The Count's Millions by Emile Gaboriau (big screen ebook reader .txt) đ
- Author: Emile Gaboriau
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âAnd I shall be silent too,â said Madame dâArgeles.
M. de Coralth took her hand and raised it to his lips. âI knew we should understand each other,â he remarked, gravely. âI am not bad at heart, believe me; and if I had possessed money of my own, or a mother like youâââ
She averted her face, fearing perhaps that M. de Coralth might read her opinion of him in her eyes; but after a short pause she exclaimed beseechingly: âNow that I am your accomplice, let me entreat you to do all you possibly can to prevent last nightâs affair from being noised abroad.â
âImpossible.â
âIf not for M. Ferailleurâs sake, for the sake of his poor widowed mother.â
âPascal must be put out of the way!â
âWhy do you say that? Do you hate him so much then? What has he done to you?â
âTo me, personally? NothingâI even feel actual sympathy for him.â
Madame dâArgeles was confounded. âWhat!â she stammered; âit wasnât on your own account that you did this?â
âWhy, no.â
She sprang to her feet, and quivering with scorn and indignation, cried: âAh! then the deed is even more infamousâeven more cowardly!â But alarmed by the threatening gleam in M. de Coralthâs eyes, she went no further.
âA truce to these disagreeable truths,â said he, coldly. âIf we expressed our opinions of each other without reserve, in this world, we should soon come to hard words. Do you think I acted for my own pleasure? Suppose some one had seen me when I slipped the cards into the pack. If that had happened, I should have been ruined.â
âAnd you think that no one suspects you?â
âNo one. I lost more than a hundred louis myself. If Pascal belonged to our set, people might investigate the matter, perhaps; but to-morrow it will be forgotten.â
âAnd will he have no suspicions?â
âHe will have no proofs to offer, in any case.â
Madame dâArgeles seemed to resign herself to the inevitable. âI hope you will, at least, tell me on whose behalf you acted,â she remarked.
âImpossible,â replied M. de Coralth. And, consulting his watch, he added, âBut I am forgetting myself; I am forgetting that that idiot of a Rochecote is waiting for a sword-thrust. So go to sleep, my dear lady, andâtill we meet again.â
She accompanied him so far as the landing. âIt is quite certain that he is hastening to the house of M. Ferailleurâs enemy,â she thought. And, calling her confidential servant, âQuick, Job,â she said; âfollow M. de Coralth. I want to know where he is going. And, above all, take care that he doesnât see you.â
V.
If through the length and breadth of Paris there is a really quiet, peaceful street, a refuge for the thoughtfully inclined, it is surely the broad Rue dâUlm, which starts from the Place du Pantheon, and finishes abruptly at the Rue des Feuillantines. The shops are unassuming, and so few that one can easily count them. There is a wine-shop on the left-hand side, at the corner of the Rue de la Vieille-Estrapade; then a little toy-shop, then a washerwomanâs and then a book-binderâs establishment; while on the right-hand you will find the office of the Bulletin, with a locksmithâs, a fruitererâs, and a bakerâsâthat is all. Along the rest of the street run several spacious buildings, somewhat austere in appearance, though some of them are surrounded by large gardens. Here stands the Convent of the Sisters of the Cross, with the House of Our Lady of Adoration; while further on, near the Rue des Feuillantines, you find the Normal School, with the office of the General Omnibus Company hard by. At day-time you mostly meet grave and thoughtful faces in the street: priests, savants, professors, and clerks employed in the adjacent public libraries. The only stir is round about the omnibus office; and if occasional bursts of laughter are heard they are sure to come from the Normal School. After nightfall, a person might suppose himself to be at least a hundred leagues from the Boulevard Montmartre and the Opera-House, in some quiet old provincial town, at Poitiers, for instance. And it is only on listening attentively that you can catch even a faint echo of the tumult of Paris.
It was in this streetââout of the world,â as M. de Coralth expressed itâthat Pascal Ferailleur resided with his mother. They occupied a second floor, a pretty suite of five rooms, looking out upon a garden. Their rent was high. Indeed, they paid fourteen hundred francs a year. But this was a burden which Pascalâs profession imposed upon him; for he, of course, required a private office and a little waiting-room for his clients. With this exception, the mother and son led a straightened, simple life. Their only servant was a woman who came at seven oâclock to do the heavy work, went home again at twelve, and did not return again until the evening, to serve dinner. Madame Ferailleur attended to everything, not blushing in the least when she was compelled to open the door for some client. Besides, she could do this without the least risk of encountering disrespect, so imposing and dignified were her manners and her person.
M. de Coralth had shown excellent judgment when he compared her to a family portrait. She was, in fact, exactly the person a painter would select to represent some old burgherâs wifeâa chaste and loving spouse, a devoted mother, an incomparable housewifeâin one phrase, the faithful guardian of her husbandâs domestic happiness. She had just passed her fiftieth birthday, and looked fully her age. She had suffered. A close observer would have detected traces of weeping about her wrinkled eyelids; and the twinge of her lips was expressive of cruel anguish, heroically endured. Still, she was not severe, nor even too sedate; and the few friends
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