; and the scissors,--or scissorses,--there were ever so many shining pairs of them,--and the little mucilage bottles, and the very scrap-baskets,--all looked cozy and comfortable, and as if people were going to have a real good time among them, somehow.

And the somehow was in making great beautiful, everlasting picture-books for the little orphans in Miss Craydocke's Home,--the Home, that is, out of several blessed and similar ones that she was especially interested in, and where Hazel and Diana had been with her until they knew all the little waifs by sight and name and heart, and had their especial chosen property among them, as they used to have among the chickens and the little yellow ducks at Homesworth Farm.

Mrs. Ripwinkley was cheery; it might be a question whether all the light did not come from her first, in some way, and perhaps it did; but then Hazel was luminous, and she fluttered about with quick, happy motions, till like a little glancing taper she had shone upon and lit up everybody and everything; and Dorris was sunny with clear content, and Kenneth was blithe, and Desire was scintillant, as she always was either with snaps or smiles; and here came in beaming Miss Craydocke, and gay Asenath and her handsome husband; and our Rosa Mundi; there,--how can you tell? It was all round; and it was more every minute.

There were cutters and pasters and stitchers and binders and every part was beautiful work, and nobody could tell which was pleasantest. Cutting out was nice, of course; who doesn't like cutting out pictures? Some were done beforehand, but there were as many left as there would be time for. And pasting, on the fine, smooth linen, making it glow out with charming groups and tints of flowers and birds and children in gay clothes,--that was delightful; and the stitchers had the pleasure of combining and arranging it all; and the binders,--Mrs. Ripwinkley and Miss Craydocke,--finished all off with the pretty ribbons and the gray covers, and theirs being the completing touch, thought _they_ had the best of it.

"But I don't think finishing is best, mother," said Hazel, who was diligently snipping in and out around rose leaves or baby faces, as it happened. "I think beginning is always beautiful. I never want to end off,--anything nice, I mean."

"Well, we don't end off this," said Diana. "There's the giving, next."

"And then their little laughs and Oo's," said Hazel.

"And their delight day after day; and the comfort of them in their little sicknesses," said Miss Craydocke.

"And the stories that have got to be told about every picture," said Dorris.

"No; nothing really nice does end; it goes on and on," said Mrs. Ripwinkley.

"Of course!" said Hazel, triumphantly, turning on the Drummond light of her child-faith. "We're forever and ever people, you know!"

"Please paste some more flowers, Mr. Kincaid," said Rosamond, who sat next him, stitching. "I want to make an all-flower book of this. No,--not roses; I've a whole page already; this great white lily, I think. That's beautiful!"

"Wouldn't it do to put in this laurel bush next, with the bird's nest in it?"

"O, those lovely pink and white laurels! Yes. Where did you get such pictures, Miss Hazel?"

"O, everybody gave them to us, all summer, ever since we began. Mrs. Geoffrey gave those flowers; and mother painted some. She did that laurel. But don't call me Miss Hazel, please; it seems to send me off into a corner."

Rosamond answered by a little irresistible caress; leaning her head down to Hazel, on her other side, until her cheek touched the child's bright curls, quickly and softly. There was magnetism between those two.

Ah, the magnetism ran round!

"For a child's picture-book, Mrs. Ripwinkley?" said Mrs. Scherman, reaching over for the laurel picture. "Aren't these almost too exquisite? They would like a big scarlet poppy just as well,--perhaps better. Or a clump of cat-o'-nine-tails," she added, whimsically.

"There _is_ a clump of cat-o'-nine-tails," said Mrs. Ripwinkley. "I remember how I used to delight in them as a child,--the real ones."

"Pictures are to _tell_ things," said Desire, in her brief way.

"These little city refugees _must_ see them, somehow," said Rosamond, gently. "I understand. They will never get up on the mountains, maybe, where the laurels grow, or into the shady swamps among the flags and the cat-o'-nine-tails. You have _picked out_ pictures to give them, Mrs. Ripwinkley."

Kenneth Kincaid's scissors stopped a moment, as he looked at Rosamond, pausing also over the placing of her leaves.

Desire saw that from the other side; she saw how beautiful and gracious this girl was--this Rosamond Holabird; and there was a strange little twinge in her heart, as she felt, suddenly, that let there be ever so much that was true and kindly, or even tender, in her, it could never come up in her eyes or play upon her lips like that she could never say it out sweetly and in due place everything was a spasm with her;