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Reading books fiction Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself.



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Read books online » Fiction » Henrietta Temple by Benjamin Disraeli (my miracle luna book free read txt) 📖

Book online «Henrietta Temple by Benjamin Disraeli (my miracle luna book free read txt) 📖». Author Benjamin Disraeli



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ridge of moderate elevation, but of picturesque form, parted just opposite the terrace, as if on purpose to admit the setting sun, like inferior existences that had, as it were, made way before the splendour of some mighty lord or conqueror. The lofty and sloping bank which this terrace crowned was covered with rare shrubs, and occasionally a group of tall trees sprang up among them, and broke the view with an interference which was far from ungraceful, while plants, spreading forth from large marble vases, had extended over their trunks, and sometimes, in their play, had touched even their topmost branches. Between the terrace and the distant hills extended a tract of pasture-land, green and well-wooded by its rich hedgerows; not a roof was visible, though many farms and hamlets were at hand; and, in the heart of a rich and populous land, here was a region where the shepherd or the herdsman was the only evidence of human existence. It was thither, a grateful spot at such an hour, that Miss Temple and her companion directed their steps. The last beam of the sun flashed across the flaming horizon as they gained the terrace; the hills, well wooded, or presenting a bare and acute outline to the sky, rose sharply defined in form; while in another direction some more distant elevations were pervaded with a rich purple tint, touched sometimes with a rosy blaze of soft and flickering light. The whole scene, indeed, from the humble pasture-land that was soon to creep into darkness, to the proud hills whose sparkling crests were yet touched by the living beam, was bathed with lucid beauty and luminous softness, and blended with the glowing canopy of the lustrous sky. But on the terrace and the groves that rose beyond it, and on the glades and vistas into which they opened, fell the full glory of the sunset. Each moment a new shadow, now rosy, now golden, now blending in its shifting tints all the glory of the iris, fell over the rich pleasure-grounds, their groups of rare and noble trees, and their dim or glittering avenues.

The vespers of the birds were faintly dying away, the last low of the returning kine sounded over the lea, the tinkle of the sheep-bell was heard no more, the thin white moon began to gleam, and Hesperus glittered in the fading sky. It was the twilight hour!

That delicious hour that softens the heart of man, what is its magic? Not merely its beauty; it is not more beautiful than the sunrise. It is its repose. Our tumultuous passions sink with the sun, there is a fine sympathy between us and our world, and the stillness of Nature is responded to by the serenity of the soul.

At this sacred hour our hearts are pure. All worldly cares, all those vulgar anxieties and aspirations that at other seasons hover like vultures over our existence, vanish from the serene atmosphere of our susceptibility. A sense of beauty and a sentiment of love pervade our being. But if at such a moment solitude is full of joy, if, even when alone, our native sensibility suffices to entrance us with a tranquil yet thrilling bliss, how doubly sweet, how multiplied must be our fine emotions, when the most delicate influence of human sympathy combines with the power and purity of material and moral nature, and completes the exquisite and enchanting spell!

Ferdinand Armine turned from the beautiful world around him to gaze upon a countenance sweeter than the summer air, softer than the gleaming moon, brighter than the evening star. The shadowy light of purple eve fell upon the still and solemn presence of Henrietta Temple. Irresistible emotion impelled him; softly he took her gentle hand, and, bending his head, he murmured to her, 'Most beautiful, I love thee!'

As, in the oppressive stillness of some tropic night, a single drop is the refreshing harbinger of a slower that clears the heavens, so even this slight expression relieved in an instant the intensity of his over-burthened feelings, and warm, quick, and gushing flowed the words that breathed his fervid adoration. 'Yes!' he continued, 'in this fair scene, oh! let me turn to something fairer still. Beautiful, beloved Henrietta, I can repress no longer the emotions that, since I first beheld you, have vanquished my existence. I love you, I adore you; life in your society is heaven; without you I cannot live. Deem me, oh! deem me not too bold, sweet lady; I am not worthy of you, yet let me love! I am not worthy of you, but who can be? Ah! if I dared but venture to offer you my heart, if that humblest of all possessions might indeed be yours, if my adoration, if my devotion, if the consecration of my life to you, might in some degree compensate for its little worth, if I might live even but to hope------

'You do not speak. Miss Temple, Henrietta, admirable Henrietta, have I offended you? Am I indeed the victim of hopes too high and fancies too supreme? Oh! pardon me, most beautiful, I pray your pardon. Is it a crime to feel, perchance too keenly, the sense of beauty like to thine, dear lady? Ah! tell me I am forgiven; tell me indeed you do not hate me. I will be silent, I will never speak again. Yet, let me walk with you. Cease not to be my companion because I have been too bold. Pity me, pity me, dearest, dearest Henrietta. If you but knew how I have suffered, if you but knew the nights that brought no sleep, the days of fever that have been mine since first we met, if you but knew how I have fed but upon one sweet idea, one sacred image of absorbing life, since first I gazed on your transcendent form, indeed I think that you would pity, that you would pardon, that you might even------

'Tell me, is it my fault that you are beautiful! Oh! how beautiful, my wretched and exhausted soul too surely feels! Is it my fault those eyes are like the dawn, that thy sweet voice thrills through my frame, and but the slightest touch of that light hand falls like a spell on my entranced form! Ah! Henrietta, be merciful, be kind!'

He paused for a second, and yet she did not answer; but her cheek fell upon his shoulder, and the gentle pressure of her hand was more eloquent than language. That slight, sweet signal was to him as the sunrise on the misty earth. Full of hope, and joy, and confidence, he took her in his arms, sealed her cold lips with a burning kiss, and vowed to her his eternal and almighty love!

He bore her to an old stone bench placed on the terrace. Still she was silent; but her hand clasped his, and her head rested on his bosom. The gleaming moon now glittered, the hills and woods were silvered by its beam, and the far meads were bathed with its clear, fair light. Not a single cloud curtained the splendour of the stars. What a rapturous soul was Ferdinand Armine's as he sat that night on the old bench, on Ducie Terrace, shrouding from the rising breeze the trembling form of Henrietta Temple! And yet it was not cold that made her shiver.

The clock of Ducie Church struck ten. She moved, saying, in a faint voice, 'We must go home, my Ferdinand!'


BOOK III.


CHAPTER I.


_In Which Captain Armine Proves Himself a Complete
Tactician_.


THE midnight moon flung its broad beams over the glades and avenues of Armine, as Ferdinand, riding Miss Temple's horse, re-entered the park. His countenance was paler than the spectral light that guided him on his way. He looked little like a pledged and triumphant lover; but in his contracted brow and compressed lip might be read the determination of his soul. There was no longer a contest between poverty and pride, between the maintenance or destruction of his ancient house, between his old engagement and his present passion; that was past. Henrietta Temple was the light in the pharos amid all his stormy fortunes; thither he directed all the energies of his being; and to gain that port, or sink, was his unflinching resolution.

It was deep in the night before he again beheld the towers and turrets of his castle, and the ivy-covered fragment of the old Place seemed to sleep in peace under its protecting influence. A wild and beautiful event had happened since last he quitted those ancient walls. And what would be its influence upon them? But it is not for the passionate lover to moralise. For him, the regrets of the past and the chances of the future are alike lost in the ravishing and absorbing present. For a lover that has but just secured the object of his long and tumultuous hopes is as a diver who has just plucked a jewel from the bed of some rare sea. Panting and wild he lies upon the beach, and the gem that he clutches is the sole idea that engrosses his existence.

Ferdinand is within his little chamber, that little chamber where his mother had bid him so passionate a farewell. Ah! he loves another woman better than his mother now. Nay, even a feeling of embarrassment and pain is associated with the recollection of that fond and elegant being, whom he had recognised once as the model of all feminine perfection, and who had been to him so gentle and so devoted. He drives his mother from his thoughts. It is of another voice that he now muses; it is the memory of another's glance that touches his eager heart. He falls into a reverie; the passionate past is acted again before him; in his glittering eye and the rapid play of his features may be traced the tumult of his soul. A doubt crosses his brow. Is he indeed so happy; is it not all a dream? He takes from his bosom the handkerchief of Henrietta Temple. He recognises upon it her magical initials, worked in her own fine dark hair. A smile of triumphant certainty irradiates his countenance, as he rapidly presses the memorial to his lips, and imprints upon it a thousand kisses: and holding this cherished testimony of his felicity to his heart, sleep at length descended upon the exhausted frame of Ferdinand Armine.

But the night that brought dreams to Ferdinand Armine brought him not visions more marvellous and magical than his waking life. He who loves lives in an ecstatic trance. The world that surrounds him is not the world of working man: it is fairy land. He is not of the same order as the labouring myriads on which he seems to tread. They are to him but a swarm of humble-minded and humble-mannered insects. For him, the human species is represented by a single individual, and of her he makes an idol. All that is bright and rare is but invented and devised to adorn and please her. Flowers for her were made so sweet and birds so musical. All nature seems to bear an intimate relation to the being we adore; and as to us life would now appear intolerable, a burthen of insupportable and wearying toil, without this transcendent sympathy, so we cannot help fancying that were its sweet and subtle origin herself to quit this inspired scene, the universe itself would not be unconscious of its deprivation, and somewhat of the world's lustre might be missed even by the most callous.

The morning burst as beautiful as such love. A rosy tint suffused the soft and tremulous sky, and tinted with a delicate
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