The Seaboard Parish by George MacDonald (most important books to read .txt) 📖
- Author: George MacDonald
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When I turned to look again, the little child was gone. Some butterfly fancy had seized her, and she was away. A little lamb was in her place, nibbling at the grass that grew on the side of the next mound. And when I looked seaward there was a sloop, like a white-winged sea-bird, rounding the end of a high projecting rock from the south, to bear up the little channel that led to the gates of the harbour canal. Out of the circling waters it had flown home, not from a long voyage, but hardly the less welcome therefore to those that waited and looked for her signal from the barrier rock.
Reentering by the angels' door to descend the narrow cork-screw stair, so dark and cool, I caught a glimpse, one turn down, by the feeble light that came through its chinks after it was shut behind us, of a tiny maiden-hair fern growing out of the wall. I stopped, and said to the old woman-
"I have a sick daughter at home, or I wouldn't rob your tower of this lovely little thing."
"Well, sir, what eyes you have! I never saw the thing before. Do take it home to miss. It'll do her good to see it. I be main sorry to hear you've got a sick maiden. She ben't a bedlar, be she, sir?"
I was busy with my knife getting out all the roots I could without hurting them, and before I had succeeded I had remembered Turner's using the word.
"Not quite that," I answered, "but she can't even sit up, and must be carried everywhere."
"Poor dear! Everyone has their troubles, sir. The sea's been mine."
She continued talking and asking kind questions about Connie as we went down the stair. Not till she opened a little door I had passed without observing it as we came up, was I reminded of my first object in ascending the tower. For this door revealed a number of bells hanging in silent power in the brown twilight of the place. I entered carefully, for there were only some planks laid upon the joists to keep one's feet from going through the ceiling. In a few moments I had satisfied myself that my conjecture about the keys below was correct. The small iron rods I had seen from beneath hung down from this place. There were more of them hanging shorter above, and there was yet enough of a further mechanism remaining to prove that those keys, by means of the looped and cranked rods, had been in connection with hammers, one of them indeed remaining also, which struck the bells, so that a tune could be played upon them as upon any other keyed instrument. This was the first contrivance of the kind I had ever seen, though I have heard of it in other churches since.
"If I could find a clever blacksmith in the neighbourhood, now," I said to myself, "I would get this all repaired, so that it should not interfere with the bell-ringing when the ringers were to be had, and yet Shepherd could play a psalm tune to his parish at large when he pleased." For Shepherd was a very fair musician, and gave a good deal of time to the organ. "It's a grand notion, to think of him sitting here in the gloom, with that great musical instrument towering above him, whence he sends forth the voice of gladness, almost of song to his people, while they are mowing the grass, binding the sheaves, or gazing abroad over the stormy ocean in doubt, anxiety, and fear. 'There's the parson at his bells,' they would say, and stop and listen; and some phrase might sink into their hearts, waking some memory, or giving birth to some hope or faint aspiration. I will see what can be done." Having come to this conclusion, I left the abode of the bells, descended to the church, bade my conductress good morning, saying I would visit her soon in her own house, and bore home to my child the spoil which, without kirk-rapine, I had torn from the wall of the sanctuary. By this time the stormy veil had lifted from the horizon, and the sun was shining in full power without one darkening cloud.
Ere I left the churchyard I would have a glance at the stone which ever seemed to lie gazing up at the tower. I soon found it, because it was the only one in that quarter from which I could see the top of the tower. It recorded the life and death of an aged pair who had been married fifty years, concluding with the couplet-
"A long time this may seem to be, But it did not seem long to we."
The whole story of a human life lay in that last verse. True, it was not good grammar; but they had got through fifty years of wedded life probably without any knowledge of grammar to harmonise or to shorten them, and I daresay, had they been acquainted with the lesson he had put into their dumb mouths, they would have been aware of no ground of quarrel with the poetic stone-cutter, who most likely had thrown the verses in when he made his claim for the stone and the cutting. Having learnt this one by heart, I went about looking for anything more in the shape of sepulchral flora that might interest or amuse my crippled darling; nor had I searched long before I found one, the sole but triumphant recommendation of which was the thorough "puzzle-headedness" of its construction. I quite reckoned on seeing Connie trying to make it out, looking as bewildered over its excellent grammar, as the poet of the other ought to have looked over his rhymes, ere he gave in to the use of the nominative after a preposition.
"If you could view the heavenly shore,
Where heart's content you hope to find,
You would not murmur were you gone before,
But grieve that you are left behind."
CHAPTER XVI.
CONNIE'S WATCH-TOWER.
As I walked home, the rush of the rising tide was in my ears. To my fancy, the ocean, awaking from a swoon in which its life had ebbed to its heart, was sending that life abroad to its extremities, and waves breaking in white were the beats of its reviving pulse, the flashes of returning light. But so gentle was its motion, and so lovely its hue, that I could not help contrasting it with its reflex in the mind of her who took refuge from the tumult of its noises in the hollow of the old church. To her, let it look as blue as the sky, as peaceful and as moveless, it was a wild, reckless, false, devouring creature, a prey to its own moods, and to that of the blind winds which, careless of consequences, urged it to raving fury. Only, while the sea took this form to her imagination, she believed in that which held the sea, and knew that, when it pleased God to part his confining fingers, there would he no more sea.
When I reached home, I went straight to Connie's room. Now the house was one of a class to every individual of which, whatever be its style or shape, I instantly become attached almost as if it possessed a measure of the life which it has sheltered. This class of human dwellings consists of the houses that have grown . They have not been, built after a straight-up-and-down model of uninteresting convenience or money-loving pinchedness. They must have had some plan, good, bad, or indifferent, as the case may be, at first, I suppose; but that plan they have left far behind, having grown with the necessities or ambitions of succeeding possessors, until the fact that they have a history is as plainly written on their aspect as on that of any you or daughter of Adam. These are the houses which the fairies used to haunt, and if there is any truth in ghost-stories, the houses which ghosts will yet haunt; and hence perhaps the sense of soothing comfort which pervades us when we cross their thresholds. You do not know, the moment you have cast a glance about the hall, where the dining-room, drawing-room, and best bedroom are. You have got it all to find out, just as the character of a man; and thus had I to find out this house of my friend Shepherd. It had formerly been a kind of manor-house, though altogether unlike any other manor-house I ever saw; for after exercising all my constructive ingenuity reversed in pulling it to pieces in my mind, I came to the conclusion that the germ-cell of it was a cottage of the simplest sort which had grown by the addition of other cells, till it had reached the development in which we found it.
I have said that the dining-room was almost on the level of the shore. Certainly some of the flat stones that coped the low wall in front of it were thrown into the garden before the next winter by the waves. But Connie's room looked out on a little flower-garden almost on the downs, only sheltered a little by the rise of a short grassy slope above it. This, however, left the prospect, from her window down the bay and out to sea, almost open. To reach this room I had now to go up but one simple cottage stair; for the door of the house entered on the first floor, that is, as regards the building, midway between heaven and earth. It had a large bay-window; and in this window Connie was lying on her couch, with the lower sash wide open, through which the breeze entered, smelling of sea-weed tempered with sweet grasses and the wall-flowers and stocks that were in the little plot under it. I thought I could see an improvement in her already. Certainly she looked very happy.
"O, papa!" she said, "isn't it delightful?"
"What is, my dear?"
"O, everything. The wind, and the sky, and the sea, and the smell of the flowers. Do look at that sea-bird. His wings are like the barb of a terrible arrow. How he goes undulating, neck and body, up and down as he flies. I never felt before that a bird moves his wings. It always looked as if the wings flew with the bird. But I see the effort in him."
"An easy effort, though, I should certainly think."
"No doubt. But I see that he chooses and means to fly, and so does it. It makes one almost reconciled to the idea of wings. Do angels really have wings, papa?"
"It is generally so represented, I think, in the Bible. But whether it is meant as a natural fact about them, is more than I take upon me to decide. For one thing, I should have to examine whether in simple narrative they are ever represented with them, as, I think, in records of visions they are never represented without them. But wings are very beautiful things, and I do not exactly see why you should need reconciling to them."
Connie gave a little shrug
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