Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. The Old Wives' Tale by Arnold Bennett (thriller books to read .TXT) 📖
- Author: Arnold Bennett
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Sophia was gone. She was gone with Gerald Scales.
That beautiful child, that incalculable, untamable, impossible creature, had committed the final folly; without pretext or excuse, and with what elaborate deceit! Yes, without excuse! She had not been treated harshly; she had had a degree of liberty which would have astounded and shocked her grandmothers; she had been petted, humoured, spoilt. And her answer was to disgrace the family by an act as irrevocable as it was utterly vicious. If among her desires was the desire to humiliate those majesties, her mother and Aunt Harriet, she would have been content could she have seen them on the sofa there, humbled, shamed, mortally wounded! Ah, the monstrous Chinese cruelty of youth!
What was to be done? Tell dear Constance? No, this was not, at the moment, an affair for the younger generation. It was too new and raw for the younger generation. Moreover, capable, proud, and experienced as they were, they felt the need of a man’s voice, and a man’s hard, callous ideas. It was a case for Mr. Critchlow. Maggie was sent to fetch him, with a particular request that he should come to the side-door. He came expectant, with the pleasurable anticipation of disaster, and he was not disappointed. He passed with the sisters the happiest hour that had fallen to him for years. Quickly he arranged the alternatives for them. Would they tell the police, or would they take the risks of waiting? They shied away, but with fierce brutality he brought them again and again to the immediate point of decision. … Well, they could not tell the police! They simply could not. Then they must face another danger. … He had no mercy for them. And while he was torturing them there arrived a telegram, despatched from Charing Cross, “I am all right, Sophia.” That proved, at any rate, that the child was not heartless, not merely careless.
Only yesterday, it seemed to Mrs. Baines, she had borne Sophia; only yesterday she was a baby, a schoolgirl to be smacked. The years rolled up in a few hours. And now she was sending telegrams from a place called Charing Cross! How unlike was the hand of the telegram to Sophia’s hand! How mysteriously curt and inhuman was that official hand, as Mrs. Baines stared at it through red, wet eyes!
Mr. Critchlow said some one should go to Manchester, to ascertain about Scales. He went himself, that afternoon, and returned with the news that an aunt of Scales had recently died, leaving him twelve thousand pounds, and that he had, after quarrelling with his uncle Boldero, abandoned Birkinshaws at an hour’s notice and vanished with his inheritance.
“It’s as plain as a pikestaff,” said Mr. Critchlow. “I could ha’ warned ye o’ all this years ago, even since she killed her father!”
Mr. Critchlow left nothing unsaid.
During the night Mrs. Baines lived through all Sophia’s life, lived through it more intensely than ever Sophia had done.
The next day people began to know. A whisper almost inaudible went across the Square, and into the town: and in the stillness every one heard it. “Sophia Baines run off with a commercial!”
In another fortnight a note came, also dated from London.
“Dear Mother, I am married to Gerald Scales. Please don’t worry about me. We are going abroad. Your affectionate Sophia. Love to Constance.” No tear-stains on that pale blue sheet! No sign of agitation!
And Mrs. Baines said: “My life is over.” It was, though she was scarcely fifty. She felt old, old and beaten. She had fought and been vanquished. The everlasting purpose had been too much for her. Virtue had gone out of her—the virtue to hold up her head and look the Square in the face. She, the wife of John Baines! She, a Syme of Axe!
Old houses, in the course of their history, see sad sights, and never forget them! And ever since, in the solemn physiognomy of the triple house of John Baines at the corner of St. Luke’s Square and King Street, have remained the traces of the sight it saw on the morning of the afternoon when Mr. and Mrs. Povey returned from their honeymoon—the sight of Mrs. Baines getting into the waggonette for Axe; Mrs. Baines, encumbered with trunks and parcels, leaving the scene of her struggles and her defeat, whither she had once come as slim as a wand, to return stout and heavy, and heavy-hearted, to her childhood; content to live with her grandiose sister until such time as she should be ready for burial! The grimy and impassive old house perhaps heard her heart saying: “Only yesterday they were little girls, ever so tiny, and now—” The driving-off of a waggonette can be a dreadful thing.
I
“Well,” said Mr. Povey, rising from the rocking-chair that in a previous age had been John Baines’s, “I’ve got to make a start some time, so I may as well begin now!”
And he went from the parlour into the shop. Constance’s eye followed him as far as the door, where their glances met for an instant in the transient gaze which expresses the tenderness of people who feel more than they kiss.
It was on the morning of this day that Mrs. Baines, relinquishing the sovereignty of St. Luke’s Square, had gone to live as a younger sister in the house of Harriet Maddack at Axe. Constance guessed little of the secret anguish of that departure. She only knew that it was just like her mother, having perfectly arranged the entire house for the arrival of the honeymoon couple from Buxton, to flit early away so as to spare the natural blushing diffidence of the said couple. It was like her mother’s commonsense and her mother’s sympathetic comprehension. Further, Constance did not pursue her mother’s feelings, being far too busy with her own. She sat there full of new knowledge and new importance, brimming with experience and strange, unexpected aspirations, purposes, yes—and cunnings! And yet, though the very curves of her cheeks seemed to be mysteriously altering, the old Constance still lingered in that frame, an innocent soul hesitating to spread its wings and quit for ever the body which had been its home; you could see the timid thing peeping wistfully out of the eyes of the married woman.
Constance rang the bell for Maggie to clear the table; and as she did so she had the illusion that she was not really a married woman and a house-mistress, but only a kind of counterfeit. She did most fervently hope that all would go right in the house—at any rate until she had grown more accustomed to her situation.
The hope was to be disappointed. Maggie’s rather silly, obsequious smile concealed but for a moment the ineffable tragedy that had lain in wait for unarmed Constance.
“If you please, Mrs. Povey,” said Maggie, as she crushed cups together on the tin tray with her great, red hands, which always looked like something out of a butcher’s shop; then a pause, “Will you please accept of this?”
Now, before the wedding Maggie had already, with tears of affection, given Constance a pair of blue glass vases (in order to purchase which she had been obliged to ask for special permission to go out), and Constance wondered what was coming now from Maggie’s pocket. A small piece of folded paper came from Maggie’s pocket. Constance accepted of it, and read: “I begs to give one month’s notice to leave. Signed Maggie. June 10, 1867.”
“Maggie!” exclaimed the old Constance, terrified by this incredible occurrence, ere the married woman could strangle her.
“I never give notice before, Mrs. Povey,” said Maggie, “so I don’t know as I know how it ought for be done—not rightly. But I hope as you’ll accept of it, Mrs. Povey.”
“Oh! of course,” said Mrs. Povey, primly, just as if Maggie was not the central supporting pillar of the house, just as if Maggie had not assisted at her birth, just as if the end of the world had not abruptly been announced, just as if St. Luke’s Square were not inconceivable without Maggie. “But why—”
“Well, Mrs. Povey, I’ve been a-thinking it over in my kitchen, and I said to myself: ‘If there’s going to be one change there’d better be two,’ I says. Not but what I wouldn’t work my fingers to the bone for ye, Miss Constance.”
Here Maggie began to cry into the tray.
Constance looked at her. Despite the special muslin of that day she had traces of the slatternliness of which Mrs. Baines had never been able to cure her. She was over forty, big, gawky. She had no figure, no charms of any kind. She was what was left of a woman after twenty-two years in the cave of a philanthropic family. And in her cave she had actually been thinking things over! Constance detected for the first time, beneath the dehumanized drudge, the stirrings of a separate and perhaps capricious individuality. Maggie’s engagements had never been real to her employers. Within the house she had never been, in practice, anything but ‘Maggie’—an organism. And now she was permitting herself ideas about changes!
“You’ll soon be suited with another, Mrs. Povey,” said Maggie. “There’s many a—many a—” She burst into sobs.
“But if you really want to leave, what are you crying for, Maggie?” asked Mrs. Povey, at her wisest. “Have you told mother?”
“No, miss,” Maggie whimpered, absently wiping her wrinkled cheeks with ineffectual muslin. “I couldn’t seem to fancy telling your mother. And as you’re the mistress now, I thought as I’d save it for you when you come home. I hope you’ll excuse me, Mrs. Povey.”
“Of course I’m very sorry. You’ve been a very good servant. And in these days—”
The child had acquired this turn of speech from her mother. It did not appear to occur to either of them that they were living in the sixties.
“Thank ye, miss.”
“And what are you thinking of doing, Maggie? You know you won’t get many places like this.”
“To tell ye the truth, Mrs. Povey, I’m going to get married mysen.”
“Indeed!” murmured Constance, with the perfunctoriness of habit in replying to these tidings.
“Oh! but I am, mum,” Maggie insisted. “It’s all settled. Mr. Hollins, mum.”
“Not Hollins, the fish-hawker!”
“Yes, mum. I seem to fancy him. You don’t remember as him and me was engaged in ‘48. He was my first, like. I broke it off because he was in that Chartist lot, and I knew as Mr. Baines would never stand that. Now he’s asked me again. He’s been a widower this long time.”
“I’m sure I hope you’ll be happy, Maggie. But what about his habits?”
“He won’t have no habits with me, Mrs. Povey.”
A woman was definitely emerging from the drudge.
When Maggie, having entirely ceased sobbing, had put the folded cloth in the table-drawer and departed with the tray,
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