The Golden Scorpion by Sax Rohmer (phonics story books TXT) 📖

his eyes toward the open stair.

On the platform above stood a bent old hag whose witch-eyes were searching the place keenly! With a curiously lithe step, for all her age, she descended, and standing behind Ah-Fang-Fu tapped him on the shoulder and pointed to the outer door. He stood up and shuffled across, went up the four steps and unbarred the door.

"Tchee, tchee," he chattered. "Pidgin make a look-out."

He went out and closed the door.

"Something happens!" whispered Max.

A gong sounded.

"Ah!"

The old woman approached the matting curtain hung over a portion of the wall, raised it slightly in the centre—where it opened—and disappeared beyond.

"You see!" said Stuart excitedly.

"Yes! it is the audience-chamber of 'The Scorpion'!"

The ancient hag came out again, crossed to a bunk and touched its occupant, a Chinaman, with her hand. He immediately shot up and followed her. The two disappeared beyond the curtain.

"What shall we do," said Stuart, "if you are summoned?"

"I shall throw open those curtains the moment I reach them, and present my pistol at the head of whoever is on the other side. You—ssh!"

The old woman reappeared, looked slowly around and then held the curtains slightly apart to allow of the Chinaman's coming out. He saluted her by touching his head, lips and breast with his right hand, then passed up to the door communicating with the shop, which he opened, and went out.

His voice came, muffled:

"Fo-Hi!"

"Fo-Hi," returned the high voice of Ah-Fang-Fu.

The outer door was opened and shut. The old woman went up and barred the inner door, then returned and stood by the matting curtain. The sound of the water below alone broke the silence. It was the hour of high tide.

"There goes the first fish into Dunbar's net!" whispered Max.

The gong sounded again.

Thereupon the old woman crossed to another bunk and conducted a brown-skinned Eastern into the hidden room. Immediately they had disappeared:

"As I pull the curtains aside," continued Max rapidly, "blow the whistle and run across and unbar the door…."

So engrossed was he in giving these directions, and so engrossed was Stuart in listening to them, that neither detected a faint creak which proceeded from almost immediately behind them. This sound was occasioned by the slow and cautious opening of that sunken, heavy door near to which they lay—the door which communicated with the labyrinth of cellars. Inch by inch from the opening protruded the head of Ah-Fang-Fu!

"If the Chinaman offers any resistance," Max went on, speaking very rapidly—"morbleu! you have the means to deal with him! In a word, admit the police. Sh! what is that!"

A moaning voice from one of the bunks came.

"Cheal kegur-men, mas ka dheer!"

"A native adage," whispered Stuart. "He is dreaming. 'There is always meat in a kite's nest.'"

"Eh bien! very true—and I think the kite is at home!"

The head of Ah-Fang-Fu vanished. A moment later the curtains opened again slightly and the old woman came out, ushering the brown man. He saluted her and unbarred the door, going out.

"Fo-Hi," came dimly.

There was no definite answer—only the sound of a muttered colloquy; and suddenly the brown man returned and spoke to the old woman in a voice so low that his words were inaudible to the two attentive listeners in the distant corner.

"Ah!" whispered Max—"what now?"

"Shall we rush the curtain!" said Stuart.

"No!" Max grasped his arm—"wait! wait! See! he is going out. He has perhaps forgotten something. A second fish in the net."

The Oriental went up the steps into the shop. The old woman closed and barred the door, then opened the matting curtain and disappeared within.

"I was right," said Max.

But for once in his career he was wrong.

She was out again almost immediately and bending over a bunk close to the left of the masked opening. The occupant concealed in its shadow did not rise and follow her, however. She seemed to be speaking to him. Stuart and Max watched intently.

The head of Ah-Fang-Fu reappeared in the doorway behind them.

"Now is our time!" whispered Max tensely. "As I rush for the curtains, you run to the shop door and get it unbolted, whistling for Dunbar——"

Ah-Fang-Fu, fully opening the door behind them, crept out stealthily.

"Have your pistol ready," continued Max, "and first put the whistle between your teeth——"

Ah-Fang-Fu silently placed his bowler hat upon the floor, shook down his long pigtail, and moving with catlike tread, stooping, drew nearer.

"Now, doctor!" cried Max.

Both sprang to their feet. Max leapt clear of the matting and other litter and dashed for the curtain. He reached it, seized it and tore bodily from its fastenings. Behind him the long flat note of a police whistle sounded—and ended abruptly.

"Ah! Nom d'un nom!" cried Max.

A cunningly devised door—looking like a section of solid brick and plaster wall—was closing slowly—heavily. Through the opening which yet remained he caught a glimpse of a small room, draped with Chinese dragon tapestry and having upon a raised, carpeted dais a number of cushions forming a diwan and an inlaid table bearing a silver snuff vase. A cowled figure was seated upon the dais. The door closed completely. Within a niche in its centre sat a yellow leering idol, green eyed and complacent.

Wild, gurgling cries brought Max sharply about.

An answering whistle sounded from the street outside … a second … a third.

Ah-Fang-Fu, stooping ever lower, at the instant that Stuart had sprung to his feet had seized his ankle from behind, pitching him on to his face. It was then that the note of the whistle had ceased. Now, the Chinaman had his long pigtail about Stuart's neck, at which Stuart, prone with the other kneeling upon his body, plucked vainly.

Max raised his pistol … and from the bunk almost at his elbow leapt
Miguel the quadroon, a sand-bag raised. It descended upon the
Frenchman's skull … and he crumbled up limply and collapsed upon
the floor. There came a crash of broken glass from the shop.

Uttering a piercing cry, the old woman staggered from the door near which she had been standing as if stricken helpless, during the lightning moments in which these things had happened—and advanced in the direction of Ah-Fang-Fu.

"Ah, God! You kill him! You kill him?" she moaned.

"Through the window, Sowerby! This way!" came Dunbar's voice. "Max!
Max!"

The sustained note of a whistle, a confusion of voices and a sound of heavy steps proclaimed the entrance of the police into the shop and the summoning of reinforcements.

Ah-Fang-Fu rose. Stuart had ceased to struggle. The Chinaman replaced his hat and looked up at the woman, whose eyes glared madly into his own.

"Tche', tche'e," he said sibilantly—"Tchon-dzee-ti Fan-Fu.*"

* "Yes, yes. It is the will of the Master."

"Down with the door!" roared Dunbar.

The woman threw herself, with a wild sob, upon the motionless body of
Stuart.

Ensued a series of splintering crashes, and finally the head of an axe appeared through the panels of the door. Ah-Fang-Fu tried to drag the woman away, but she clung to Stuart desperately and was immovable. Thereupon the huge quadroon, running across the room, swept them both up into his giant embrace, man and woman together, and bore them down by the sunken doorway into the cellars below!

The shop door fell inwards, crashing down the four steps, and Dunbar sprang into the place, revolver in hand, followed by Inspector Kelly and four men of the River Police, one of whom carried a hurricane lantern. Ah-Fang-Fu had just descended after Miguel and closed the heavy door.

"Try this way, boys!" cried Kelly, and rushed up the stair. The four men followed him. The lantern was left on the floor. Dunbar stared about him. Sowerby and several other men entered. Suddenly Dunbar saw Gaston Max lying on the floor.

"My God!" he cried—"they have killed him!"

He ran across, knelt and examined Max, pressing his ear against his breast.

Inspector Kelly reaching the top of the stairs and finding the door locked, hurled his great bulk against it and burst it open.

"Follow me, boys!" he cried. "Take care! Bring the lantern, somebody."

The fourth man grasped the lantern and all followed the Inspector up the stair and out through the doorway. His voice came dimly:

"Mind the beam! Pass the light forward…."

Sowerby was struggling with the door by which Miguel and Ah-Fang-Fu unseen had made their escape and Dunbar, having rested Max's head upon a pillow, was glaring all about him, his square jaw set grimly and his eyes fierce with anger.

A voice droned from a bunk:

"Cheal kegur men ms ka-dheer!"

The police were moving from bunk to bunk, scrutinising the occupants.
The uproar had penetrated to them even in their drugged slumbers.
There were stirrings and mutterings and movements of yellow hands.

"But where is 'The Scorpion'?"

He turned and stared at the wall from which the matting had been torn. And out of the little niche in the cunningly masked door the green-eyed joss leered at him complacently.

PART IV THE LAIR OF THE SCORPION CHAPTER I THE SUBLIME ORDER

Stuart awoke to a discovery so strange that for some time he found himself unable to accept its reality. He passed his hands over his face and eyes and looked about him dazedly. He experienced great pain in his throat, and he could feel that his neck was swollen. He stared down at his ankles, which also were throbbing agonisingly—to learn that they were confined in gyves attached by a short chain to a ring in the floor!

He was lying upon a deep diwan, which was covered with leopard-skins and which occupied one corner of the most extraordinary room he had ever seen or ever could have imagined. He sat up, but was immediately overcome with faintness which he conquered with difficulty.

The apartment, then, was one of extraordinary Oriental elegance, having two entrances closed with lacquer sliding doors. Chinese lamps swung from the ceiling, illuminated it warmly, and a great number of large and bright silk cushions were strewn about the floor. There were tapestries in black and gold, rich carpets and couches, several handsome cabinets and a number of tall cases of Oriental workmanship containing large and strangely bound books, scientific paraphernalia, curios and ornaments.

At the further end of the room was a deep tiled hearth in which stood a kind of chemical furnace which hissed constantly. Upon ornate small tables and pedestals were vases and cases—one of the latter containing a number or orchids, in flower.

Preserved lizards, snakes, and other creatures were in a row of jars upon a shelf, together with small skeletons of animals in frames. There was also a perfect human skeleton. Near the centre of the room was a canopied chair, of grotesque Chinese design, upon a dais, a big bronze bell hanging from it; and near to the diwan upon which Stuart was lying stood a large, very finely carved table upon which were some open faded volumes and a litter of scientific implements. Near the table stood a very large bowl of what looked like platinum, upon a tripod, and several volumes lay scattered near it upon the carpet. From a silver incense-burner arose a pencilling of blue smoke.

One of the lacquer doors slid noiselessly open and a man entered,
Stuart inhaled sibilantly and clenched his fists.

The new-comer wore a cowled garment of some dark blue material which enveloped him from head to feet. It possessed oval eye-holes, and through these apertures gleamed two eyes which looked scarcely like the eyes of a human being. They were of that brilliant yellow color sometimes seen in the eyes of tigers, and their most marked and awful peculiarity was their unblinking regard. They seemed always to be open to their fullest extent, and Stuart realized with anger that it was impossible to sustain for long the piercing gaze of Fo-Hi … for he knew that he was in the presence of "The Scorpion"!

Walking with a slow and curious dignity, the cowled figure came across to the table, first closing the lacquer door. Stuart's hands convulsively clutched the covering of the diwan as the sinister figure approached. The intolerable gaze of those weird eyes had awakened a horror, a loathing horror, within him, such as he never remembered to have experienced in regard to any human being. It was the sort of horror which the proximity of a poisonous serpent occasions—or the nearness of