The Muse of the Department by Honoré de Balzac (reading the story of the txt) 📖

me, that is simple enough. The rascal, who knew all the dead man's little secrets, guessed what a fix his master was in from overhearing a few words of the squabble with Madame Cardot. The notary relies on your honor and good feeling, for the affair is settled. The clerk, whose conduct has been admirable, went so far as to attend mass! A finished hypocrite, I say--just suits the mamma. You and Cardot will still be friends. He is to be a director in an immense financial concern, and he may be of use to you.--So you have been waked from a sweet dream."

"I have lost a fortune, a wife, and--"

"And a mistress," said Madame Schontz, smiling. "Here you are, more than married; you will be insufferable, you will be always wanting to get home, there will be nothing loose about you, neither your clothes nor your habits. And, after all, my Arthur does things in style. I will be faithful to him and cut Malaga's acquaintance.

"Let me peep at her through the door--your Sancerre Muse," she went on. "Is there no finer bird than that to be found in the desert?" she exclaimed. "You are cheated! She is dignified, lean, lachrymose; she only needs Lady Dudley's turban!"

"What is it now?" asked Madame de la Baudraye, who had heard the rustle of a silk dress and the murmur of a woman's voice.

"It is, my darling, that we are now indissolubly united.--I have just had an answer to the letter you saw me write, which was to break off my marriage----"

"So that was the party which you gave up?"

"Yes."

"Oh, I will be more than your wife--I am your slave, I give you my life," said the poor deluded creature. "I did not believe I could love you more than I did!--Now I shall not be a mere incident, but your whole life?"

"Yes, my beautiful, my generous Didine."

"Swear to me," said she, "that only death shall divide us."

Lousteau was ready to sweeten his vows with the most fascinating prettinesses. And this was why. Between the door of the apartment where he had taken the lorette's farewell kiss, and that of the drawing-room, where the Muse was reclining, bewildered by such a succession of shocks, Lousteau had remembered little De la Baudraye's precarious health, his fine fortune, and Bianchon's remark about Dinah, "She will be a rich widow!" and he said to himself, "I would a hundred times rather have Madame de la Baudraye for a wife than Felicie!"

His plan of action was quickly decided on; he determined to play the farce of passion once more, and to perfection. His mean self-interestedness and his false vehemence of passion had disastrous results. Madame de la Baudraye, when she set out from Sancerre for Paris, had intended to live in rooms of her own quite near to Lousteau; but the proofs of devotion her lover had given her by giving up such brilliant prospects, and yet more the perfect happiness of the first days of their illicit union, kept her from mentioning such a parting. The second day was to be--and indeed was--a high festival, in which such a suggestion proposed to "her angel" would have been a discordant note.

Lousteau, on his part, anxious to make Dinah feel herself dependent on him, kept her in a state of constant intoxication by incessant amusement. These circumstances hindered two persons so clever as these were from avoiding the slough into which they fell--that of a life in common, a piece of folly of which, unfortunately, many instances may be seen in Paris in literary circles.

And thus was the whole programme played out of a provincial amour, so satirically described by Lousteau to Madame de la Baudraye--a fact which neither he nor she remembered. Passion is born a deaf-mute.


This winter in Paris was to Madame de la Baudraye all that the month of October had been at Sancerre. Etienne, to initiate "his wife" into Paris life, varied this honeymoon by evenings at the play, where Dinah would only go to the stage box. At first Madame de la Baudraye preserved some remnants of her countrified modesty; she was afraid of being seen; she hid her happiness. She would say:

"Monsieur de Clagny or Monsieur Gravier may have followed me to Paris." She was afraid on Sancerre even in Paris.

Lousteau, who was excessively vain, educated Dinah, took her to the best dressmakers, and pointed out to her the most fashionable women, advising her to take them as models for imitation. And Madame de la Baudraye's provincial appearance was soon a thing of the past. Lousteau, when his friends met him, was congratulated on his conquest.

All through that season Etienne wrote little and got very much into debt, though Dinah, who was proud, bought all her clothes out of her savings, and fancied she had not been the smallest expense to her beloved. By the end of three months Dinah was acclimatized; she had reveled in the music at the Italian opera; she knew the pieces "on" at all theatres, and the actors and jests of the day; she had become inured to this life of perpetual excitement, this rapid torrent in which everything is forgotten. She no longer craned her neck or stood with her nose in the air, like an image of Amazement, at the constant surprises that Paris has for a stranger. She had learned to breathe that witty, vitalizing, teeming atmosphere where clever people feel themselves in their element, and which they can no longer bear to quit.

One morning, as she read the papers, for Lousteau had them all, two lines carried her back to Sancerre and the past, two lines that seemed not unfamiliar--as follows:

"Monsieur le Baron de Clagny, Public Prosecutor to the Criminal Court at Sancerre, has been appointed Deputy Public Prosecutor to the Supreme Court in Paris."

"How well that worthy lawyer loves you!" said the journalist, smiling.

"Poor man!" said she. "What did I tell you? He is following me."

Etienne and Dinah were just then at the most dazzling and fervid stage of a passion when each is perfectly accustomed to the other, and yet love has not lost its freshness and relish. The lovers know each other well, but all is not yet understood; they have not been a second time to the same secret haunts of the soul; they have not studied each other till they know, as they must later, the very thought, word, and gesture that responds to every event, the greatest and the smallest. Enchantment reigns; there are no collisions, no differences of opinion, no cold looks. Their two souls are always on the same side. And Dinah would speak the magical words, emphasized by the yet more magical expression and looks which every woman can use under such circumstances.

"When you cease to love me, kill me.--If you should cease to love me, I believe I could kill you first and myself after."

To this sweet exaggeration, Lousteau would reply:

"All I ask of God is to see you as constant as I shall be. It is you who will desert me!"

"My love is supreme."

"Supreme," echoed Lousteau. "Come, now? Suppose I am dragged away to a bachelor party, and find there one of my former mistresses, and she makes fun of me; I, out of vanity, behave as if I were free, and do not come in here till next morning--would you still love me?"

"A woman is only sure of being loved when she is preferred; and if you came back to me, if--Oh! you make me understand what the happiness would be of forgiving the man I adore."

"Well, then, I am truly loved for the first time in my life!" cried Lousteau.

"At last you understand that!" said she.

Lousteau proposed that they should each write a letter setting forth the reasons which would compel them to end by suicide. Once in possession of such a document, each might kill the other without danger in case of infidelity. But in spite of mutual promises, neither wrote the letter.

The journalist, happy for the moment, promised himself that he would deceive Dinah when he should be tired of her, and would sacrifice everything to the requirements of that deception. To him Madame de la Baudraye was a fortune in herself. At the same time, he felt the yoke.

Dinah, by consenting to this union, showed a generous mind and the power derived from self-respect. In this absolute intimacy, in which both lovers put off their masks, the young woman never abdicated her modesty, her masculine rectitude, and the strength peculiar to ambitious souls, which formed the basis of her character. Lousteau involuntarily held her in high esteem. As a Parisian, Dinah was superior to the most fascinating courtesan; she could be as amusing and as witty as Malaga; but her extensive information, her habits of mind, her vast reading enabled her to generalize her wit, while the Florines and the Schontzes exerted theirs over a very narrow circle.

"There is in Dinah," said Etienne to Bixiou, "the stuff to make both a Ninon and a De Stael."

"A woman who combines an encyclopaedia and a seraglio is very dangerous," replied the mocking spirit.

When the expected infant became a visible fact, Madame de la Baudraye would be seen no more; but before shutting herself up, never to go out unless into the country, she was bent on being present at the first performance of a play by Nathan. This literary solemnity occupied the minds of the two thousand persons who regard themselves as constituting "all Paris." Dinah, who had never been at a first night's performance, was very full of natural curiosity. She had by this time arrived at such a pitch of affection for Lousteau that she gloried in her misconduct; she exerted a sort of savage strength to defy the world; she was determined to look it in the face without turning her head aside.

She dressed herself to perfection, in a style suited to her delicate looks and the sickly whiteness of her face. Her pallid complexion gave her an expression of refinement, and her black hair in smooth bands enhanced her pallor. Her brilliant gray eyes looked finer than ever, set in dark rings. But a terribly distressing incident awaited her. By a very simple chance, the box given to the journalist, on the first tier, was next to that which Anna Grossetete had taken. The two intimate friends did not even bow; neither chose to acknowledge the other. At the end of the first act Lousteau left his seat, abandoning Dinah to the fire of eyes, the glare of opera-glasses; while the Baronne de Fontaine and the Comtesse Marie de Vandenesse, who accompanied her, received some of the most distinguished men of fashion.

Dinah's solitude was all the more distressing because she had not the art of putting a good face to the matter by examining the company through her opera-glass. In vain did she try to assume a dignified and thoughtful attitude, and fix her eyes on vacancy; she was overpoweringly conscious of being the object of general attention; she could not disguise her discomfort, and lapsed a little into provincialism, displaying her handkerchief and making involuntary movements of which she had almost cured herself. At last, between the second and third acts, a man had himself admitted to Dinah's box! It was Monsieur de Clagny.

"I am happy to see you, to tell you how much I am pleased by your promotion," said she.

"Oh! Madame, for whom should I come to Paris----?"